Blue Note Jazz Presents JIMMY HEATH BIG BAND Feb. 2-7 with Guest MC BILL COSBY (Feb. 2 Only)

Blue Note Jazz Club presents JIMMY HEATH BIG BAND from Feb. 2-7 with guest MC Bill Cosby (Feb. 2 only).

Jimmy Heath, composer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, has long been considered a living legend on the tenor saxophone. His latest CD on Jazz Legacy Productions, Endurance (2009), is Heath's first release since his brother Percy's passing in 2005 and features the saxophonist with his younger brother, Albert "Tootie" Heath, on drums. For his Blue Note engagement, Heath will front a big band, MC'd by famous comedian Bill Cosby, who will be on hand for the opening night, February 2. Heath still plays with the same energy and passion that prompted his friend and colleague Dizzy Gillespie to exclaim, "If you know Jimmy Heath, you know Bop." Heath's autobiography, I Walk With Giants will be released on January 28, 2010 by Temple University Press.

WHEN: Tuesday, February 2 - Sunday, February 7, 2010; Sets @ 8:00pm & 10:30pm

WITH: Jimmy Heath, tenor saxophone, soprano saxophone; Other musicians, TBA

COST: $30 @ table / $20 @ bar

WHERE: The Blue Note; 131 W 3rd. St, New York, NY 10012

MORE: Doors open at 6pm. There is a $5 food/beverage minimum. For reservations, call 212-475-8592 or visit our website at www.bluenotejazz.com

BIO: Jimmy Heath has long been recognized as a brilliant instrumentalist and a magnificent composer and arranger. Jimmy is the middle brother of the legendary Heath Brothers (Percy Heath/bass and Tootie Heath/drums), and is the father of Mtume. He has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis. In 1948 at the age of 21, he performed in the First International Jazz Festival in Paris with McGhee, sharing the stage with Coleman Hawkins, Slam Stewart, and Erroll Garner. One of Heath's earliest big bands (1947-1948) in Philadelphia included John Coltrane, Benny Golson, Specs Wright, Cal Massey, Johnny Coles, Ray Bryant, and Nelson Boyd. Charlie Parker and Max Roach sat in on one occasion.

During his career, Jimmy Heath has performed on more than 100 record albums including seven with The Heath Brothers and twelve as a leader. Jimmy has also written more than 125 compositions, many of which have become jazz standards and have been recorded by other artists including Art Farmer, Cannonball Adderley, Clark Terry, Chet Baker, Miles Davis, James Moody, Milt Jackson, Ahmad Jamal, Ray Charles, Dizzy Gillespie J.J Johnson and Dexter Gordon. Jimmy has also composed extended works - seven suites and two string quartets - and he premiered his first symphonic work, "Three Ears," in 1988 at Queens College (CUNY) with Maurice Peress conducting.

After having just concluded eleven years as Professor of Music at the Aaron Copland School of Music at Queens College, Heath maintains an extensive performance schedule and continues to conduct workshops and clinics throughout the United States, Europe, and Canada. He has also taught jazz studies at Jazzmobile, Housatonic College, City College of New York, and The New School for Social Research. In October 1997, two of his former students, trumpeters Darren Barrett and Diego Urcola, placed first and second in the Thelonious Monk Competition.

Heath's enduring dedication to jazz as well as his musicianship prompted the following tributes:

"All I can say is, if you know Jimmy Heath, you know Bop." - Dizzy Gillespie

"Trane was always high on Jimmy's playing and so was I. Plus, he was a very hip dude to be with, funny and clean and very intelligent. Jimmy is one of the thoroughbreds." - Miles Davis

"My pick from the world's talent would be Diz as leader, John Lewis or Hank Jones on piano, Ray Brown bass, Milt Jackson vibes, Jimmy Heath tenor, and Sonny Stitt alto." - Kenny Clarke

"I had met Jimmy Heath, who - besides being a wonderful saxophonist - understood a lot about musical construction. I joined his group in Philadelphia in 1948. We were very much alike in our feeling, phrasing and a whole lot of other ways. Our musical appetites were the same. We used to practice together, and he would write out some of the things we were interested in. We would take things from records and digest them. In this way, we learned about the techniques being used by writers and arrangers." - John Coltrane, Downbeat, 1960

 

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