Conductor Susanna Mälkki makes her Stern Auditorium / Perelman Stage debut on Thursday, January 6 at 8:00 p.m.
The New York Philharmonic will return to Carnegie Hall four times in 2022, the first Carnegie Hall performances by the orchestra at Carnegie Hall since 2015.
Conductor Susanna Mälkki makes her Stern Auditorium / Perelman Stage debut on Thursday, January 6 at 8:00 p.m. leading the orchestra in Adolphus Hailstork's An American Port of Call, Sibelius's Symphony No. 5, and John Adams's Saxophone Concerto with soloist Branford Marsalis. This performance will be heard live by music lovers around the globe as part of the Carnegie Hall Live radio broadcast and digital series. Produced by WQXR and Carnegie Hall and hosted by WQXR's Jeff Spurgeon and New Sounds' John Schaefer, the concert will be broadcast by WQXR 105.9 FM in New York, streamed on wqxr.org and carnegiehall.org/wqxr. The Philharmonic returns on Wednesday, April 27 at 8:00 p.m. with Music Director Jaap van Zweden leading the orchestra in the first of three performances, which features the US premiere of Nico Muhly's In Certain Circles with pianists Katia and Marielle Labèque. The orchestra's April program also includes Debussy's Prélude à l'après-midi d'un faune and La mer alongside Wagner's Prelude and Liebestod from Tristan und Isolde.Program Information
Stern Auditorium / Perelman Stage
NEW YORK PHILHARMONIC
Susanna Mälkki, Conductor
Branford Marsalis, Saxophone
Stern Auditorium / Perelman Stage
NEW YORK PHILHARMONIC
Jaap van Zweden, Music Director and Conductor
Katia and Marielle Labèque, Pianos
Stern Auditorium / Perelman Stage
NEW YORK PHILHARMONIC
Jaap van Zweden, Music Director and Conductor
Igor Levit, Piano
Stern Auditorium / Perelman Stage
NEW YORK PHILHARMONIC
Jaap van Zweden, Music Director and Conductor
Hilary Hahn, Violin
Tickets are available at the Carnegie Hall Box Office, 154 West 57th Street, or can be charged to major credit cards by calling CarnegieCharge at 212-247-7800 or by visiting the Carnegie Hall website, carnegiehall.org.
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