Annie West

Beautiful technicians and haunting visages, the women seemed to be involved in some sophisticated conversation of an old forgotten world, where the women were impossibly strong and passion was the necessity of life.

A step onto the stage, and the winds of our ancestors and the spirits of the racehorse seem to jostle through the skirts and hair of Martita Goshen. Each hand gesture, every head flit conjures up memories of native dances and old forgotten connections between horse and man. This is Martita Goshen's Earthworks' performance of "Turning Home," a tribute to American thoroughbred racehorses.

Paul Taylor remains one of the greats of our time. Though he's been choreographing for almost 60 years, he continues to create worlds that audiences still want to enter.

Rarely has dance ever experienced video imagery to this magnitude. A translator from virtual reality to theatre, Umeda actualizes what computers and electronics would look like if they were humanized or artistically expressed.

Running. Throwing. Spinning. Shapes. This starts "Commentary=not thing" choreographed by Juliana May.

A beautiful blend of evocative music melding with clean choreography; this is why we seek Magloire.