Penny Arcade News

Performance Space New York partners with East Village-based queer funk dance party WET NOISE for a celebratory 12-Hour DANCE-A-THON (May 5, 12pm-12am), a fundraising event that couldn't be further from expectations of what a "fundraising event" entails. The DANCE-A-THON revels in filthy funk music, endless dancing, community building, and inclusivity across age, race, gender, sexuality, and class. DJs tag team in sets as a dynamic give-and-take, throughout the night; they include founding DJ Amber Martin along with Patrick Johnson, Ana Matronic (Scissor Sisters), Seth Kirby (Joshua Light Show), Thomas Campbell, and DatKat (O.E.A.).

City Winery Chicago, 1200 W. Randolph Street, announces Grammy-winning country star Lee Ann Womack, legendary disco queen Gloria Gaynor, Grammy Award-winning producer and vocalist Steve Tyrell and more. The following shows go on sale to the public on Thursday, March 28 at noon. All tickets will be available at citywinery.com/chicago.

Celebrating the life and work of Ethyl Eichelberger with panelists, live performances and archival materials. The event, curated by Michal Gamily, is moderated by Miss Joan Marie Moossy; with panelists, Brian Belovitch, Joe E Jeffreys, John Kelly, Lori E Seid, Black-Eyed Susan, and Mark Russell; live performances by Black-Eyed Susan, Jennifer Miller, and Jeremy Halpern with Auntie Belle; and archival material from the La MaMa Archives.

In a year in which the grande dame of downtown New York, and Andy Warhol Superstar marks 50 years of performance; the undisputed queen of the underground Penny Arcade, returns to Adelaide to celebrate the 25th Australian anniversary of her infamous sex and censorship show BITCH! DYKE! FAGHAG! WHORE!.

The new Avenel Performing Arts Center (APAC) is a multi-disciplinary performing arts center located in Avenel, New Jersey. Funded by the Woodbridge Arts Alliance, this 13,500 square foot venue promises to energize Avenel and surrounding communities by programming exceptional, professional theatre, music, comedy, dance and more.

The Public Theater officially opened its 15th annual UNDER THE RADAR FESTIVAL on Thursday, January 3. BroadwayWorld attended the opening, and you can check out the photos below!

The Public Theater begins performances for the 15th annual UNDER THE RADAR FESTIVAL on Thursday, January 3.

In January 2019, Joe's Pub presents its annual slate of showcases coinciding with APAP|NYC 2019, the annual Association of Performing Artists Presenters conference drawing presenters from around the world, January 4-8. The month will also include the fourth installment of Under the Radar + Joe's Pub: In Concert, a collaborative series highlighting multidisciplinary artists at the intersection of music and theater during The Public Theater's innovative Under the Radar Festival, January 3-13.

RCC Fringe brings fully-curated arts and music program to new University of Adelaide venues in 2019.

Baruch Performing Arts Center (BPAC) presents Penny Arcade's The Faghag & Her Friends in The Summer of Love, a new work in development, December 6-8, 2018, at 7:30 pm. Tickets range from $11 - $46 and can be purchased here. Baruch Performing Arts Center is located at 55 Lexington Ave. (enter 25th Street between 3rd & Lexington Avenues), NYC.  

The Public Theater announced the full line-up today for the 15th annualUNDER THE RADAR FESTIVAL, running January 3-13, 2019. This popular and highly-anticipated festival of The Public's winter season will include artists from across the U.S. and around the world, including Argentina, Australia, France, Lebanon, Nigeria, Norway, Palestine, and the UK. Curated by UTR Festival Director Mark Russell, this year's UNDER THE RADAR FESTIVAL continues to expand to venues throughout New York City in addition to The Public Theater's home at Astor Place. Tickets start at $25 and are on sale now.

Theatre and Entertainment Stars Gather to Perform in Support Aids Research at the first annual MASCUREAIDS BALL October 31st in NYC

Performance Space New York continues its Posthuman Series with DEAD THOROUGHBRED, a collaboration that includes at least keyon gaskin and sidony o'neal, October 26-27. DEAD THOROUGHBRED feels ambivalent about the posthuman future. Rather than the post-human, DEAD THOROUGHBRED feels the ante-human (ante = before in Latin), i.e. the dead and other non-human living and non-living forms, in an effort to complicate the idea that living human consciousness is the central or sole indicator of subjective relation. DEAD THOROUGHBRED acknowledges the inherent exclusion and limitations of posthuman theory. DEAD THOROUGHBRED's presentation in the Posthuman Series f**ks with the generativity of death and hopelessness as a critical antithesis to DEAD THOROUGHBRED's interest in posthuman ideas of enhanced living, futurity, and occult possibility.

Victoria Theatre Association's Projects Unlimited Star Attractions presents the greatest family musical of all time, THE WIZARD OF OZ, Oct. 23-25 at 7 p.m. in the Benjamin & Marian Schuster Performing Arts Center.

Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village in Theater for the New City's 42nd annual Village Halloween Costume Ball on Monday, October 31 at TNC, 155 First Avenue. This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, the event is held annually on the actual night of Halloween and celebrates artistic creation and fertilization.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

Following the announcement of their Opening Night Film, Yen Tan's award-winning AIDS drama 1985, NewFest today announced the full lineup of their 30th annual celebration of the year's best LGBT films from around the world. The program of more than 140 narrative features, documentaries, episodic series and shorts runs from October 24-30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

Performance Space New York announces First Mondays: Readings of New Works in Progress, organized by author Sarah Schulman (Maggie Terry, 2018; Conflict is not Abuse: Overstating Harm, Community Responsibility and the Duty of Repair, 2016). On the first Monday of most months between October 2018 and May 2019, the series will present audiences with an opportunity to gather and hear in-progress works from writers leading the literary avant-garde. First Mondays exemplifies the artistic community-building power in Performance Space New York's appointment of five Associate Artists. Today, the organization announces Sarah Schulman, Emily Johnson, Gillian Walsh, Sarah Ortmeyer, and Angela Dimayuga as the Associate Artists who will actively contribute to programming and administrative decision making in the years to come-honoring Performance Space New York's roots as a space run by the very people experimenting within it.