Mark Bruckner News

Irish Repertory Theatre's ON A CLEAR DAY YOU CAN SEE FOREVER begins performances tonight, June 15! The show stars Tony Award-nominee Stephen Bogardus (Bright Star), John Cudia (The Phantom of the Opera), and Tony Award-nominee Melissa Errico (Finian's Rainbow). ON A CLEAR DAY features music by Burton Laneand book and lyrics by Alan Jay Lerner. The cast held a preview event last night, June 14, and BroadwayWorld got in on the action! Check out photos below!

Irish Repertory Theatre's ON A CLEAR DAY YOU CAN SEE FOREVER begins performances tomorrow, June 15! The show stars Tony Award-nominee Stephen Bogardus (Bright Star), John Cudia (The Phantom of the Opera), and Tony Award-nominee Melissa Errico (Finian's Rainbow). ON A CLEAR DAY features music by Burton Laneand book and lyrics by Alan Jay Lerner. BroadwayWorld has preview of the cast in action. Check it out below!

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) is proud to announce that a limited number of $11.90 tickets to ON A CLEAR DAY YOU CAN SEE FOREVER will be available exclusively via TodayTix.

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) will present ON A CLEAR DAY YOU CAN SEE FOREVER, starring Tony Award-nominee Stephen Bogardus (Bright Star), John Cudia (The Phantom of the Opera), and Tony Award-nominee Melissa Errico (Finian's Rainbow) this summer. ON A CLEAR DAY features music by Burton Laneand book and lyrics by Alan Jay Lerner.

Even people familiar with August Strindberg may be surprised to learn that he wrote plays for children. The best example is 'The Black Glove,' the fifth (and least performed) of his Chamber Plays.

Even people familiar with August Strindberg may be surprised to learn that he wrote plays for children. The best example is 'The Black Glove,' the fifth (and least performed) of his Chamber Plays.

Project Y Theatre Company presents the World Premiere of GREAT AGAIN, an evening of plays in two parts: The Test by Crystal Skillman (directed by Jessi D. Hill) and In the Line by Chiori Miyagawa (directed by Kristin Horton and choreographed by Sonoko Kawahara). This double bill of new plays was commissioned by Project Y Theatre Company, written as a response to the November 2016 election and presented as the centerpiece of the 2nd Annual Women in Theatre Festival dedicated to broadening opportunities for women playwrights. GREAT AGAIN runs through June 24 at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres with opening set for Tuesday, June 6. BroadwayWorld has a first look at the cast onstage below!

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final production in the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits On a Clear Day You Can See Forever, music by Burton Lane, book and lyrics by Alan Jay Lerner and based on the book Berkeley Square by John L. Balderston with direction by Lili-Anne Brown, musical direction by Andra Velis Simon and starring Sharriese Hamilton and Karl Hamilton. Porchlight Revisits On a Clear Day You Can See Forever is presented for three-nights-only Tuesday, May 9 through Thursday, May 11 at 7:15 p.m. and is performed on the set of Porchlight's Marry Me a Little (previews begin Friday, April 14) at Stage 773, 1225 W. Belmont Ave. Tickets are $35. All tickets include access to the popular pre-performance event, Behind the Show Backstory, a multimedia presentation, created and hosted by Weber that discusses that evening's production including the show's creative history, backstage gossip and the state of the art on Broadway that season. Single tickets are available at PorchlightMusicTheatre.org or by calling the Stage 773 box office, 773.327.5252.

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final production in the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits On a Clear Day You Can See Forever, music by Burton Lane, book and lyrics by Alan Jay Lerner and based on the book Berkeley Square by John L. Balderston with direction by Lili-Anne Brown, musical direction by Andra Velis Simon and starring Sharriese Hamilton and Karl Hamilton. Porchlight Revisits On a Clear Day You Can See Forever is presented for three-nights-only Tuesday, May 9 through Thursday, May 11 at 7:15 p.m. and is performed on the set of Porchlight's Marry Me a Little (previews begin Friday, April 14) at Stage 773, 1225 W. Belmont Ave. Tickets are $35. All tickets include access to the popular pre-performance event, Behind the Show Backstory, a multimedia presentation, created and hosted by Weber that discusses that evening's production including the show's creative history, backstage gossip and the state of the art on Broadway that season. Single tickets are available at PorchlightMusicTheatre.org or by calling the Stage 773 box office, 773.327.5252.

Porchlight Music Theatre and Artistic Director Michael Weber have announced the final production in the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits On a Clear Day You Can See Forever, music by Burton Lane, book and lyrics by Alan Jay Lerner and based on the book Berkeley Square by John L. Balderston with direction by Lili-Anne Brown, musical direction by Andra Velis Simon and starring Sharriese Hamilton and Karl Hamilton.

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the continuation of the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits Little Me, music by Cy Coleman, lyrics by Carolyn Leigh and book by Neil Simon based on the novel by Patrick Dennis, with direction by Porchlight Artistic Director Michael Weber, musical direction by Linda Madonia, choreography by Craig Miller with special guest choreography by veteran Bob Fosse dancer Jane Lanier and starring Jeff Award-winner Matt Crowle. Porchlight Revisits Little Me is presented for three-nights-only Tuesday, Feb. 28 through Thursday, March 2 at 7:15 p.m. and is performed on the set of Porchlight's The Scottsboro Boys (previews begin Friday, Feb. 3) at Stage 773, 1225 W. Belmont Ave. Tickets for Little Me are $35. All tickets include access to the popular pre-performance event, Behind the Show Backstory, a multimedia presentation, created and hosted by Weber that discusses that evening's production including the show's creative history, backstage gossip and the state of the art on Broadway that season. Single tickets to Little Me are available at PorchlightMusicTheatre.org or by calling the Stage 773 box office, 773.327.5252. 

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the continuation of the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits Little Me, music by Cy Coleman, lyrics by Carolyn Leigh and book by Neil Simon based on the novel by Patrick Dennis, with direction by Porchlight Artistic Director Michael Weber, musical direction by Linda Madonia, choreography by Craig Miller with special guest choreography by veteran Bob Fosse dancer Jane Lanier and starring Jeff Award-winner Matt Crowle. 

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the continuation of the fourth season of Chicago's hit "lost" musicals in staged concert series, Porchlight Revisits Little Me, music by Cy Coleman, lyrics by Carolyn Leigh and book by Neil Simon based on the novel by Patrick Dennis, with direction by Porchlight Artistic Director Michael Weber, musical direction by Linda Madonia, choreography by Craig Miller with special guest choreography by veteran Bob Fosse dancer Jane Lanier and starring Jeff Award-winner Matt Crowle. 

Michael Weber, artistic director of Porchlight Music Theatre, has announced Porchlight Music Theatre's 2016 - 2017 mainstage season which includes In The Heights, Lin-Manuel Miranda's first big hit and winner of four Tony Awards, including Best Musical and Best Score, September 9 - October 16, 2016; End of the Rainbow, the Chicago premiere of the Judy Garland bio musical play, a recent smash hit in London and New York, November 4 - December 4, 2016; The Scottsboro Boys, the long-awaited Chicago premiere of the final collaboration of Kander and Ebb concerning one of the most infamous events in American history, February 3 - March 12, 2017; Marry Me a Little, Jeff Award-winning Porchlight Artistic Associate Austin Cook stars in this rarely seen Stephen Sondheim production, April 14 - May 21, 2017.

Woodie King Jr's New Federal Theatre kicks off its 47th season a rare revival of Martin Duberman's In White America, not seen in NYC for 50 years! In White America, directed by Charles Maryan, will begin performances October 15th, with opening night set for October 29th at the Castillo Theater (543 West 42nd Street). This limited Off-Broadway engagement will continue through November 15th only.

IRNE Award-winning actress Celeste Oliva gives two riveting performances in Deirdre Girard's RECONSIDERING HANNA(H) to open the 2014-2015 season at Boston Playwrights' Theatre. With thoughtful direction by Bridget Kathleen O'Leary, RECONSIDERING HANNA(H) tells two good stories for the price of one, both of which will stay with you long after the curtain falls.

the food was terrible is a theatrical meditation about death, mourning, and what might be eating away at your stomach. More than a simple two-men-at-bar, this is an evolution into questioning. Can we all clink (glasses) and try to remember who took the dead daughter's (glasses)? Are bipolar people capable of f**king up bacon? Will someone get it together to paint the correct sunrise?

the food was terrible is a theatrical meditation about death, mourning, and what might be eating away at your stomach. More than a simple two-men-at-bar, this is an evolution into questioning. Can we all clink (glasses) and try to remember who took the dead daughter's (glasses)? Are bipolar people capable of f**king up bacon? Will someone get it together to paint the correct sunrise?

the food was terrible is a theatrical meditation about death, mourning, and what might be eating away at your stomach. More than a simple two-men-at-bar, this is an evolution into questioning. Can we all clink (glasses) and try to remember who took the dead daughter's (glasses)? Are bipolar people capable of f**king up bacon? Will someone get it together to paint the correct sunrise?