The David Show 1968 - Articles Page 6

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

Visit our list of the best musicals & shows you can watch from home! We've got you covered with all the must-sees on streaming sites including Tony-award winners, favorite stars and top performances.

The Olivier Award nominated stage production of The Tiger Who Came to Tea today announces an 8-week summer season in the West End for 2020, returning to Theatre Royal Haymarket following its hugely popular 2019 Christmas run. A musical play adapted and directed by David Wood OBE, based on the classic tale by the late Judith Kerr OBE, The Tiger Who Came to Tea will open in London on Thursday 16 July, playing until 6 September 2020. This will be the production's 7th West End run and marks its 12th year on stage.

Go inside the creation and 63-year evolution of the musical theatre masterpiece, West Side Story.

25 Shows & Performances in the Tampa Bay Area That Rocked Our World from 2010 to 2019!

From January 17 to 26, 2020, New Yiddish Rep will present a Yiddish language version of 'The Labor of Life' by Israeli playwright Hanoch Levin, translated by Eli Rosen, directed by Gera Sandler, at New Yiddish Rep's Cyrus and Rose Feldman Studio Theater, 315 W. 39 Street, 9th floor. This comedy, originally written in Hebrew, will be performed in Yiddish with projected English surtitles. It is a funny and very sad play of the missed opportunities, compromises and disillusionments demanded by the 'labor of life.' Originally presented at Israel's HaBima in June, 1989, it stands out among contemporary writings for its sardonic resonance to Israelis and Jews worldwide.

Today's top stories: A Bright Room Called Day opens at The Public, and more!

Craft Recordings is thrilled to announce The Memphis Masters—a limited video series celebrating various albums from the iconic Stax Records label, showcasing its enduring musical legacy, as well as its influence on Memphis, TN. Created in partnership with Memphis Record Pressing and Memphis Tourism, and directed by Andrew Trent Fleming of TheFilmJerk Media, the multi-part series was shot in several locations around the city—also known as the home of blues, soul and rock 'n' roll—including such historic landmarks as Sam Phillips Recording Service, Royal Studios and the Stax Museum of American Soul Music. With interviews spanning multiple generations of artists, The Memphis Masters offers insight from the likes of Robert Trujillo (Metallica), Grace Potter, Matt Berninger (The National), Walshy Fire (Major Lazer), Steve Selvidge (The Hold Steady) and producer Boo Mitchell—all of whom were inspired by the label's music and the albums being reissued. The Memphis Masters also includes interviews with Stax legends like Steve Cropper, Big Star's Jody Stephens, James Alexander (the Bar-Kays) and Booker T. Jones, plus longtime label publicist Deanie Parker and songwriter Bettye Crutcher, who share their memories from the label's heyday.

IN CIRCLES is a feast for the eyes, even if Gertrude Stein's texts as lyrics seem nonsensical at times. Just go with the flow and let the atmosphere of the avant-garde 1968 theatre scene set your mind free! If only Stein's lover Alice B. Toklas was there to hand out her special recipe brownies to enhance the 80-minute experience!

Prolific playwright David Edgar is directed in his professional performance debut by triple Fringe First Award-winner Christopher Haydon in a solo show considering the legacy of the events of 1968. In 1968, playwright David Edgar was 20 years old. It was also the year of some of the most important and formative events in modern history, including the Paris student revolt, the assassination of Martin Luther King, Enoch Powell's a?oerivers of blooda?? speech, and the ongoing war in Vietnam. Trying It On is a new play written and performed by David Edgar, which reflects on the legacy of this momentous year, drawing on first-person interviews with some of the leading political figures of the time, as well as contemporary activists. The performance also marks David's first professional stage performance in this autobiographical one-man play.

The Olivier Award nominated stage production of The Tiger Who Came to Tea, adapted and directed by David Wood OBE, based on the classic tale by the late Judith Kerr OBE, today announces its return to the West End for Christmas, opening at Theatre Royal Haymarket on 9 December 2019 and playing until 5 January 2020. This will be the production's sixth West End run.

Eleven world premiere plays and musicals seen first by Chicago audiences were among those receiving nominations by the Jeff Awards, announced today. A total of 192 nominations were made in 34 categories that honor Chicago Equity theatrical productions that opened between August 1, 2018 and July 31, 2019. During the 2018-19 season, Jeff Awards judges attended opening nights of 132 Equity productions offered by 43 producing organizations and from these openings, 112 productions were a?oeJeff Recommendeda?? and eligible for award nominations.

The stellar voice cast has been announced for Channel 4, Lupus Films and HarperCollins' captivating animation The Tiger Who Came to Tea which is set to air this Christmas.

Take a moment to appreciate life's simple pleasures with the Maltz Jupiter Theatre's production of You're a Good Man, Charlie Brown!

The new Autumn Winter season at Omnibus Theatre sees nine productions featuring new writing, four of which are returning companies.

The 2019-2020 Broadway season is in full gear! Thirty-eight productions have been announced so far to hit the Great White Way this season, so there is plenty for theatergoers to look forward to! With all such a variety of musicals and plays, new works and revivals, we're getting you prepared by giving you a peek at each of the productions announced to arrived on the Great White Way this season! Take a peek at all the excitement!

From the moment actor-playwright David Arrow takes the stage, it's clear he is not merely portraying Robert F. Kennedy, he is Bobby Kennedy. The actor bears a stunning physical resemblance to the late U.S. Attorney General and senator and has managed to master his mannerisms in most convincing fashion.

William F. Brown, the Tony-nominated American writer who is best known for his libretto to the long-running Broadway musical The Wiz, died on June 23 in Westport, CT, according to his longtime wife and collaborator, Tina Tippit. He was 91.

The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.

The National Theatre has announced 15 productions of new plays and fresh adaptations by leading writers.

Prolific playwright David Edgar is directed in his professional performance debut by triple Fringe First Award-winner Christopher Haydon in a solo show considering the legacy of the events of 1968. In 1968, playwright David Edgar was 20 years old. It was also the year of some of the most important and formative events in modern history, including the Paris student revolt, the assassination of Martin Luther King, Enoch Powell's "rivers of blood" speech, and the ongoing war in Vietnam. Trying It On is a new play written and performed by David Edgar, which reflects on the legacy of this momentous year, drawing on first-person interviews with some of the leading political figures of the time, as well as contemporary activists. The performance also marks David's first professional stage performance in this autobiographical one-man play.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

What price would you pay for respect and love? John Henry Davis directs Arthur Miller's riveting tour de force, The Price, for International City Theatre, opening May 10 at ICT's home in the Long Beach Performing Arts Center. Two low-priced previews are set for May 8 and May 9.

'The Mountaintop' breaks that tired old piggy bank of the homogenized perception of Martin Luther King, Jr. Katori Hall's wonderful writing reveals the extent of how complex and troubled he was; enlightening the audience to want to know more. The incredible performances by Robert Burgins, Jr. and Kenya Stewart are woven with intense emotion and commitment.

Life in Trump's America often feels like a deathlike daily march out of a hole eight stories below ground. Jordan Wolfe capitalizes on our collective weariness with his exuberant, campy rock musical version of George Romero's iconic 1968 horror film, Night of the Living Dead. As with all remakes, it helps to know the source material, if only to compare or appreciate the handling of familiar characters and plot-lines. But NIGHT OF THE LIVING DEAD! THE MUSICAL! stands on its own and makes you laugh even if zombie-eating creatures in 'middle of nowhere, Pennsylvania' don't generally interest you. Mitchell Walker's direction keeps NIGHT OF THE LIVING DEAD: THE MUSICAL! moving at a clip. The choreography is far more more elaborate than in most shows of this scale, as are the sets. Often in off-Broadway musicals, there are three or so strong songs and a lot of filler. And even if more than a handful of songs are solid, they tend to sound the same. Jordan Wolfe's songs range from rock to jazzy-pop to more traditional musical theater fare and his dialogue is crisp and clever. Add first-rate singers and strong musical direction by David Rosenberg and you get a well-executed musical farce (marred only by muddy sound and occasionally drowned out lyrics).