Cassandra and Kiel Klaphake, the visionary forces behind Arizona Broadway Theatre, have delivered a winner with their refreshingly revisited production of THE WIZARD OF OZ, directed by Ken Urso and featuring Jasmine Bassham as Dorothy. Runs through July 11.
The 92nd Street Y Unterberg Poetry Center's fall season features critically-acclaimed novelists Marilynne Robinson and Zadie Smith, beloved American poet Billy Collins and Pulitzer Prize-winning playwright Ayad Akhtar, among others, in virtual events.
Just in time for Christmas, singer-songwriter Audra Mae, the great grand-niece of Judy Garland, shares her rendition of the enchanting classic 'Somewhere Over The Rainbow'. Mae is also known for writing songs and singing with artists such as Christina Aguilera, The Chainsmokers, and Avicii. The intimate live video, presented by Jammcard, shows the captivating one-take performance of just Mae and pianist Dylan Meek together at United Recording Studios on Sunset Boulevard in Los Angeles, CA.
There's no place like home-especially for the holidays-and this holiday season, there will be no place like Penobscot Theatre Company. The Wizard of Oz will take audiences over the rainbow, tonight, December 4-28, in a journey comfortably familiar yet delightfully surprising.
There's no place like home-especially for the holidays-and this holiday season, there will be no place like Penobscot Theatre Company. The Wizard of Oz will take audiences over the rainbow, December 4-28, in a journey comfortably familiar yet delightfully surprising. Acclaimed director and choreographer Michele Colvin (The Honky Tonk Angels) has returned to Bangor to bring the beloved classic to life, offering a fresh vision of a world where anything is possible and nothing is as it seems.
The Frick Collection presents its seventy-fifth anniversary season of classical music concerts in the elegant setting of the museum's Music Room. Debuting in 1938, just three years after The Frick Collection opened to the public; the concert series is one of the most celebrated in New York City and has delighted thousands of visitors over the years with world-class performances ranging from solo recitals to chamber music groups to early music ensembles. The Music Room, built in 1935 as part of the transformation of the private mansion into a museum and the setting for concerts since then, conveys the atmosphere of a private salon, offering performers and attendees a uniquely intimate environment and impressive acoustics.
The Frick Collection presents its seventy-fifth anniversary season of classical music concerts in the elegant setting of the museum's Music Room. Debuting in 1938, just three years after The Frick Collection opened to the public; the concert series is one of the most celebrated in New York City and has delighted thousands of visitors over the years with world-class performances ranging from solo recitals to chamber music groups to early music ensembles. The Music Room, built in 1935 as part of the transformation of the private mansion into a museum and the setting for concerts since then, conveys the atmosphere of a private salon, offering performers and attendees a uniquely intimate environment and impressive acoustics.
From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.
The touching romantic comedy, "Holiday," by Philip Barry, author of "The Philadelphia Story," will be read as part of the Script in Hand series at Westport Country Playhouse, on Monday, December 12, 7 p.m., directed by Anne Keefe, Playhouse artistic advisor.
The touching romantic comedy, "Holiday," by Philip Barry, author of "The Philadelphia Story," will be read as part of the Script in Hand series at Westport Country Playhouse, on Monday, December 12, 7 p.m., directed by Anne Keefe, Playhouse artistic advisor.
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