How far should we hold someone responsible for abuse decades ago? Can we factor in that maybe they grew and changed over the years? Is it fair to seek social justice in the age of the Internet when someone can instantly be fired or destroyed by allegations that were never prosecuted or examined by
Every generation seems to have their Florence Ballard - ultra talented singers who get tossed aside because they don't fit a look or a concept of what a record label wants in its catalog.
Narratively ELLIOT, A SOLDIER'S FUGUE simply combines three soldiers in Korea, Vietnam, and Iraq.
Most people know the music pretty well, but few knew the band had a colorful history full of crimes and mob connections that were against the clean cut tradition of their era.
THE BAND'S VISIT reminds audiences what musical theater can be when we remove garish production values and jukebox hits.
This is HAMLET like you have never seen before - performed by a handsome stranger who is hellbent on turning Shakespeare's longest work into a 90 minute aria.
Vincent Victoria has made a name for himself by recreating black female icons that loom large over our cultural imagination.
It was amazing to see DEAR EVAN HANSEN with an enthusiastic audience.
4th Wall Theatre Company's production shows a lot of love for Tennessee Williams, and they have thrown a ton of resources behind it.
Director Julie Kramer and choreographer Jessica Hartman have stayed true to the 1975 vision, but also managed to make it more energetic and faster paced.
To the delight of the audience she covers horror movies, several ghastly tales of the saints, and even unleashes a fashion show where you can dress up as an unlucky martyr to go trick or treating.
This one has everything you could want - broadly drawn characters, exotic settings, and a spectacular murder with no shortage of suspects.
The director has decided to look at the more giggle-worthy elements of PRIVATE LIVES, and has avoided some of the darker implications of this Noel Coward classic.
Some people will love this one, but I found it theatrically stunted and a bit offensive in that it would be funnier if I were far more conservative.
We struggle as humans to fit in and be enough at any given moment, and that's the lesson Lena Horne offered the world and herself.
You have ten plays with ten sets, ten casts, ten directors, and ten different playwrights.
Dequina Moore is a marvel as the titular role of Josephine Baker.
It feels curatorial now, a gorgeous museum exhibit that we are intrigued by decades later.
JEROME ROBBINS' BROADWAY pays tribute to a brilliant choreographer and becomes a testament to the enduring history of great Broadway shows.
It might be that the directors were looking for something of 2019 in 1985's A LIE OF THE MIND.
