Look Where I'm At! 1971 - Articles Page 6

Discover the latest single release from GGLUM, 'Eating Rust,' as they captivate audiences with their unique sound. In learning how to open up to herself, gglum ended up finding a friend in producer Karma Kid (Maisie Peters, Shygirl, Connie Constance), pushing past her natural bedroom-pop introversion to find joy in the process of collaboration.

Opening two shows back-to-back in a month might be the most tiring thing I’ve ever done, but I’ve never felt more accomplished

Get insights from Monet Sabel as she talks about portraying Carole King in the beloved musical BEAUTIFUL at Chanhassen Dinner Theatres. Learn about her favorite moments and the joy of bringing this incredible story to life on stage.

BroadwayWorld had a chance to chat with world-renowned star, Alan Cumming, on his cabaret show, Alan Cumming is Not Acting his Age. In this interview, Cumming discusses life balance, his love for cabaret, and some of the wisdom that has gone into creating this amazing show!

The hills were alive with the sound of rusic last week as RuPaul's Drag Race contestants participated in the most anticipated challenge for all Broadway-lovers, the Rusical. How do you solve a problem like casting a Rusical? Well it isn't so much a problem with a true theatre queen like Plasma to lead the company.

JAB at Finborough Theatre stars Kacey Ainsworth and Liam Tobin in a poignant play about a married couple navigating COVID-19 lockdown challenges. Catch this relatable story until March 16 with special discounts for local residents.

What did our critic think of RED HOT MAMA: THE SOPHIE TUCKER SONGBOOK at The Revolution Stage Company? Gary Powers and James Owens, in association with producer Michael Alden, gave their audiences Sharon McNight’s RED HOT MAMA: The Sophie Tucker Songbook at The Revolution Stage Company. 

The metaphorical bricks, realistically being assignment deadlines, lack of sleep, long days in the theatre, and a bought of Covid-19, made for a long and tiring fall semester.  This is a sentiment shared by many in my program.

Don’t Tell Mama will present vocalist John Philip in “Oceans of Love and Life,” in a four-night encore engagement in March. Learn how to purchase tickets!

I just am so grateful. Stages really produced this one for me. So I'm super excited about that. That I could give this to this theater community, and for the rest of the world to know forever and always. That Irish Catechism originated here in Houston, and it will be developed here over the next six weeks, judging from my last preview performances and opening last night. This one is next level, next level!

And don’t you dare settle for anything less than what you want and deserve. Because once you find that perfect fit for you, it is amazing. Transferring was so so scary, but that fear is nothing compared to the joy I have now.

What did our critic think of MAMMA MIA! at the Wesley Chapel Performing Arts Center?

I have never been more attached to a show like You’re A Catch, and if I could go back to that week, I would. I’m currently in another show this week for Winchester’s Performing Arts society and even among a different group, I have several cast members singing songs from You’re A Catch that are just constantly stuck in their heads.

Pooya Mohseni and Joe Joseph on bringing ENGLISH, a funny and heartfelt show about language, identity, and being understood to life on stage at The Old Globe through February 25th.  

I blinked, and I’m four weeks into my second semester of freshman year at Wake Forest University. Already, I've been assistant stage manager of a professional workshop and started a new job in the scene shop. I have so many exciting theatre opportunities on the horizon in the coming months!

Jeremy Davis shared some information about the evolution of the show, to challenges portraying his character, as well as some special moments.

We've got a really big show planned. We've got a cool set. We have an amazing light design. We have all kinds of cool costumes. I've got backup dancers and my friend Andrew, who I wrote music with over the past eight years he's come on as my musical accompanist and sort of sidekick foil in the show. So it's a one Queen show, but it's actually four of us in the show, counting two dancers, Me. And my friend Andrew and we've written all the music, and I sing all the music and wrote all the lyrics with Andrew.

JoAnn M. Hunter will serve as director for the Broadway-bound Jo – The Little Women Musical. Plus listen to the new single from the musical here!

What did our critic think of PIPPIN at Teatr Muzyczny Poznan? What emerges is a splendid spectacle, a memorable performance that transcends eras. It's like a symphony of the ages, a kaleidoscope of nostalgia and fantasy, like an unexpected piece of sweet chocolate in a reality pie.

BroadwayWorld caught up with comedians Rachel Fairburn and Kiri Pritchard-McLean to chat about their upcoming tour and celebrating ten years of the All Killa No Filla podcast.

The Fisher Center at Bard has revealed its SummerScape 2024 programming, running June 20 – August 18, 2024.

“The first time I read SKELETON CREW, I was enamored with it. It’s one of the first times that I got to see a play specifically about the Black working class. I think (SKELETON CREW) examines what happens to the people when industries collapse. I'm really excited to tell this story.”

It's me, and I have a band. I sing songs and tell stories all under the theme or the umbrella of getting older, and what is age appropriateness, and things I've noticed about getting older. Mostly, it’s about why is it that we, as a culture, have decided that getting older is the worst possible thing that can happen to us when, of course, it's the only thing that is inevitable in our lives apart from death. And I just I'm really curious about that.

Several things rush to mind in the thoughts of the prolific theatre-goer when a Neil Simon production is promised: smart & funny being chiefly amongst them.  Both are on tap at Desert Theatreworks in their current production of Simon’s “Plaza Suite”.  A collection of three vignette scenes connected only by locale, Room 719 of Manhattan’s once opulent Plaza Hotel, and the ramifications of love (gaining it, losing it and being frankly terrified by it). 

Sacramento is brimming with new works in theatre this month, and one play that I am particularly looking forward to is by former Sacramento-based playwright James Van Eaton. The premiere of his Oscar Wilde-inspired An Honest Apology will be performed at FreeFall Stage beginning with their annual Valentine’s Day Dessert on February 14th. BroadwayWorld spoke to James about feminism, video games, and all things Wilde.