Oh, Boy! 2003 - Articles Page 23

Today, Gardner talks exclusively to BroadwayWorld and shares his journey from a hyper, five-year-old little boy to a tap-dancing, show-stopping star making his Broadway debut!

Boy meets girl. Girl meets boy. What happens next is anyone's guess. Fresh from the Chicago comedy scene, performing duo Josh Lanzet and Lindy Voeltner's hit show Dating: Adults Embracing Failure explores the pitfalls and endless possibilities of finding love in the modern age of courtship at the Lounge Theatres opening tonight, Sept. 24, for a limited six-week extended run.

Boy meets girl. Girl meets boy. What happens next is anyone's guess. Fresh from the Chicago comedy scene, performing duo Josh Lanzet and Lindy Voeltner's hit show Dating: Adults Embracing Failure explores the pitfalls and endless possibilities of finding love in the modern age of courtship at the Lounge Theatres opening on Sept. 24 for a limited six-week extended run.

Monks and Lamas and puppetry, oh my! THE OLDEST BOY opens the 2015-2016 season for the Unicorn Theatre in Kansas City, Mo. Cynthia Levin directs the Unicorn production with puppet direction by Paul Mesner, which runs through September 20.

Music director, Broadway producer, and skilled musician Michael J. Moritz Jr. will be spending this fall traveling the United States with one purpose in mind: teaching. To get the inside scoop on his US coaching tour, I sat down with Michael J. Moritz Jr., and we discussed his multifaceted career, teaching, and music.

Bat Boy: The Musical is an American musical with a book by Keythe Farley and Brian Flemming and music and lyrics by Laurence O'Keefe, based on a June 23, 1992 Weekly World News story about a half-boy, half-bat, dubbed 'Bat Boy', who grew up living in a cave.

On Sunday June 28, actress/singer Candi Milo brought her one.of.a.kind comedic cabaret to Sterling's Upstairs at the Federal and boy, oh boy, is she funny. 'How funny?' you may query. This little lady grew up in a mental institution - well, her father ran one in their home, so she was exposed to craziness at a tender age...and on top of that, she's Italian...and a voice-over artist who does many, many cartoon voices to amazing perfection, starting with Sweetie Pie. She was also a member of 'The Mighty Carson Art Players' on The Tonight Show with Johnny Carson. What fabulous improvisational training! So it's no surprise that the lady knows how to get a laugh. Humor comes gushing out of her the minute she opens her mouth, and it's never forced. It's all natural and with a multitude of sarcastic asides, it works deliciously on a cabaret stage.

WAITRESS: THE MUSICAL will reveal its cast very soon!

After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being. Directed by the company's noted Artistic Director Rimas Tuminas, Smile at Us, Oh Lord runs today, June 16 and tomorrow, June 17 for two shows only at the historic Elgin Theatre, presented by Show One Productions.

WAITRESS: THE MUSICAL pops out of the oven soon!

WAITRESS: THE MUSICAL looks tasty already!

Is WAITRESS: THE MUSICAL prepping for a big announcement?

Following their triumphant, sold-out New York engagement last spring, the Vakhtangov State Academic Theatre of Russia returns with a new theatrical masterpiece Smile At Us, Oh Lord, based on the novels of Lithuanian-born Israeli writer Grigory Kanovich and directed by Rimas Tuminas (Eugene Onegin). Presented by The Cherry Orchard Festival Foundation (www.CherryOrchardFestival.org), Smile At Us, Oh Lord will play 4 performances at New York City Center (131 West 55th Street): Tonight, June 5th at 8pm, June 6th at 2pm and 8pm and June 7th at 2pm.

After its sold-out 2014 run of Eugene Onegin last June in Toronto, the esteemed Vakhtangov Academic Theatre of Russia returns with a new theatrical spectacle for the international stage: Smile at Us, Oh Lord: an inspiring universal parable about the basic good in every human being.

One month ago, Musicals Tonight announced its 18th and final season. But renewing subscribers expressed such dismay that Artistic Director Mel Miller has convinced his Board of Directors to reconsider their decision. 

The 13th Street Repertory Theater celebrated veteran stage/film/TV actor Ray DeMattis' 50th anniversary in the business -- honoring his lifetime achievements -- by proclaiming May 10th 'Ray DeMattis Day.'  DeMattis was presented with a framed certificate of honor by one of his proteges -- Michael J.C. Anderson, an actor with the 13th Street Rep.  And DeMattis, in turn, presented the first annual  'Ray DeMattis Award,' honoring young artists-to-watch, to actors Cody Jordan and John Brady, co-stars of Chip Deffaa's musical-comedy success  'Mad About the Boy.'  They each received a plaque, a copy of a cast album featuring DeMattis ('Flora the Red Menace'), and a $100.00 honorarium.

Tonight's episode of OUTLANDER was, in a word, different. Yeah, I already know what you're thinking. 'Different.' That's like what you say when your friend shows you her terrible new haircut. Oh! It's...different! Get that idea out of your head, because that's not what I mean. It was just different. A little kooky, a little--dare I say--funny, and, okay, a little uneven. I might even go so far as to label it a filler episode, which pains me slightly, because that 'f' word has such a negative connotation in TV world, doesn't it? But with only two episodes left in the season, I guess it was inevitable. That being said, however, filler or not, different or uneven, 'The Search' was definitely entertaining. 

Musicals Tonight has announced it will close its doors following its 2015-16 season. Its final offerings include Oh, Kay!, which will run October 13-25, 2015, Out of This World from October 27- November 08, 2015, Babes in Arms from March 8-20, 2016, Oh, Boy! from March 22-April 3, 2016, from Wonderful Town April 5 - 17, 2016. A Subscription to all five shows runs at $141.25.

We've caught Tony fever here at BroadwayWorld.com, and it's spreading! Follow us on BWW throughout the day, as we'll bring you Tony nominee reactions, exclusive reports, surprises, behind the scenes coverage and oh, so much more!

One of the most famous shows of the last century, Joan Littlewood's legendary musical Oh What A Lovely War is to come to Birmingham Repertory Theatre. Directed by University of Birmingham graduate, Terry Johnson, the hit revival comes to The REP from 5 to 9 May, as the final venue the show's UK tour.

Musicals Tonight! has announced its 2015-16 season. Scroll down for details!

Following a sold-out run in spring 2014, Terry Johnson's hit revival of Oh What A Lovely War will visit the Belgrade Theatre from today 31st Mar - Sat 4th Apr as part of a major new U.K tour. It will be produced by Christopher Malcolm Productions Ltd and Matthew Mitchell.

Following their triumphant, sold-out New York engagement last spring, the Vakhtangov State Academic Theatre of Russia returns with a new theatrical masterpiece Smile At Us, Oh Lord, based on the novels of Lithuanian-born Israeli writer Grigory Kanovich and directed by Rimas Tuminas (Eugene Onegin). Presented by The Cherry Orchard Festival Foundation (www.CherryOrchardFestival.org), Smile At Us, Oh Lord will play 4 performances at New York City Center (131 West 55th Street): June 5th at 8pm, June 6th at 2pm and 8pm and June 7th at 2pm. Tickets are $45-$150.

Following a sold-out run in spring 2014, Terry Johnson's hit revival of Oh What A Lovely War will visit the Belgrade Theatre from Tues 31st Mar - Sat 4th Apr as part of a major new U.K tour. It will be produced by Christopher Malcolm Productions Ltd and Matthew Mitchell.

There was a time when it seemed as if any talent contender in a beauty pageant would lay into 'Don't Cry Out Loud' (later, Dolly Parton's 'I Will Always Love You' seemed to supplant it). It crept out of every radio station ad nauseum. Its almost iconic 'ear candy' status rendered it cringe-inducing, as far as I was concerned. Moreover, its composer and interpreter, Australian Peter Allen, was not the kind of performer I enjoyed - I prefer my talent without the 'over the top' exclamation point; he belonged, to my way of thinking, to the Liberace/Barry Manilow/Liza Minelli kind of performer. (Admittedly, I have a number of friends who take issue with this and who, rope in hand, would gladly pursue me if lynching were acceptable.) Their 'showmanship' and 'over the top' self-promotion proved exhausting. However, the intervening years have reconciled me to Allen's music, and THE BOY FROM OZ. with a book by Martin Sherman and Nick Enright and a parade of Allen songs, has, in Theatre Memphis' latest offering, even somewhat endeared me to him.