Playwright Ron Hutchinson has written a clever farcical comedy with his play, MOONLIGHT AND MAGNOLIAS, based on an actual event that occurred during the tumultuous production of the film Gone with the Wind.
The Rockettes celebrate 85 years of high kicks with the charming and colorful RADIO CITY CHRISTMAS SPECTACULAR.
Playwright Janet Langhart Cohen has crafted an intriguing work with ANNE & EMMETT, which brings together two seemingly disparate people from history, and then proceeds to show how similar their lives were.
Playwright Bruce Norris has written a real gem with his work CLYBOURNE PARK.
Apparently, if you've seen LES MISERABLES in its current incarnation, you're missing 15 minutes (approximately), and a revolving stage that makes the action come alive.
Circus Flora tries something different by offering dinner with a show in their October presentation called: A Celtic Night Circus - TIR NA NOG.
Though cut from some of the same cloth as his "Eugene" trilogy, LOST IN YONKERS is a different animal all together from playwright Neil Simon.
With there being so much negativity in the world these days, it's nice to see a play, especially a musical, that has such a sweet disposition.
Upstream Theater consistently brings unique shows to St.
When a magician reveals how a particular trick is accomplished it often spoils the moment.
The original cast album of Spring Awakening (music by Duncan Sheik with book and lyrics by Steven Sater) is still in heavy rotation in my iPod, not only because it's a terrifically catchy score, but because of its dramatic power as well.
The West End Players Guild's 2012-13 season - the troupe's number 102- will be all new to St.
It's kind of hard to describe the new musical BLOODY BLOODY ANDREW JACKSON (book by Alex Timbers with music and lyrics by Michael Friedman), but only because it's such a phantasmagorical journey through the life and presidency of Andrew Jackson.
Nick Lowe performed a solo session at the Sheldon Concert Hall this past week and put on a whale of a good show, mining his catalog for a collection of material both old and new.
With the divorce rate as startling high as it is, it's not uncommon to find plays that deal with this subject matter.
Ken Haller's latest cabaret foray, "THE TV SHOW!" is a sheer delight, reveling in tunes that a lot of us grew up with emanating from the boob tube.
MY ONE AND ONLY is what I like to call a "retrofit" musical, appropriating tunes from the Gershwin brothers (Ira and George, of course) catalog, while creating a book (Peter Stone and Timothy Mayer) that incorporates familiar elements from 1927, the year it's set in.
One of the really cool things that HotCity Theatre does every year is their Greenhouse New Play Festival.
It may seem odd that over the course of 46 seasons the Rep has never produced a work by prolific playwright Neil Simon, and yet it makes sense in a way.
