Midtown International Theatre Festival to Return to NYC for 2026 Season at ATA

After a nearly decade-long hiatus, the Midtown International Theatre Festival will officially return to the New York stage in June/July 2026.

In a landmark collaboration, MITF Founder and Executive Producer John Chatterton has partnered with indie theatre luminary Jay Michaels to relaunch the festival at the prestigious American Theatre of Actors (ATA).

The revival coincides with the ATA's 50th Anniversary, turning the entire three-theatre complex into a sprawling hub of creative innovation from June 15 through July 26, 2026.

Americaring

Americaring By Kate Gill Directed by Frank Licato. The conflict of the play is set off by an injustice of the healthcare system. A family is left motherless with a father who turns to alcohol. The teen daughter and her brothers must find a way to survive on their own. Then the girl falls in love with a wealthy boy in her high school. But there is a secret barrier they face.

Beethoven's Wrong Note

Beethoven's Wrong Note By Jay Stephenson starring James Harkness as Ludwig van Beethoven. This 2024 Perry Award winning original musical finds Beethoven caught in a Faustian deal with Mozart's librettist over a potboiler script. The drama quickly pours outside the confines of the rehearsal stage in what could have been "The Greatest Opera Yet Written!"

Cool at Camp

Cool at Camp By Dani Tapper, Peter Weidman, Steven Blutig, Robin Raskin, and Emily Stumer. Cool at Camp is an adult, meshuga musical comedy packed with humor, a slightly raunchy edge, and the kind of nostalgia that brings the audience right back to their teenage summers at camp.

Crabs in a Barrel

Crabs in a Barrel By Reginald T. Jackson. A dramatic tour de force centered on three people who find themselves in an existential "Hell." Jackson, a PEN America Writers' Fund grant recipient, presents a modern-day love triangle where secrets and unspeakable crimes are slowly revealed. Jackson just completed a world premiere of another play at the Fresh Fruit Festival.

How to Swallow a Volcano

How to Swallow a Volcano By Anne McDermott. Directed by Padraic Lillis, this solo show explores love, therapy, and the art of making bad choices with enthusiasm. Anne navigates sessions with an unflappable therapist and the mess of real life, exploring what happens when being "nice" becomes a liability.

Leaving Kiev: Coming Full Circle

Leaving Kiev: Coming Full Circle By Mila Levine. An autobiographical one-woman show featuring original music, poetry, and dance. It tells the story of a resilient Jewish girl from Ukraine immigrating to the United States. Addressing themes of antisemitism and immigration, the show marks a "full circle" moment for Levine, whose work first debuted here in 2015.

Monarch: The Mexican-American Musical

Monarch: The Mexican-American Musical By Alfonso Molina and Mayu Molina Lehmann. A powerful new work exploring the lives of undocumented immigrants. The story follows Luis as he takes refuge in a church, pursued by an ICE officer in a narrative style reminiscent of LES MISERABLES. After a successful premiere at the Los Angeles Theater Center and a Helen Hayes Award recommendation, the production makes its Off-Broadway debut.

Mother Boswick: The Best Show You Never Knew You Needed

Mother Boswick: The Best Show You Never Knew You Needed By David Magidson. Meet a 121-year-old advice-giving widow from the tiny hamlet of Squinch Hollow. Magidson, a former Ringling Bros. clown, brings his international experience to this character-driven comedy where Mother Boswick dispenses questionable wisdom and unique astrological advice.

Omeed's Tapestries

Omeed's Tapestries By Barry M. Putt, Jr. Directed by Robert Liebowitz, this play tells the story of an Iranian shopkeeper and his partner planning to flee their homeland to live openly. Inspired by over three dozen first-person accounts, the play navigates the danger they face when their secret is discovered. The Drama Book Shop will host a special event for this production in June.

One In A Million Cabaret

One In A Million Cabaret By Kevin Davis. Featuring a live band led by Davis on saxophone, a group of friends humorously discovers the fragility of life, love, and faith when they win the lottery. The production arrives with five BroadwayWorld nominations, including Best Director.

Pandemia: Act of Gods

Pandemia: Act of Gods by Jason S. Abrams follows the colliding lives of two households: a straight couple navigating the chaotic pressures of parenting a young child in a cramped apartment, and a pair of ex-boyfriends forced to navigate the awkward transition from former lovers to sequestered roommates. As the world outside grinds to a halt, these four New Yorkers are forced to confront their pasts, their futures, and each other during the COVID-19 pandemic.

Picking Up Stones

Picking Up Stones By Sandra Laub. An 80-minute one-woman theatrical piece that confronts the Israeli-Palestinian conflict through the personal lens of an American Jewish woman processing the aftermath of October 7, 2023. Written and performed by Laub and produced by Jerry Fischer, the play uses stones as a central metaphor for memory and historical weight. Winner of the 2024 Providence Fringe Artists For Artists Award.

Shangri-La-La

Shangri-La-La By Mike Meier and Peter Giambalvo. A comedy musical about Siegfried & Roy that captures the moment Las Vegas reinvented itself as a family-friendly destination. The story follows a young German assistant named Joshua who sees behind the sequins and manufactured myths of the legendary magicians.

Stick to the Script!

Stick to the Script! By Amy Losi. Directed by Laurie Rae Waugh, this is a comedic look at the chaos of independent theater. An amateur troupe has one week left to rehearse a new play, but they are hampered by dropped lines, a TikTok-distracted stage manager, and a sarcastic director with a short fuse. The one-act version won "The Spirit of the Hartford Fringe Festival Award."

The Anxiety of Laughing

The Anxiety of Laughing by Andrew Justvig is a heartfelt tale of resilience and love that follows Joey, a stand-up comedian with cerebral palsy, and his fiancée, Leah, a talented ballerina. As they support each other in pursuing their dreams, a tragic car accident shatters their lives, leaving Leah paralyzed from the waist down and testing the depths of their commitment.

The Crossword Play (or Ezmeranda's Gift)

The Crossword Play (or Ezmeranda's Gift) By Donna Hoke. Directed by Janel Walton and featuring Xavior Love as a professional crossword constructor who creates a custom puzzle for his ex-boyfriend's new girlfriend live on stage. As he fills the grid in real-time, he unravels a deeply personal story of love and redemption. Nominated for a record 10 BroadwayWorld Anchorage Awards including Best New Play and Best Play, winning Best Director for Janel Walton.

The Hallway

The Hallway written by Bill Keenan and directed by Jesse William Green. Trapped in a hotel hallway at 3:17 a.m., two strangers in bathrobes discover that the hardest door to knock on is always the one you most need to.

The Harm

The Harm by Dennis Leroy Kangalee. The Harm is a stripped-down, four-character play set in a college classroom, where a provocative lecture on media, race, and power unravels into a crisis of perception and accusation. The play investigates how language shapes reality in the present moment-how words, intention, and interpretation diverge, and how "harm" is constructed, claimed, and adjudicated.

Whatever

Whatever By Scott Brooks. Directed by Ashley Olive Teague, a billionaire's private pilot is paid to NOT fly him anywhere in this suspenseful play about power, information and what it means to be human in this digital age.

Additional Productions