Elizabeth Blosfield

Sara Mearns is in the spotlight as a principal dancer at New York City Ballet, where she has spent the past two decades of her career. Yet, even at the top of her field, she relies on off-season gigs to cover New York rent on a 37-week contract.

https://www.broadwayworld.com/article/Video-Mira-Sorvino-on-Making-Her-Broadway-Debut-in-CHICAGO-20251017?fbclid=IwY2xjawNfZKlleHRuA2FlbQIxMQABHiLGCfa5vM_Srid5IsG9HMFCrUpYXJ5gs1PnL55YZ-RX_fMnVnpv3T3gacsi_aem__BHK-Ev7-zjnzHotPvDkVA

What did our critic think of FALL FOR DANCE FESTIVAL at New York City Center?

What did our critic think of I & YOU: THE MUSICAL at McCarter Theatre Center?

Presented first at the Count Basie Center for the Arts in Red Bank, New Jersey, on May 8, 2025, and later at the Mayo Performing Arts Center in Morristown, New Jersey, on May 17 and 18, this program paid tribute to the genius of George Balanchine and the everlasting magic of classical ballet.

The U.S. premiere of U.K. hip-hop dance theater company, Boy Blue, brought energy, rhythm and artistry to Jazz at Lincoln Center’s Rose Theater last weekend with Cycles. The show served as an exploration of hip-hop’s rich history, choreographed by Kenrick Sandy with music compositions by Michael Asante. The company presented three evening performances at the Rose Theater from March 27-29.

Ronald K. Brown's EVIDENCE, A Dance Company, marks its return to The Joyce Theater from January 14–19 with a worshipful celebration of the company’s 40th anniversary.