Mattie Ullrich News

As a highlight of the 2024 Bard SummerScapefestival, the Fisher Center at Bard presents the first new American production in almost five decades of Giacomo Meyerbeer’s Le prophète, an all-too-topical grand opera in which religion, politics, and power collide.

The Atlanta Opera Announces 45th Anniversary Season in 2024–25, Featuring Immersive “Bohème Project” & New Production of Siegfried with Greer Grimsley, Stefan Vinke, Lise Lindstrom, Lindsay Ammann & Barry Banks

There are no supernatural women arriving on horseback to escort slain warriors to the afterlife--just a trio of mermaids, a couple of giants and a loveless dwarf, along with a bunch of gods, demi-gods and grotesque humans in Richard Wagner’s DAS RHEINGOLD, the first part of the composer’s Ring cycle (officially DER RING DES NIBELUNGEN). Saturday night’s audience stayed to cheer the opening of General and Artistic Director Tomer Zvulun’s production after nearly three intermission-less hours.

Get a first look at The Atlanta Opera's - 'one of the most exciting opera companies in America' (Opera Wire) -  production of Das Rheingold, the company's first production of any opera from Wagner's monumental Ring cycle (April 29-May 7).

The Atlanta Opera has announced its 2023-24 season of performances at the Cobb Energy Performing Arts Centre, inspired by the intersecting genres of iconic literature, horror film and fantasy: a kind of season-wide Gesamtkunstwerk for the modern age.

The Dallas Opera will premiere a new production of Wagner's epic tale Das Rheingold, a title returning to the Winspear stage after more than 20 years.

The Atlanta Opera – “one of the most exciting opera companies in America” (Opera Wire) – closes its mainstage 2022-23 season with a milestone event: General and Artistic Director Tomer Zvulun's new production of Das Rheingold, the company's first production of any opera from Wagner's monumental Ring cycle (April 29–May 7).

Opening Friday, July 22, Richard Strauss's comic opera, The Silent Woman (“Die Schweigsame Frau”), receives a rare American presentation at Bard SummerScape. Harold Wilson, “a stentorian bass … with impressive focus, carrying power and quiet charisma” (New York Times), heads a strong cast in a new production by Christian Räth, whose SummerScape staging of Das Wunder der Heliane prompted Musical America to declare: “Opera productions don't get much better than this.”

Since its inception, the annual Bard SummerScape festival has presented a series of stellar revivals of important but neglected operas. This year's immersion in “Rachmaninoff and His World” features The Silent Woman (“Die Schweigsame Frau”), the only true comic opera by Rachmaninoff's close contemporary Richard Strauss.

Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.

The Atlanta Opera has announced a new season of large-scale performances at the Cobb Energy Performing Arts Centre for 2022-23 with a spirit of positivity and optimism for the future.

Beginning in November with Handel’s Julius Caesar in Egypt, in its first staging by the company, the season continues with the return of Gilbert and Sullivan’s The Pirates of Penzance, Rossini’s beloved Barber of Seville, and the Southeastern premiere of the Grammy award-winning opera The (R)evolution of Steve Jobs, in a new production by Carl W. Knobloch Jr. General and Artistic Director Tomer Zvulun.

Opera Omaha announces its third annual ONE FESTIVAL. The ONE Festival is a place for wild dreams, wilder execution, and exploration of those ideas on a grand scale. Programming is driven by the artists, not the executives. With an emphasis on experimentation and new worka?'yet not tethered to premieresa?'ONE fosters an environment that encourages and celebrates bold risks and transformative storytelling. At a glance, one might assume this is happening in NYC or LA; but this opera hothouse sizzles in the dead center of our country, far from the coasts. 

The Atlanta Opera has announced its 41st season. True to the vision of Tomer Zvulun, the company's Carl W. Knobloch, Jr. General & Artistic Director, the 2020-21 lineup boasts major new productions of three critically important works: Das Rheingold, one of the most iconic in the canon; The Sound of Music, one of the best-loved classics of musical theater; and The (R)evolution of Steve Jobs, one of contemporary opera's most palpable hits, now receiving its Southeast premiere. Together with the Atlanta premiere of As One, Steve Jobs is one of two topical and much talked-about new operas in Atlanta's award-winning Discoveries series, which breaks down barriers between artists and their audience by providing intimate, immersive experiences in nontraditional spaces.

The Atlanta Opera will launch the new year with a new mainstage production of Salome, Richard Strauss's still unsettling 1905 take on Oscar Wilde's twisted biblical tale of incest, seduction and power (Jan 25, 28, 31; Feb 2).

On March 2,2019, Los Angeles Opera presented Wolfgang Amadeus Mozart's THE CLEMENCY OF TITUS (LA CLEMENZA DI TITO) in a production by Thaddeus Strassberger. Having directed and designed the colorful and monumental sets as well, Strassberger has achieved a major opus. Some scenes were played on the full stage and others on its frontal area with Greg Emetaz's projection of a Baroque painting on a curtain behind.

​​​​​​​Plácido Domingo has announced the latest details about LA Opera's company premiere of Mozart's The Clemency of Titus.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.

On Oct 14, 2017, Los Angeles Opera presented Giuseppe Verdi's third opera, NABUCCO in a new and extremely well detailed production by Thaddeus Strassberger.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.