Michael Bennett News

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'A Class Act' and 'Dreamgirls' open, two takes on 'Singin' In The Rain,' 'The Book Of Mormon' and 'Sexy Baby' extend, Bailiwick Chicago's 'Bloody Bloody Andrew Jackson,' and more!

When The King and I, the perennial Rodgers and Hammerstein classic musical makes its way back to The Fox Theatre stage tonight, September 5 through September 11, a familiar face will once be there once again to charm Atlanta audiences. Victoria Mallory who's first professional production at age 11 was in The King and I with the very same company, comes full circle and makes a triumphant return to the Atlanta stage in the role of Anna, the schoolteacher who journeys to Siam and falls for the gregarious king. I had the pleasure of speaking with Victoria about the timelessness of this musical, the role of Anna and what its like to return to Atlanta, Theater of the Stars and The King and I after a long and successful career.

Porchlight Music Theatre launches its 18th season with the Chicago premiere of A Class Act, September 1 - October 7, at Theater Wit, 1229 W. Belmont Ave. A Class Act's music and lyrics are by Edward Kleban and the book is by Linda Kline and Lonny Price. Porchlight's production is directed and choreographed by Stacey Flaster with music direction by Beckie Menzie who will personally accompany at the grand piano. Porchlight Artistic Associate Doug Peck plays performances Sept 7, 8 & 9 and Oct 7. A Class Act previews are Saturday, Sept. 1 at 8 p.m., Sunday, Sept. 2 at 2 p.m. and 6 p.m. and Monday, Sept 3 at 7:30 p.m. Opening/Press Night is Tuesday, September 4 at 7:30 pm. The regular run schedule is Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 2 p.m. Please note: there is no 4 p.m. performance, Saturday, Sept. 8. Tickets are $30 for previews and $39 for all other performances.

Early Saturday morning, legendary lyricist Hal David passed away at the age of 91, so today we will be celebrating his life by partaking in some of the most memorable and entertaining moments from his starry, sixty-year career as captured on the internet.

Porchlight Music Theatre launches its 18th season with the Chicago premiere of A Class Act, tonight, September 1 - October 7, at Theater Wit, 1229 W. Belmont Ave. A Class Act's music and lyrics are by Edward Kleban and the book is by Linda Kline and Lonny Price.

It's quite an achievement for any theater company to mount a credible "Dreamgirls," frankly, with its casting challenges, costume budget and high energy performance level. But Robin's Marriott "Dreamgirls" succeeds on many levels. It never stops moving, and it frequently moves the audience as well....

Today we are focusing a super-special spotlight on one of the Fall's most intriguing musical entries trying out in New York, the York Theatre Company's lab mounting of the new Paul Jabara jukebox musical LAST DANCE, by talking to the show's lead, recognizable TV and film star Rob Morrow, and the show's lead producer, noted comedic shepherd and filmmaker Robert D. Wachs, whom filled me in on all aspects of the show in a comprehensive chat late last week just prior to this week's start of rehearsals. In this all-encompassing conversation, Morrow, Wachs and I discuss the genesis of the new disco-themed musical celebrating the life and career of Jabara, the accomplished Emmy, Grammy and Academy Award-winning composer of Broadway shows (RACHAEL LILY ROSENBLOOM… AND DON'T YOU EVER FORGET IT), movie songs ("Last Dance" from THANK GOD IT'S FRIDAY; the titular "The Main Event") and numerous pop/rock/disco hits, such as "It's Raining Men" by The Weather Girls, Barbra Streisand and Donna Summer's epic disco duet "Enough Is Enough (No More Tears)" and his many solo hits, as well as the finer points of the story, concept, casting and the ultimate goals of the new Philip William McKinley-directed production, which features a book by Shaun McKenna. Additionally, Morrow and Wachs each generously share showbiz tales from their storied careers involving such big names as Eddie Murphy, Michael Bennett, Jonathan Larson, Tony Scott and many more and both copiously convey their infectious enthusiasm for the forthcoming fully-produced lab presentation of the new musical that will play for five performances beginning September 20 as they prepare for its first viewing before a paying audience. All of that and much, much more awaits!

Kritzerland has just announced a second edition for the critically acclaimed newly remixed cast album for FOLLIES- The 1971 Original Broadway Cast Recording. For only the second time in Kritzerland history, Kritzerland is doing a second edition of one of our limited edition CDs (the first was for Promises, Promises). The reaction to this newly mixed version of Follies has been overwhelming, and the original first edition of 1500 copies was gone by the time word had spread and reviews had appeared. Stephen Sondheim called the new mix "a miracle" and that's been pretty much the reaction from everyone, including original co-director and producer Harold Prince, cast members John McMartin (the original Ben) and Harvey Evans (the original Young Buddy), Ted Chapin (the author of Everything Was Possible, the book about the creation of Follies), and logo creator David Edward Byrd. At the request of Mr. Sondheim, we are issuing this one-time only second edition so that it will be available for those who either hadn't heard about it or were too slow ordering.

Today we are talking to a Tony Award-winning star known for her many impressive appearances on Broadway in JELLY'S LAST JAM, PLAY ON!, THE WILD PARTY and her tremendous title turn in the towering CAROLINE, OR CHANGE - the one and only Tonya Pinkins. Opening up about her career and many of her most memorable roles, Pinkins lets us in to her world and shares experiences of working with some of the most noted names in theatre - George C. Wolfe, Harold Prince, August Wilson, Stephen Sondheim, Lloyd Richards, Daniel Sullivan, David Esbjornson and many more among them - on everything from MERRILY WE ROLL ALONG, her Broadway debut, to her many musical roles to August Wilson's THE PIANO LESSON and RADIO GOLF all the way to last season's Shakespeare In The Park double-header of THE MERRY WIVES OF WINDSOR and MEASURE FOR MEASURE. Most importantly, Pinkins fills us in on all the details about her upcoming Ethel Waters tribute at 54 Below and what we can expect from one of musical theatre's most dynamic divas taking on the song catalog of an entertainment pioneer in this New York premiere of the in-development new musical solo spotlight showcase. Additionally, Pinkins shares some candid reminiscences about some of her most fondly remembered film and television roles - such as ABOVE THE RIM, BEAT STREET, ROMANCE & CIGARETTES, ENCHANTED and others - as well as offers her thoughts on the ever-changing world of soaps, having appeared in major roles on both AS THE WORLD TURNS and ALL MY CHILDREN. All of that, comments on her two upcoming feature films - HOME and NEWLYWEEDS - and much, much more!

A CHORUS LINE at The Palace Theatre in Georgetown is a thrilling, gripping, highly entertaining masterpiece and a fitting tribute to the late Michael Bennett and Marvin Hamlisch. This show is truly a singular sensation.

Porchlight Music Theatre launches its 18th season with the Chicago premiere of A Class Act, September 1 - October 7, at Theater Wit, 1229 W. Belmont Ave. A Class Act's music and lyrics are by Edward Kleban and the book is by Linda Kline and Lonny Price.

When The King and I, the perennial Rodgers and Hammerstein classic musical makes its way back to The Fox Theatre stage September 5 - 11, a familiar face will once be there once again to charm Atlanta audiences. Victoria Mallory who's first professional production at age 11 was in The King and I with the very same company, comes full circle and makes a triumphant return to the Atlanta stage in the role of Anna, the schoolteacher who journeys to Siam and falls for the gregarious king. I had the pleasure of speaking with Victoria about the timelessness of this musical, the role of Anna and what its like to return to Atlanta, Theater of the Stars and The King and I after a long and successful career.

Unless you're a Marx Brothers fan, you may not be aware of this fun little Marvin Hamlisch creation.

For 12 years, Merkin Concert Hall's Broadway Close Up series has been taking audiences behind the scenes of classic musicals old and new with eye-opening interviews and inspiring performances. The annual Bound for Broadway show hosted by Liz Callaway gives theater lovers sneak peeks at some of the best new shows in production. This season's line-up includes:

The all-new Australian production of one the most successful American Broadway musicals of all time, A CHORUS LINE will play at Sydney's Capitol Theatre for 21 performances only from tonight, 20 July, 2012. Having played to full houses in Adelaide and Melbourne, this iconic smash hit musical is directed and re-staged by Baayork Lee, one of the original cast members and inspirations from the Tony Award® winning 1975 production. See photos from the show below!

Kritzerland has just announced that it will present a very special limitededition CD release: FOLLIES- The 1971 Original Broadway Cast Recording NEWLY REMIXED AND REMASTERED, featuring music and lyrics by Stephen Sondheim. They released the following statement on the album:

Today we are talking to a celebrated comedienne and actress known for her decades-spanning career on screens and stages large and small - from making her Broadway debut in the original Jerome Robbins production of GYPSY on Broadway in 1960 to her many musical roles throughout the 60s to her countless game show and variety show appearances following that all the way to creating an unforgettable character in MOONSTRUCK in the 1980s, as well as her subsequent oft-Neil Simon stage work; now, playing Tina Fey's sweet and daffy mom on NBC's 30 ROCK and, most recently, appearing in Nora & Celia Ephron's LOVE, LOSS AND WHAT I WORE and the Playwright's Horizons premiere production of THE BIG MEAL in the new millennium - the one of a kind Anita Gillette. Analyzing her nearly sixty-year career and sharing candid stories of her brushes with some of Broadway and Hollywood's brightest talents - Jule Styne to Ethel Merman to Irving Berlin to Burt Lancaster and beyond - Gillette paints a vivid portrait of the tail end of the Golden Age of Broadway and the heady game show days of TV in the 1960s and 70s to her lauded stage work with Neil Simon and many of the great comedy and musical writers in the years since. Additionally, Gillette and I discuss her current essaying of the role of Mae Peterson in the new Regal Music Theatre production of Charles Strouse and Lee Adams's BYE BYE BIRDIE in Massachusetts as she looks towards opening night tomorrow and relates her joy in participating in a production that has some behind-the-scenes help by her loving granddaughter (while another attends their summer camp). Plus, Gillette's observations on sharing a soundstage with Alec Baldwin, Tina Fey, Elaine Stritch and Buck Henry for a recent 30 ROCK shoot, reflections on her fondest and most celebrated comedy roles, hilarious memories of appearing in some short-running flops (JIMMY, SKYSKRAPER) as well as in some big hits (GYPSY), her upcoming series of master classes titled "Life In The Business", her return to Birdland with her concert show, AFTER ALL, her role in an upcoming Ed Burns film and maybe even a role in a new Alexander Payne film - all of that, all about attending the Diamond Jubilee celebration in the United Kingdom and much, much more!