BWW Reviews: Mamet's RACE Sizzles with Fast Pacing and Provocative DialogueDecember 5, 2013Two lawyers find themselves defending a wealthy white executive charged with raping a black woman. When a new legal assistant gets involved in the case, the opinions that boil beneath explode to the surface. When Mamet turns the spotlight on what we think but can't say, dangerous truths are revealed, and no punches are spared.
BWW Reviews: Silence is Golden in the Creatively Potent PLAYTIMENovember 15, 2013The story of a man/child who is constantly surrounded by happiness. However, just as he is able to find happiness, a sinister, dark force swoops in to rip it away from him. In the face of this overwhelming oppression, our hero continues to fight for his happiness in a funny, heartwarming, and truly unnerving story that culminates in a single climatic scene.
BWW Reviews: MBS Productions' DANTE: INFERNO is Theatrical HEAVEN!October 25, 2013Dante is given a tour through the different circles of hell. As he descends further into the underworld it he finds himself slowly descending into madness and that the souls and demons he encounters aren't going to allow him to escape. This ground breaking theatrical production of Dante's Poem is done in modern English making it accessible and understandable to modern audiences. Original premiere in 2008.
BWW Reviews: BLACK AT THE ASSASSINATION Deserves A+ for Compelling History LessonOctober 21, 2013Directed by Becki McDonald, who makes some excellent directing choices with her large cast of fifteen adult and children actors by combining brief oratory, traditional dialogue, and injecting cast members into the audience to DRAW viewers dead smack into the action. This created a theater experience that is equally educational, entertaining, and thought-provoking. Use of mixed media was also a component but the limitations of the performance space really hampered full immersion into the subject matter created by Robertson and Spencer in their script.
BWW Review: Del Shore's YELLOW is an Emotional Tsunami at Uptown PlayersMarch 8, 2013As the play opens, all seems right in the Westmoreland household. Dayne prepares for the start of football season, and Gracie and Kendall audition to join the cast of the high school production of 'Oklahoma.' Everything quickly begins to fall apart when an unexpected tragedy rocks the solid foundation of the Westmoreland family to the breaking point. Yellow dives head first into the themes of cowardice, intolerance and the damage caused to families by secrets, rejection and the difficulty of forgiveness.
Norton and Whitfield Lead the Pack in the BEST OF THE BESTFebruary 20, 2012Teco Theatrical Productions has reached a milestone with its Annual New Play Competition. Now in its 10th year, this staple of the Dallas theater community celebrates six (6) local playwrights selected by a reading committee who compete for an opportunity to win $1,000 by audience vote of their favorite 1-act play.
DVA Productions Opens Inaugural 2011-12 Season with BILLIE'S BLUESNovember 10, 2011'Billie's Blues', an original stage play written by D/FW playwright diannetucker and directed by Sheran Goodspeed Keyton, follows the incredible yet tumultuous life of the late great American jazz singer Billie Holiday through stories and of course, soul-stirring songs.
BWW Reviews: DVA Productions revival of "Fat Freddy’s" Hits the Right Notes MusicallyMay 15, 2011Historically, nightclubs have always held a special place in the heart and soul of Black America. In the presence of Jim Crow laws, these establishments offered blacks a place where they could meet each other socially, dine, drink, dance provocatively, and be entertained by local or traveling performers absent the persistent racism they experienced daily.
SATER Takes Risk With Condensed 'Romeo and Juliet'August 2, 2009Shane Arts Theatrical Ensemble Repertory has taken a different approach in telling the story of Romeo and Juliet, with a clever condensed adaptation by dramaturge David Hundsness and several standout performances, making the classic more accessible to modern audiences, particularly those unfamiliar with Shakespeare or find the genre yawn-boring.