MacArthur Genius Grant Winner Luis Alfaro Re-dreams The Oedipus Tale In The World Premiere of OEDIPUS EL REY at Magic Theatre
Magic Theatre, San Francisco's home for new plays, kicks off the new year with the world premiere of Oedipus el Rey by Luis Alfaro, directed by Loretta Greco. Oedipus el Rey, a reimagined classic, opens February 3rd, 2010.
Do you believe in destiny? With his unique Chicano swagger and sly sense of humor, Luis Alfaro transforms Sophocles' ancient tale into an electrifying and unforgettable myth for the modern age. As Oedipus struggles against fate amidst a chorus of prison inmates, his epic journey takes him down California's dusty Highway 99 from the Golden Gate Bridge toward the City of Angels.
Magic is thrilled to give a theatrical home to Luis Alfaro, one of the great renaissance men of the theatre and a brilliant interpreter of the classics. According to the LA Times, Alfaro "has proved uncommonly adept at telling the stories of outsiders who, lacking validation from without - must find it within." The muscular poetry in Alfaro's Oedipus explores the thirst for power and control while demonstrating the importance of community. Under the direction of Loretta Greco, the production features a versatile cast of shape-shifting actors, stark theatricality, and explosive music from El Coro (the inmate Chorus). Asked why it is important to revisit the classics, Greco says "it is incredibly exciting to crack open classical texts and make them accessible to people of all ages, colors, and economic backgrounds. By treating an ancient Greek play as a living, breathing text we hope to engage our entire Bay Area community."
Luis Alfaro (Playwright) is a critically acclaimed writer/performer who works in poetry, plays, short stories, performance and journalism. Chicano born and raised in the Pico-Union district of downtown Los Angeles, he is the recipient of, among other awards, a MacArthur Foundation Fellowship and an NEA/TCG residenCy Grant. In 2002 he was awarded the Kennedy Center Fund for New American Plays twice, for his plays Electricidad and Breakfast, Lunch and Dinner. Electricidad received its world premiere at the Borderlands Theatre in Tucson, Ariz., and was subsequently produced at the Goodman Theatre in Chicago, and has an upcoming production at the Mark Taper Forum in Los Angeles. A highly anthologized writer, he is featured in the anthologies O Solo Homo (Grove Press), Twelve Shades Red (Graphically Speaking LTD) and Particular Voices: Portraits of Gay and Lesbian Writers (MIT Press); Out of the Fringe: Contemporary Latina/o Theatre and Performance (TCG) and Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). He is a member of the New York playwrights' organization, New Dramatists, and was a resident artist at the Mark Taper Forum, where he is also co-director of the Latino Theatre Initiative. He was a visiting artist at the Kennedy Center in Washington, D.C., where he created Black Butterfly, Jaguar Girl, Piñata Woman and Other Super Hero Girls, Like Me, as part of the New Visions/New Voices youth theater program. Black Butterfly... is also performed as part of the Mark Taper Forum's PLAY touring program. He has toured his performance work throughout the United States, England and Mexico. His short film, Chicanismo, was nominated for an Emmy award, won Best Experimental Film at the 1998 San Antonio CineFestival and was featured in San Francisco's CineAcción '98. A member of The Dramatists Guild, he is the winner of the 1998 National Hispanic Playwriting Competition and the 1997 Midwest PlayLabs for his play Straight As a Line which was seen in New York at Primary Stages, in Minneapolis at 3 Legged Race and in Los Angeles at Playwright's Arena and had its world premiere at the Goodman Theatre. His play Bitter Homes and Gardens premiered in Los Angeles at Playwrights Arena. Breakfast, Lunch and Dinner was commissioned by South Coast Rep and was workshopped at the Public Theater. He teaches throughout Los Angeles including the University of Southern California and California Institute of the Arts.
Loretta Greco (Director/Magic Artistic Director) is in her second season helming Magic Theatre where she most recently directed John Kolvenbach's Goldfish and last season's hit show Mauritius by Theresa Rebeck. Her Bay Area credits include the critically acclaimed revival of David Mamet's Speed-the-Plow and the West Coast premiere of David Harrower's Blackbird for ACT. Ms Greco's selected New York premieres include: Tracey Scott Wilson's The Story (Public Theater /Kesselring Prize/AUDELCO Nom); the Obie Award Winning Lackawanna Blues by Ruben Santiago Hudson (Public Theater); Katherine Walat's Victoria Martin: Math Team Queen (Women's Project); Two Sisters and a Piano by Pulitzer Prize Winner, Nilo Cruz (Public Theater/Kesselring Prize); Emily Mann's Meshugah (Naked Angels); Laura Cahill's Mercy (Vineyard); Karen Hartman's Gum (Women's Project); A Park in our House by Nilo Cruz (New York Theatre Workshop); and Toni Press Coffman's Touch (Women's Project). Ms Greco directed the national tour of Emily Mann's Having Our Say as well as the play's international premiere at the Market Theatre in Johannesburg, South Africa. Regional credits include: Romeo and Juliet and Stop Kiss (Oregon Shakespeare Festival) as well as productions at South Coast Repertory Theatre, LaJolla Playhouse, McCarter, Long Wharf, Intiman, Williamstown Theater Festival, Cincinnati Playhouse in the Park, Repertory Theatre of St Louis, Coconut Grove Playhouse, Playmakers Repertory Company, and the Cleveland Play House. As a Producer, Ms. Greco has developed and produced the work of a variety of distinguished contemporary writers including Athol Fugard, Joyce Carol Oates, Emily Mann, Nilo Cruz, Lynn Nottage, Neena Beeber, Diane Paulus, Rinne Groff, and Lisa D'Amour. Greco received her MFA from Catholic University and is the recipient of two Drama League Fellowships and a Princess Grace Award.