BWW Reviews: Everyman Theatre Opens New Theatre with Robust Production of AUGUST: OSAGE COUNTY


"Another opening, another show, from Philly, Boston, to Baltimo". That lyric from KISS ME KATE certainly fits the inaugural production of the new Everyman Theatre. The first production of a Pulitzer Prize winning play that also won the Tony Award for Best Play makes its Baltimore debut, not at the huge 2500 seat theater on Baltimore's Eutaw Street (which currently is running a non-Equity show), but at the brand new intimate 250 seat Everyman Theatre, with an Equity cast. Do not miss it!!

Artistic Director Vince Lancisi could not have picked a better way to begin the Everyman's new life on West Fayette Street than with Tracy Letts' wonderful AUGUST: OSAGE COUNTY. I thoroughly enjoyed the Broadway production but once again, I found the Everyman's take on it more profound and more enjoyable.

On the Inaugural Opening Night, there was even an actual RED CARPET to walk on. There was a delightful reception prior to the show, small bites and drinks during the Intermission I, and a scrumptious desert during Intermission II. And after the show, there was a "Meet the Cast" party with more food, music and no one could recognize the future "Black Box Theatre" now used as a rehearsal space which was beautifully decorated. And the brisket??? All right...enough already. To the play and the theater.

The theater is just plain magnificent. There is no bad seat in the house. There are so many wonderful touches to the place. The seats are comfortable and the two side sections are angled to face the stage. The air-conditioning/heating system is completely silent. There's even a piano playing in the mezzanine about the lobby which features a nice bar. The color scheme is also terrific. There are murals which depict past productions (similarly done at the Signature Theatre). There are sconces which feature the likeness of current members of The Acting Company. My only complaint is that rest-rooms are solely on the second floor or the basement. I know there is an elevator but in my mind a theater should have rest-rooms on the first level, especially with so many theater-goers being members of the AARP.

What a great addition to theater in the Baltimore/Washington area. Besides plenty of parking across the street and next door to the theater, there is superb public transportation available via the Light Rail and the subway, both very convenient.

As to the play, yes, it's long...close to three hours, yet, I didn't once look at my watch.

Lancisi does an admirable job of keep the pace flowing. He also has an incredible ability to find talented actors. Six members are part of the Resident Company: Clinton Brandhagen, Deborah Hazlett, Beth Hylton, Wil Love, Bruce Randolph Nelson, and Carl Schurr. Each of them are just outstanding. Love, who I adore, has one scene where he is asked to give a "grace before meals" and just brings down the house.

There are many actors making their Everyman debut including Veronica Del Cerro, Ron Heneghan, Heather Lynn Peacock, and Nancy Robinette who has been a mainstay in the Washington, DC theater scene and I'm thrilled she finally is getting a chance to perform in Baltimore. Robinette was just nominated for a Helen Hayes Award for her role in THE GOVERNMENT INSPECTOR at the Shakespeare Theatre Company. She is a remarkable actress. Returning to Everyman are Maia Desanti and Rob Leo Roy.

Making her Everyman Theatre debut playing the incredibly difficult role of Violet Weston is the astonishing Linda Thorson. Thorson may be remembered by some for her role as Tara King (replacing the role held by Dianna Rigg) in the British TV series "The Avengers" with Roger Moore. Her bio is too huge to mention here. Suffice it to say, this is a role you will remember forever. I asked her after her performance, how Baltimore was able to get her talents for this play. Her simple reply was "I auditioned and Vinnie liked me." She also mentioned that there were some top actresses from New York and Washington who auditioned. Leave it to Lancisi to land this amazing actress. I can only hope she returns.

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Charles Shubow Originally from Boston, Charles' first college show was "Barefoot in the Park," he played the role of the telephone repairman. Next came "How to Succeed..." in which he played in the ensemble and then Chairman of the Board. He appeared in "Fiddler on the Roof" at the White Marsh Dinner Theatre as Lazar Wolf. Charles' daughter Britt played one of Tevye's younger daughters. Britt later completed a five year stint in Broadway's "Mamma Mia!" as the Sophie understudy. Charles conducts theatre trips to Broadway shows as the "Shubow Shuttle."

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