David Clarke - Page 33

While SISTER ACT's First National Tour was playing in Durham, North Carolina, I got a chance to talk with Kingsley Leggs, who plays Curtis Jackson, Deloris Van Cartier's gangster boyfriend and the show's villain. Kingsley Legs, who originated the role of Curtis Jackson on Broadway, spoke with me about his career, SISTER ACT's rehearsal process, preparing the First National Tour, SISTER ACT itself, and life on the road.

I've been writing about Houston's extremely varied theater scene for a little over a year now. One thing I quickly learned is that there is never a dearth of quality productions to look forward to in this city. As summer is finally beginning to take hold of Houston, I can't help but anticipate the many happenings this season brings. In order of opening nights, I have listed the six productions I am most excited to experience.

The Ensemble Theatre has a reputation for producing thought-provoking and intellectually stimulating art. From this season alone, they have moved hearts and minds with their skillful productions of THE NACIREMA SOCIETY and KNOCK ME A KISS. Their current production of David Mamet's RACE masterfully written RACE beautifully continues that trend and gives audiences plenty to talk and think about.

The Catastrophic Theatre is currently reviving Mickle Maher's THERE IS A HAPPINESS THAT MORNING IS by popular demand. The show originally had its Houston premiere in 2009, and apparently was quite a sensation. At Friday night's opening night performance of this run, I instantly saw why.

Black Lab Theatre is closing their exciting 2012-2013 season with a provocative and hilarious Regional Premiere production of David Henry Hwang's 2011 play CHINGLISH. The fresh and poignant comedy is a timely exploration of the business and economic relationship between China and the United States. As this plot is so richly layered and absorbing, I'm reluctant to say much about it for fear of ruining the miraculous experience of watching the story unfold. At the opening of the show, Daniel Cavanaugh, owner of Ohio Signage, is making a presentation for the Commerce League of Ohio about doing business in China. The plot quickly flashes back three years and recounts his first trip to China as he hopes to score a contract to make the translated signs for a new Cultural Arts Center in Guiyang, China. Within a few scenes, the audience is mesmerized by the level of duplicitous intrigue and captured in the surreptitious game of trying to determine what team all the characters are playing for.

As part of the Alley Theatre's New Play Initiative, where the Alley facilitates a creative collaboration between playwrights, directors, actors, and designers, the organization is producing Kenneth Lin's edgy and fresh drama WARRIOR CLASS. Kenneth Lin's INTELLIGENCE-SLAVE was previously produced in 2010 as part of this program as well. Kenneth Lin is also a staff writer for Netflix's HOUSE OF CARDS and the creator of USA Networks new limited series AMERICAN WAY.

Paul Hope's Bayou City Concert Musicals (BCCM) is proudly continuing their mission of bringing to Houston the best of the best from show business' yesteryears. Sometimes it is in the form of a forgotten or neglected musical, like their concert stagings of ONE TOUCH OF VENUS, THE SECRET GARDEN, and FINNAN'S RAINBOW. At other events, Paul Hope stages a cabaret of a composer's hits and erstwhile gems. Last Monday, BCCM premiered their cabaret entitled ALONE TOGETHER: THE SONGS OF ARTHUR SCHWARTZ. Arthur Schwartz composed for the Broadway productions THE BAND WAGON, A TREE GROWS IN BROOKLYN, and others. He was also a celebrated Hollywood composer, writing music for THANK YOUR LUCKY STARS, the film adaptation of THE BAND WAGON, and others.

The Texas Repertory Theatre Company is continuing their 8th Season with Bernard Slade's TRIBUTE. The play was penned as a vehicle for Jack Lemmon, and earned him both a Tony Nomination and a Drama Desk Nomination for his performance. The engaging, 1978 piece introduces audiences to Scotty Templeton, who has just discovered he is terminally ill with Lukemia. As his time runs out, he spends his last summer trying to repair his estranged relationship with his son. Within this scenario, Bernard Slade crafts a heart achingly poignant comedy about the strength of familial bonds and the importance of human friendships.

Black Lab Theatre is hard at work preparing the Regional Premiere of David Henry Hwang's CHINGLISH for Houston audiences. Recently, I visited a rehearsal at Asia Society Texas to talk to director Troy Scheid and her cast, featuring Mike Yager, Vivian Chiu, John Dunn, Xin Jian, Janice Pai Martindale, William Wu, and Andrea Huang about the show.

As I stare down the barrel of my own 10-year anniversary from graduating high school, I found more than one of the characters in Standing Room Only Production's presentation of local award-winning playwright Michael Weem's FEELING ALRIGHT! honestly relevant and applicable to me and my life. And I'm certain I was not alone. Whether you're just out of high school or 50 years out of high school, the individual pressures and dilemmas of self-discovery of at least one of the characters will ring with the distinct air of truth for you.

Mildred's Umbrella is closing their 2012-2013 season with the Houston premiere of the moody and atmospheric formula bending genre play RAVENSCROFT by Don Nigro. The 1991 drama serves as the basis for THE MANOR, a 1999 film with Peter O'Toole, and introduces audiences to Inspector Ruffing, a man challenged with trying to decipher the truth through his interviews with five duplicitous women at Ravenscroft Manor. We watch as Ruffing tries to solve the possible murder of Patrick Roarke, who took an unfortunate headfirst dive down that main stairwell in the middle of the night.

Bayou City Theatrics is continuing their inaugural season with Houston's first locally produced professional staging of Elton John and Tim Rice's AIDA. The musical, with a book by Linda Woolverton, Robert Falls, and David Henry Hwang, was originally produced on Broadway by Disney Theatrical Productions, and ran on there from March 23, 2000 to September 5, 2004 for a total of 1,852 performances. The successes of the Broadway production lead to two national tours. The 2002-2003 equity tour served as a duplicate of the Broadway staging; however, David Henry Hwang revised the book for the 2006-2007 non-equity second national tour, creating a show that was a bit darker by removing some of the campy comedy from the character of Amneris. Having seen both tours, it seems that the version licensed by Music Theatre International is the same book used by the Broadway version.

Theatre Under the Stars (TUTS) is bringing SPAMALOT back to Houston stages. This locally produced production of the smash hit comedic musical is being directed by Marc Robin. The cast features performers that have previously been in productions of SPAMALOT before and some new to the show altogether. During his Tuesday night dinner break, I got the opportunity to chat with Brian Shepard, who was a member of SPAMALOT's Original Broadway Company, about his career and his experiences with SPAMALOT in New York City and with TUTS.

This weekend, the Houston Ballet Academy and Houston Ballet II performed their 2013 Spring Showcase in the Cullen Theater at the Wortham Center, showcasing why this program is globally recognized as one of the preeminent dance training programs.

Last night, Houston's Opera in the Heights opened their production of Giuseppe Verdi's FALSTAFF. The mirthful and comedic opera is the last production of their 2012-2013 season, but the most exhilarating aspect of the production is seeing an opera performed so intimately. This was my first time to visit Lambert Hall, and I was simply blown away by how close to the action I was, even in the last row of the Orchestra level. Opera in the Heights provides a novel and intriguing way to experience opera that I, and I'm sure many others, are simply unaccustomed to.

All across the state of Texas, high school theatre students are gearing up for the annual UIL One Act Play State Championship competition, annually held at the University of Texas in Austin. Just as these students are indefatigably preparing, so is Landry Gideon and his documentary film crew. They have been tirelessly documenting the Texas One Act Play process. Despite the hectic and crazy schedule, Landry Gideon took some time to talk to me about THE SHOW MUST GO ON, his One Act Play documentary, and being a filmmaker.

The 2012-2013 season at Houston Grand Opera (HGO) has been filled with stunning performances of astounding operatic talent; however, their current production of Richard Wagner's TRISTAN AND ISOLDE may be the sparkling gem of this fascinating season. Every aspect of the production gels with perfection, making this production remarkable and truly unforgettable.

Theatre Southwest is currently producing a fascinating production of Tennessee William's thrilling and tense THE NIGHT OF THE IGUANA. The 1961 drama is set at The Costa Verde Hotel in Puerto Barrio on the West Coast of Mexico in the summer of 1940. The Reverend T. Lawrence Shannon is leading a tour group of Baptist women from Texas through Mexico, but makes an unplanned stop at the hotel, which is owned and operated by his friend, Maxine Falk. Over the course of the afternoon and evening, Shannon slowly unravels, exposing his secrets and sins. An impoverished and entirely broke New England spinster, Hannah Jelkes, and her aging grandfather, a poet losing his mind, arrive at the hotel as well. Without any money, the duo hopes to lodge at the hotel with the promise to earn some money and pay upon checkout.