Peter Gelb News

Illinois law enforcement officials announced Friday that there will be no criminal charges brought against conductor James Levine. Levine's accuser had been sixteen at the time of the incident, which was then the age of consent according to Illinois state law.

The New York Times recently revealed that the Metropolitan Opera had opened an investigation into claims against conductor James Levine, alleging sexual abuse.

Works & Process at the Guggenheim is pleased to announce its Spring 2018 Season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers. Programs explore the creative process through stimulating artist discussions and riveting performance highlights. Each 70-minute program takes place in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.

Works & Process at the Guggenheim has announced its spring 2018 season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers.

The New York Times recently revealed that the Metropolitan Opera had opened an investigation into claims against conductor James Levine, alleging sexual abuse. The Met has released an official statement regarding the issue.

The New York Times has announced that the Metropolitan Opera is opening an investigation into claims against conductor James Levine, alleging sexual abuse. Over a year ago, a man filed a police report saying Levine had abused him in the 1980's. The Met was made aware of this report but did not act on it until recent media inquiries were made into Levine's conduct.

It was a fitting gesture that the Met dedicated this season's performances of Verdi's MESSA DA REQUIEM to the great baritone Dmitri Hvorostovsky, who died on November 22 of brain cancer, at 55. The Russian Hvosotovsky may not have had the largest voice ever heard in his chosen repertoire--the last time I heard him was in IL TROVATORE with Netrebko--but it was unquestionably distinctive and exciting to hear. And he was a powerful stage presence second to none something that the Met has found difficult to muster from its soloists these days.

The best new production of the Gelb era is now ten years old. And it still has the power to please.

Mario Frangoulis, the acclaimed international Crossover Tenor returns to the US for a limited set of engagements in New York, Montreal and Los Angeles from November 6-11, 2017.

'Bread-and-butter operas usually bore me,' tenor Russell Thomas told me frankly, as he prepared for his first performance of Rodolfo, at the Met, in Puccini's LA BOHEME--one of opera's most popular tenor roles--in nearly 15 years. But it wasn't any disdain for the role that kept him away from it: It was James Levine, the Metropolitan Opera's Music Director for 40 years (and still sometimes conductor) who led to his decision.

What does it mean to be a leader in the performing arts? Leadership in the Performing Arts (Allworth Press, April 2016) by Tobie S. Stein answers this question by presenting the wisdom and expertise of eleven men and women with experience leading nonprofit performing arts institutions in the United States.

Thomas Ad s conducts the Metropolitan Opera premiere of The Exterminating Angel with eight performances from October 26 to November 21, 2017. The critically acclaimed opera, staged by the librettist Tom Cairns, is a co-commission and co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.

In their first co-production collaboration ever, the Bolshoi and the Met announced plans today to jointly create new productions of Aida, Salome, and Lohengrin, with performances to take place in New York and Moscow between 2019 and 2022. The two companies will pool their creative and technical resources to develop and build the new productions, with the Bolshoi performing the productions at their theater in Moscow and the Met performing them in New York.

As the Metropolitan Opera launches its 133rd season this fall, a new film by multiple Emmy Award-winning documentary filmmaker Susan Froemke surveys a remarkable period of the company's rich history and a time of great change for New York.

La Traviata premiered at Venice's Teatro la Fenice in 1853, and survived a notoriously unsuccessful opening night to become one of the best-loved operas in the repertoire.

Stephen Costello, having "risen rapidly to claim a place among the world's best tenors" (Daily Express, UK), steps up his European presence in the coming season. September sees the Tucker Award-winning tenor make his Paris Opera debut with his first German-language account of Camille in The Merry Widow.

The Met's first new production since 1969 of Strauss's rich, romantic masterpiece stars Renée Fleming in one of her signature roles as the Marschallin, opposite El?na Garan?a as Octavian, the impulsive young title character, on Great Performances

Works & Process at the Guggenheim has just announced its fall 2017 season and opens the season with a commissioned performance made in and for the museum rotunda.

Works & Process at the Guggenheim has announced its fall 2017 season and opens the season with a commissioned performance made in and for the museum rotunda.

Works & Process at the Guggenheim is pleased to announce its fall 2017 season and opens the season with a commissioned performance made in and for the museum rotunda. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers.