Evan Henerson is a longtime arts and features writer who lives in Southern California. He is the former theater critic for the Los Angeles Daily News and has written for such publications as American Theatre, Playbill Online, Stage Directions and Backstage.
Los Angeles’s East West Players has a long and vibrant history with the musicals of Stephen Sondheim, making it hardly a news flash that the company would both take a – er – shot at the composer’s controversial 1990 work, ASSASSINS, and end up bringing it off so splendidly.
If a playgoer knows anything about Shakespeare and/or musicals, then for sheer inventiveness, sweetness and curtain-to-curtain smiles, SOMETHING ROTTEN! has you covered.
Based on a 2007 movie and a premise that you wish actually happened (even though it didn’t), the musical, directed by David Cromer, is a gentle ode to open minds, tolerance, wrong turns and – sure – faith.
PARADISE BLUE, a play that contains music, begins with the sound of a sublime note issued by a trumpet and concludes, a couple of riveting hours later with an equally beautiful strain…followed by a far more discordant sound.
If you are a person who enjoys a good “out of sync,” then you belong in the turbulence-riddled realm of Arcadia by way of the Pasadena Playhouse where kings are queens, handmaids love above their station and amazons are…well, lots of things to a lot of people.
While there are laughs to be had, nostalgia to be indulged and charm aplenty in Christian Lebano’s production of YaGM Charlie Brown for the Sierra Madre Playhouse, there is also a certain quotient of angst that no bright costumes or cutesy set pieces can disguise.
'A lean an hungry look,' Julius Caesar’s oft-quoted descriptor for Cassius, is an apt metaphor for the season-opening production of JULIUS CAESAR at the Will Geer Theatricum Botanicum, and not always in a good way.