When You Smile 1925

Birdland Jazz Club and Birdland Theater are open this February with a full slate of nightly performances! See Julie Benko, Amanda Green, and many more.

ELYOT & AMANDA: ALL ALONE from Noël Coward's PRIVATE LIVES is the next production in Playhouse on Park's 12th Main Stage Season. Veanne Cox and Ezra Barnes will co-star in this timely, lighthearted adaptation. It will be available to stream online from February 10th - 28th, 2021.

Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

Today (May 14) in live streaming: Broadway's Next on Stage premieres, Josh Groban hosts movie night and so much more!

Today (May 13) in live streaming: Ben Cameron counts down song about Spring, Laura Michelle Kelly sings Rodgers and Hammerstein and so much more!

Today (May 12) in live streaming: It's the Day of the Show Y'all with Spencer Glass, Ken Davenport chats with James Snyder and so much more!

Today (May 11) in live streaming: Join the BroadwayWorld Book club, JRB and Georgia Stitt visit Stars in the House and so much more!

No, No, Nanette is musical theatre's equivalent to the perfect glass of champagne. It sparkles, tickles your taste buds, and you can't get enough of it.   San Francisco's acclaimed 42nd Street Moon has announced the tap spectacular No, No, Nanette to close their 24th season.

No, No, Nanette is musical theatre's equivalent to the perfect glass of champagne. It sparkles, tickles your taste buds, and you can't get enough of it.

Ocean State Theatre Company Artistic Director Amiee Turner introduced Friday night's production of INHERIT THE WIND by saying that she was somewhat surprised and saddened that a play about what's appropriate to teach in public schools, written in 1955 but based on events of the 1920's, is still so timely today.  Indeed, this script may be a Baby Boomer, but this production isn't showing its age at all, and is scarily relevant.  One of the biggest tells of an older play is often the length, and this script may have been edited down a bit, but the pacing is absolutely perfect.  Director Fred Sullivan Jr. fills the moments of brief set changes with appropriate moments of song, which may seem like an odd choice for a play of this nature, but it works perfectly.  Some of the songs are in the original script, but a few seem to have been added for this show. The songs also give the actors a chance to trot out their vocal chops including men singing in four part harmony, and violin and ukulele performances.

Wilton's Music Hall today announces its exciting new season programme, which sees the world's oldest surviving grand music hall welcome a diverse range of work, shining a spotlight on live music and bespoke theatre productions. Highlights include Sadie Frost starring as Gypsy Rose Lee in world premiere BRITTEN IN BROOKLYN and musical FLOYD COLLINS, which tells the story of a 1920s Kentucky cave explorer.

Concert aficionados from around the country will want to mark their calendars for Music Mountain, America's oldest continuing summer chamber music festival, when it kicks off its record-breaking 87th Anniversary Season beginning Sunday, June 5th!

“Lover, when I'm near you . . .” sings the debonair Todd Murray this past Monday night at Birdland, mere feet away from rapt eyes into which he pours himself. He's performing the waltzy song acoustically, voice full out in opposition to lyric mood. The back of the house undoubtedly finds sound muted. “This is how you would've heard a band singer in 1925, before a new technique called 'crooning',” he tells us. “From the time I started working, they always called me a crooner.”

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

Chicago's non-Equity Bohemian Theatre Ensemble has undertaken Adam Guettel and Tina Landau's 1996 off-Broadway masterpiece (or close to it) and put it on at Theater Wit on West Belmont Avenue for the next month (through July 25, 2012). If you have imagination enough to meet the company halfway, somewhere between the hardscrabble Kentucky soil and the cave beneath it where the real Floyd Collins met his doom in 1925, you will come away with a musical and theatrical experience you are unlikely to repeat anytime soon, anywhere else.