A Beautiful Noise, The Neil Diamond Musical
6 / 10
In the end, A Beautiful Noise can’t overcome the central challenge of being a Neil Diamond biomusical, which is that Diamond’s life has not been, in and of itself, especially dramatic. (The Gloria Estefan musical On Your Feet! had the same problem.) His first two marriages failed, but in drifts and not crashes; an association with mob-linked record executives (Michael McCormick and Tom Alan Robbins) is quickly overcome. The therapeutic framing notwithstanding, what we get here is less a story than a retrospective sequence of events, or perhaps events of sequins.
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