Michael Bennett News

A Class Act, by Edward Kleban, lyricist of A Chorus Line, will be performed at The Unicorn Theatre by Berkshire Theatre Group's Unicorn Company. Previews begin tonight, July 11 with an official press opening on July 14 at 8pm and closing on August 4.

David Geffen's far-reaching influence - as agent, manager, record industry mogul, Hollywood and Broadway producer, and philanthropist - has helped shape American popular culture for the past four decades.

Pittsburgh CLO will present Fiddler on the Roof, July 13-22 at the Benedum Center. This classic tale is filled with 'memorable music, rousing dances and a touch of human wisdom.'

Porchlight Music Theatre launches its 18th season with the Chicago premiere of A Class Act, September 1 - October 7, at Theater Wit, 1229 W. Belmont Ave. A Class Act's music and lyrics are by Edward Kleban and the book is by Linda Kline and Lonny Price.

A Class Act, by Edward Kleban, lyricist of A Chorus Line, will be performed at The Unicorn Theatre by Berkshire Theatre Group's Unicorn Company. Previews begin July 11 with an official press opening on July 14 at 8pm and closing on August 4.

Today we are talking to a Tony Award-winning legend famous for his performances starring in the original Broadway productions of PIPPIN and JESUS CHRIST SUPERSTAR, as well as his celebrated turns in stage and screen projects as diverse as ALL THAT JAZZ, SWEET CHARITY, CHICAGO, FOSSE, WICKED, GRIND, ROOTS, I'M NOT RAPPAPORT, GOLDEN BOY, IDLEWILD, FUNNY LADY, HOW I MET YOUR MOTHER and many more - the simply incredible Ben Vereen. Discussing many of his most fondly remembered roles and recounting his experiences working with many legendary directors and collaborators - Bob Fosse, Hal Prince, Tom O'Horgan, Herbert Ross, Ann Reinking, Dan Sullivan, Sammy Davis, Jr., Barbra Streisand, Liza Minnelli and many more among them - Vereen paints a vivid picture of a bygone Broadway and reminisces about many of the most significant theatrical creators of the past fifty years and his roles in their stage and film projects. Additionally, Vereen fills us in on what we can expect from his upcoming solo spotlight show - a career retrospective - that will be kicking off at 54 Below on July 10 for a two-week engagement before an even larger, Broadway-bound mounting later this year at Princeton. Also, Vereen elaborates on the causes closest to his heart, shares thoughts on GLEE and SMASH, future plans and much, much more!

American Dance Machine for the 21st Century (ADM21) will present a workshop presentation of four classic musical theater and film dance numbers on Thursday, June 28 at New York City Center, Studio 4 at 6 pm. Each piece has been coached by artists intimately involved in their original productions; numbers from Contact, A Chorus Line, Lovely to Look At and Jerome Robbins' Broadway will be presented. The evening will be directed by Artistic Director Margo Sappington and feature live music with musical direction by Tedd Firth. ADM21 is a new not-for-profit dance company founded by Executive Director Nikki Feirt Atkins, dedicated to creating a living and vibrant archive of classic and current notable musical theater choreography.

Today we are talking to an iconic Tony Award-winning star who made her name as a teenager singing on TV variety shows - THE LAWRENCE WELK SHOW and SING ALONG WITH MITCH included - and then went on to a multimedia career in film and theatre, conquering Broadway with her Tony-winning turn in the Jule Styne/Arthur Laurents musical HALLELUJAH, BABY! in 1967 and returning to the stage in the subsequent decades in a host of Broadway productions, such as BLUES IN THE NIGHT, JERRY'S GIRLS, ANYTHING GOES, August Wilson's KING HEDLEY II and her celebrated Muzzy in THOROUGHLY MODERN MILLIE - a role she reprises in the new Muny production of the Tony Award-winning Best Musical beginning this week - the one and only Leslie Uggams. Taking a thorough look back at her career thus far, Uggams opens up about her many successes and how she has endured for fifty years in show business and shares recollections of many of her most noted co-stars and collaborators, all the way up to the recent 2012 Encores! PIPE DREAM. Additionally, Uggams comments on her film and TV appearances over the years, speaking about her work in INHERIT THE WIND, TWO WEEKS IN ANOTHER TOWN, ROOTS and beyond. Plus, she shares her candid opinions on GLEE, SMASH, Broadway then versus now, future plans for her Lena Horne solo show and thoughts on other roles she would enjoy pursuing - and much, much more!

Lorenzo Lamas gets top billing as Zach in the 44th season opener at Reagle Music Theatre in Waltham. He is joined by a stellar cast of twenty-six young people vying for their place on the line. This is a worthy production in the annals of the groundbreaking 1975 Tony Award-winning Best Musical.

Starring Golden Globe nominee Lorenzo Lamas (The Bold and the Beautiful, Air America, Renegade, Falcon Crest) as Zach, A Chorus Line runs June 15-24 in the Robinson Theatre, 617 Lexington Street, Waltham. Check out these pictures from the final dress rehearsal before opening night tonight below.

A Chorus Line, the powerful and emotion-filled musical about the trials and tribulations of forging a life in the theater, will play in Pittsburgh tonight, June 15 through June 24 at the Benedum Center. Directed and choreographed by original A Chorus Line cast member Baayork Lee, this bona fide Broadway hit features an incredible ensemble cast composed of exciting Broadway stars and Pittsburgh CLO veterans.

Reagle Music Theatre of Greater Boston has announced major principal casting and creative team members for its 44th consecutive summer season, including Lorenzo Lamas, Anita Gillette, Rick Hilsabeck and Sarah Pfisterer.

As BroadwayWorld first reported in March, the John F. Kennedy Center for the Performing Arts will produce, in association with La Jolla Playhouse, a re-imagining of Henry Krieger and Bill Russell's Side Show.

Overflowing with enthusiasm and energy, the true star of the 2012 Tony Awards was unquestionably three-time host and affable Broadway spokesman extraordinaire Neil Patrick Harris, doing what he does best - namely, being the host with the most. Whether web-slinging behind Angela Lansbury and Ted Chapin or leading a spectacular production number with Patti LuPone and a lawnmower, Harris proved yet again why is he is the best in the biz at this sort of thing - well, right up there along with Hugh Jackman, at least. Speaking of whom, in addition to a goosebump-inducing trailer for the forthcoming Tom Hooper-directed film adaptation of the Broadway sensation LES MISERABLES, Hugh Jackman was featured on the Tony Awards telecast and personally on hand to receive a well-earned special Tony Award for his many fundraising successes over the course of his three-show Broadway career, as was crossover superstar Bernadette Peters who took home a special Tony Award for her BC/EFA and Broadway Barks efforts. Adding to the star quotient of the night was Broadway/Hollywood super direct Mike Nichols, giving one of the classiest (despite the CBS-sanction bleep; on the same word as during Danny Burstein's FOLLIES turn, "godammit", incidentlly) and most profound acceptance speeches on the Tony Awards in recent memory - breaking the current record with, now, six Best Director statuettes, by the way. As far as musical performances go, in addition to Harris's triptych of showstoppers throughout the show - without even mentioning the many biting and sassy remarks, jokes and offhand commets; staged and otherwise - there were some seriously strong showings from almost all new musicals and revivals currently running, and even one or two terrific turns from productions already shuttered. The musical highlights of the night were Josh Young and the cast of JESUS CHRIST SUPERSTAR in a spirited and divine take on the title song from the celebrated Andrew Lloyd Webber/Tim Rice rock opera, as well as good showings from new musical head-to-head, nail-bite-worthy competitors, ONCE and NEWSIES, plus one or two other swoon-worthy moments, too. The 2011-2012 Broadway season may not have been a record-breaker insofar as outstanding content and memorable modern classics - while NEWSIES is certainly a smash, last year's THE BOOK OF MORMON is the type of hit we only see once a decade or so, and, therefore, is a bit eclipsed; and, ONCE won Best Musical, anyway - but Harris and the team of this year's show made it an unusually entertaining and unique Tony telecast, even when compared to the finest shows on the past - particularly those from the rightly lauded Cohen era. ONCE may have dominated the wins, but the many musical numbers showed that there is a lot of room for enjoyment whether or not your personal favorite show took home the prizes. Most of all, Neil Patrick Harris proved he was once, twice, three times a Tony triumph.

With only one day to go before the big day on CBS at 8 PM tomorrow, today we are shining a spotlight on a currently-running Broadway musical that has recently become the longest-running American musical in Broadway history - beating even the champ, A CHORUS LINE - John Kander, Fred Ebb and Bob Fosse's landmark 1920s vaudeville satire CHICAGO.

A well deserved standing ovation opens the Maine State Music Theatre 54th summer season with the Pulitzer Prize, Tony Award winning Michael Bennett triple threat, A Chorus Line.

A Chorus Line, the powerful and emotion-filled musical about the trials and tribulations of forging a life in the theater, will play in Pittsburgh June 15-24 at the Benedum Center. Directed and choreographed by original A Chorus Line cast member Baayork Lee, this bona fide Broadway hit features an incredible ensemble cast composed of exciting Broadway stars and Pittsburgh CLO veterans.