If I Were You Photos - Broadway

How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.

Audience members traverse memories, dreams, emotional and real battlefields, coming in contact with a multitude of characters from Dalton Trumbo's life and novel, as we re-visit Johnny's childhood loves, family members, war room generals, soldiers, nurses, and even major religious figures, each performed to perfection while maintaining the ability to guide and interact with audience members who are often asked to participate and/or share comments during each scene. Soon it becomes apparent in THE JOHNNY CYCLE that each character, whether intentional or not, has sent Johnny to his destiny as he desperately struggles to be heard, trapped between the living and the dead without a voice. Immersive theater at its best!

At the elegant Soroya Theatre in Northridge, CA, Martha Graham's Dance Company, under Artistic Director Janet Eilber's seasoned guidance, performed a most incredible group of works.  Some were originally created approximately 80 years ago, by Martha Graham, a true icon in the Dance world.  The EVE Project, as this evening, March 2nd, 2019 was entitled, gave us a wide variety of themes within a theme, that being Women and their significance, their power, their passion and their strength.  It was polished to perfection, and each piece carried many meanings and concepts and was just so beautifully performed and articulated. The Martha Graham Dance Company is the oldest contemporary dance company in the United States, founded in 1926.  Since it's inception it has explored and encompassed political and humanitarian issues, as well as affairs of the heart and human interactions, while creating a prolific dance technique that is unequaled in it's scope.  Graham created a total of 181 ballets during her long career, and is recognized as a primal artistic force of the 20th century, being named in 1998 as 'Dancer of the Century' in Time magazine, and labeled one of the female 'Icons of the Century' by People Magazine.

SHE LOVES ME, the 1963 Broadway musical with book by Joe Masteroff, music by Jerry Bock, and lyrics by Sheldon Harnick, was based on Miklos Laszlo's 1937 play, Parfumerie, a warm, gentle comedy that follows the tangled dating life of perfume shop employee Georg Horvath whose dating life goes awry when he discovers that the stranger he has fallen in love with through a secret correspondence is none other than Amalia Balash, a co-worker with whom he constantly bickers. This universal tale about mistaken identity and romantic love went on to become the inspiration for the classic films The Shop Around the Corner, In the Good Ole Summertime, and Nora Ephron's 1998 box office hit You've Got Mail in which Tom Hanks and Meg Ryan took their secret romance online through emails.

Norm Foster has written over sixty plays which have been produced all over the world. Selections from this most-produced Canadian playwright have been included at Theatre 40 for many years, but this time the group is excited to present the U.S. Premiere of his appropriately titled new play SCREWBALL COMEDY which pays homage to this classic genre of entertainment. Emerging in the 1930s, screwball comedies were a wild new strain of fast-talking farces involving battles of the sexes and a world forever on the brink of chaos. The elements included a male and female who may be adversarial at first but are ultimately ideal for each other. Think of the classic films It Happened One Night, His Girl Friday, Bringing Up Baby and My Man Godfrey during which some farcical or slapstick action occurs, including snappy patter and crackling dialogue with bits of off-color humor thrown in, with the plot ultimately leading to the female gaining the upper hand in the relationship.

The first time I saw GALILEO by Bertolt Brecht performed was thirty-five years ago at Trinity Rep. I remembered being blown away by the experience-the late great Richard Kneeland played the title role and Brecht's play put the conflict between science and dogma right on the table. I remember loving the idea that one person can be right and the rest of the world wrong. So now the Burbage Theatre Company in Providence is offering GALILEO directed by Vincent Petronio and I was curious to see if they could measure up and if the play held up.

It's the time of year to reflect on the past and enjoy familiar stories that warm our hearts. In otherwords, 'tis the season for ANNIE. That spunky waif has been part of our American culture for more than 130 years. She was first penned into existence by poet James Whitcomb Riley in 1885. His poem, 'Little Orphant Annie',was inspired by Mary Alice 'Allie' Smith, an orphaned child who came to live in the Riley home.

It is rare that an exhibition can take an artist you have known for most of your museum-going life and make him live anew. PICASSO SCULPTURE is one such glorious rarity.

The play looks and feels like a bright, witty comedy, the kind that used to light up Broadway stages year after year.