Turn to the Right! Photos - Broadway

Craig Baldwin (Director) delivers a compact but captivating expression of Samuel D. Hunter’s (Playwright) A CASE FOR THE EXISTENCE OF GOD.  The 2022 New York Drama Critics Circle Award Winner for Best Play, this two-hander is a simple but thought-provoking piece that never directly discusses the title.

I’m sitting in Austin traffic, bearing the half an hour it takes to get from Mopac and Cesar Chavez to ZACH theatre on South Lamar, and I’m in a mood. I fear I’m going to be late to ZACH’s newest and latest Christmas fare: POP! Great, just great. Across the parking lot from the Kleburg theatre, at ZACH’s Topher Theatre, Scrooge is going onstage in an hour and he’s likely less cranky than me. Nevertheless, onward we go.

Aaron Sorkin’s 2018 stage re-imagination of the classic Harper Lee novel “To Kill A Mockingbird” opened Tuesday at the Kansas City Music Hall for a one week run.  It is one of the finest touring companies of any play I’ve been privileged to witness in many years.  “Mockingbird” stars well-known actor Richard Thomas in a stellar turn as the lead character of Atticus Finch.

What did our critic think of THE VIEWING ROOM at Attleboro Community Theatre?

KC Rep's 'Cyrano' is noseless in more ways than one.

As their dark comedy Abandon All Hope sets up for a Philadelphia run at Beacon Church, writer/producer Peter Fenton and actor/producer Avery Kellington share backstory on the play's creation and their own creative partnership.

Read BroadwayWorld's review of Donna McKechnie in Take Me To The World: The Songs of Stephen Sondheim at Catalina Jazz Club.

Claudia Raia and Jarbas Homem de Mello are ready to return to the stage: Conserto Para Dois, O Musical opens in Sao Paulo on October 1st, at Teatro Procopio Ferreira. The musical is 100% Brazilian and features the two artists splitting up between 12 characters to tell the story of love and obsession of famous bestselling writer Angelo Rinaldi (Jarbas) with film diva and international celebrity Luna de Palma (Claudia).

FAMOUS re-opened in April after a successful run in 2018. I decided to speak with the show's Creator/Director Michael Leoni (ML) and producers Michelle Kaufer (MK) and Cassidy Pepper (CP), about how the new production uses stylized movements by the characters, enhanced lighting and sound designs, to bring the play flow so much more fluid than last year's version. The result grabs the audience's attention to the point of being able to hear a pin drop, making the entire experience even more stunning and breathtaking than before. And, of course, its relevance to the #MeToo movement is immediately recognizable as power players move in and out of Jason's life during the party.

Musical Theatre Guild was founded 21 years ago by a dedicated group of professional musical artists who were interested in exploring and preserving works from the musical theater repertoire that were either forgotten, neglected or unfairly dismissed. Working under a special Actors' Equity Concert Staged Reading code, the entire MINNIE'S BOYS production was put together in 25 hours, focusing on the script and score with actors holding book during the performance, including while singing and dancing their way through the 14 numbers in the show, with a wonderfully talented 6-piece band backing them up.

The Harold Clurman Laboratory Theater Company is presenting a limited engagement of Henry James' classic horror tale THE TURN OF THE SCREW in an adaptation by Jeffrey Hatcher under the direction of Don K. Williams, featuring Sean Spann and Emily Sulzberger playing a total of 10 roles between them. It's a tale of a young governess just before the turn of the last century who is tasked with the care of two rather peculiar children at a country estate in England. Within a week of arriving, the governess comes to believe the children are possessed by the previous groundskeeper and governess who have since died. But is that really the case?

I first saw Paula Stoff perform-oh, years ago¬-in a revue by the Non-Prophet Theatre. They had some fine local talent who were performing very well indeed. But when Paula stepped into the spot-light and sang I swallowed my gum! What in the world was this Broadway talent doing with this tiny company in St. Louis?? Now (as Paula Stoff Dean) she appears in her cabaret debut. I can only say, 'IT'S ABOUT TIME!!

SISTER ACT is a feel-good musical comedy smash hit based on the 1992 film that has audiences ready to rejoice! Featuring original music by Tony® and 8-time Oscar® winner Alan Menken (Disney's Aladdin and Beauty and the Beast, Newsies, Enchanted), dazzling dance routines and songs inspired by Motown, soul and disco, SISTER ACT qualifies as the funniest and funkiest musical around. Lately this popular musical has been performed at many theaters in the greater Los Angeles area, each one brilliant in its own right. But I have to say I have never seen one more perfectly cast than the current production at the Simi Valley Cultural Center with the amazingly talented Elizabeth Adabale as Deloris Van Cartier, a disco diva whose life takes a surprising turn when she witnesses a murder and then goes into hiding in a convent!

Having been summoned home to Denmark from school in Germany to attend his father's funeral, he is shocked to find his mother Gertrude already remarried to his Uncle Claudius, the dead king's brother, who has declared himself the king, though young Hamlet is the actual heir to the crown. Hamlet, rightly, suspects foul play.

As announced earlier today, after rave reviews and a record-breaking run in Chichester, Cameron Mackintosh presents the West End transfer of the critically acclaimed hit musical 'HALF A SIXPENCE' - which he co-produced with Chichester Festival Theatre - introducing the sensational new star Charlie Stemp as Arthur Kipps. Scroll down for a look at the cast in action!

I am always interested in seeing a conventional play being presented in an unconventional way. So when I heard about director Blake Silver undertaking a production of Henry James THE TURN OF THE SCREW adapted by Jeffrey Hatcher, produced by Haldane Morris, and presented lit only by flashlights held by audience members in a room seating only 20, I knew it would be no like other production of the ghost story I had ever seen before. And I was right.

Ed Graczyk's 1976 drama 'Come back to the Five and Dime, Jimmy Dean' has a simple premise: It's September 30, 1975, and a small town dime store in West Texas is hosting the reunion of a James Dean Fan Club to mark the 20-year anniversary of Giant, which was filmed nearby. The underlying premise is you can't go home again.