Bryan-Keyth Wilson - Page 2

Dubbed the Literary Prince, Bryan-Keyth Wilson is a noted playwright, screenwriter, director, teaching artist and choreographer. He is a published author of two books and 8 plays. His first novel, HOOD BOY CHRONICLES, was a groundbreaking work of inspirational fiction combining street literature swag and spoken word intermingled with a poignant and heartfelt story that restores faith. His second title was for the grown and sexy crowd. TRACK CHANGES & WHITE LIES was written under an alter-ego pseudonym Brendan Gotti. BKW studied Musical Theatre with a Dance emphasis at Sam Houston State University. His passion for teaching has brought him into the classroom as a teaching artist where he shares his professional journey with young aspiring theatre/ musical theatre artists. He is the Artistic Director of The Wilson School of Acting & Musical Theatre and a proud member of Chi Tau Epsilon Dance Fraternal Honor Society and Alpha Psi Omega the National Honor Theatre Fraternity.

Regional directorial/choreography credits include: BARE, The Frog Prince, PIPPIN, Little Shop of Horrors, RENT, The Rocky Horror Show, Spring Awakening, Macbeth, Mame, Once on This Island, Anything Goes, Dreamgirls, Confessions of a Preacher's Wife, and Suessical the musical. Off-Broadway Credits include: Pamlet and The Subway Series Pt 1. He has choreographed children’s productions of Fiddler on the Roof Jr., which won Outstanding Production at the 2011 Junior Theatre Festival. Seussical Jr., Once on This Island Jr., Godspell Jr., Disney’s AristoCats Kids, Disney’s Beauty and the Beast Jr., The Little Mermaid Jr. which one Outstanding Production at the 2012 Junior Theatre Festival FAME Jr. and excerpts from Dr. Doolittle Jr. 2012 Showcase Premiere at the Junior Theatre Festival. He has directed music videos for American Idol Finalist Vincent Powell and YUNEK. BKW is also the founder and Executive Artistic Director of The Eklektix Theatre Company and founder of The Gulf Coast Writers Retreat. He is a five-year faculty member of The Black Writers Reunion & Conference.

Contact Bryan-Keyth Wilson

BWW Reviews: WICKED National Tour Continues to Defy Belief at The Hobby Center

July 20, 2016

On October 30, 2003, the institution of what we call American Musical theatre would never be the same.

BWW Interview: Backstage for WICKED at The Hobby Center

July 7, 2016

On July 5th I had the esteemed pleasure to go backstage with the production staff of WICKED national tour to talk with members of the production staff and watch how they transform the Hobby Center to the magical land of OZ.

BWW Review: FENCES at The Ensemble Theatre, a Barricade of Emotion

February 16, 2016

It was circa 1993 when I was introduced to the brilliance of August Wilson by my high school theatre teacher Rodney Sheffield.

BWW Reviews: PIPPIN, THE MUSICAL Magic, Razzle Dazzle Under the Big Top!

October 24, 2015

The circus is in town and I ain't talking about Barnum & Bailey! The national tour of the 2013 revival of PIPPIN made its way to the Bayou City and I'm hippopotamusly happy to see this tour! When creative geniuses such as Bob Fosse and Stephen Schwartz are at the helm of the original material, there

BWW Feature: Art & Reality at TUTS

September 14, 2015

Whenever art and reality collide there is an unexplainable truth to follow.

BWW Reviews: ASSASSINS at SRO is Rousing Ammunition for Thought!

July 15, 2015

If you are socially conscious or have some type of social media account, you are well aware of the social injustices that seem to flood the timelines.

BWW Reviews: TRAV'LIN at The Ensemble Moves into Our Hearts and Souls

July 2, 2015

Many theatre companies stay true to the commercial theatre blueprint, and then there's The Ensemble! The Ensemble was founded in 1976 by George Hawkins.

BWW Reviews: GEORGE GERSHWIN ALONE at The Alley Is Pimped Out Piano Perfection

June 23, 2015

Growing up listening to a vast array of music, my ear fell in love with the classics and one particular song entitled 'Summertime' touched my heart and ears.

BWW Reviews: FADE TO BLACK PLAY FESTIVAL at The Queensbury Theatre Bold, Black & Brilliantly-Beautiful

June 13, 2015

Last night I had the privilege to go to the 3rd annual FADE TO BLACK playwright's festival.

BWW Reviews: THE MUSIC MAN at TUTS, Marches Into Our Hearts!

May 13, 2015

BWW Reviews: DIE WALKURE at Houston Grand Opera, Wunderbar

May 1, 2015

Incest, power trips and a rebel with a cause are a few of the things we see in Houston Grand Opera's production DIE WALKÜRE.

BWW Reviews: TALES OF A FOURTH GRADE NOTHING at Main St. Theatre is Super Fudgy Awesomeness

April 24, 2015

What do you get when you have a cerebral 4th grader, spoiled little brother and a turtle named Dribble? It's the popular Judy Blume book TALES OF A FOURTH GRADE NOTHING on stage adapted by Bruce Mason.

BWW Reviews: JESUS CHRIST SUPERSTAR at Bayou City Theatrics Super Let Down

April 22, 2015

It was the summer of 1988 when I first heard the melodious JESUS CHRIST SUPERSTAR score.

BWW Reviews: VANITIES, the Musical at Theatre Lab, Gimmie a T for Tumultuous!

April 13, 2015

Pompoms, popularity, sorority life and a mid-life crisis are just the tip of the iceberg in VANITIES, the musical.

BWW Reviews: WHAT I LEARNED IN PARIS at The Ensemble

April 2, 2015

When a play weaves in watershed moments in American history, there's sure to be connectivity and enlightenment.

BWW Interviews: Briana Hunter of LA TRAGEDIE DE CARMEN at Opera In The Heights

March 27, 2015

When doing an interview with an artist I am in awe of their love and dedication for their craft.

BWW Reviews: A MIDSUMMER NIGHT'S DREAM at Stark Naked Theatre Company Puck'ing Awesome

March 23, 2015

Walking up to this warehouse building in the downtown area I was excited.

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