Clive Owen makes his Broadway debut in Old Times, the unsettling drama of desire and blurred realities by Nobel Laureate Harold Pinter. Owen is Deeley, a man quite looking forward to meeting Anna, his wife Kate's friend from long ago. But as the night goes on, Anna's visit quickly shifts from an ordinary sharing of memories to a quiet battle for power. Douglas Hodge, a frequent performer and director of Pinter's works, directs the haunting and passionate revival.
he stars of 'Old Times' always look like they're a second away from having sex. Clive Owen, Eve Best and Kelly Reilly generate such heat, you may need a cold shower after the show...But then it's also rare that you'd need to cool off at a show by Harold Pinter, the British playwright famous for mind games and maddeningly vague plots...The game here is all about ultra-smoldering looks between Owen and Best -- and between Best and Reilly. An ominous score by Radiohead's Thom Yorke adds to the creepy-sexy vibe. This may be his Broadway debut, but Owen...radiates a confident masculinity. His Deeley is the kind of guy who can get away with manspreading, and he's perfectly matched with Best, a voluptuous panther, and Reilly, she of the frostier sensuality. Altogether, the three generate genuine sexual chemistry...You may not tell what it all means, if anything, yet the message comes through: Game on!
s it possible to be dazzled by the cast, especially by Clive Owen in his Broadway debut, stunned anew by the elusive meanings of Pinter's 'Old Times' and yet appalled by the production?...Let's say that director Douglas Hodge's tricked-up staging of this 65-minute 1971 gem is bizarre, at best, and betrays a lack of trust in the lean, unnerving brilliance we know as Pinteresque. Hodge...chose to superimpose an over-animated, high-concept spectacle on a playwright whose menace radiates from silence and things unsaid...The drama, such as it is, is built on innuendo and insinuation, not overacting and special effects. Owen is deliciously slick, but not too slick, and, every so often, intentionally, fantastically obnoxious as Deeley...Eve Best...has an imposing elegance as the guest who married well, and Kelly Reilly, as the wife, has the quiet feline languor of one who feels the desire simmer off the others in the room...Printed scripts are not holy writs but, at least in this case, Pinter knew best.
1971 | Broadway |
Broadway |
2013 | West End |
West End |
2015 | Broadway |
Roundabout Broadway Revival Broadway |
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