BWW Feature: ONLINE OPERA/SONG JULY 17-24 at Home Computer Screens
by Maria Nockin
- Jul 24, 2020
Tenor Russell Thomas, whose performance combines Wagnerian stamina with Italian lyricism, received glowing reviews for his recent performance as Titus in The Clemency of Titus. Russell and pianist Kyung-mi Kim invite us to enjoy their Living Room Recital. Songs include: Schuberta??s An die Musik, Vaughn Williamsa?? Let Beauty Awake, Mascagnia??s Risveglio, Duparca??s La??Invitation au Voyage, Verdia??s La??Esule, Barbera??s Knoxville Summer of 1915, and Meeropola??s Strange Fruit.
Best of BWW Interviews: Tenor Javier Camarena - High Cs and 'High Fives' at the Met
by Richard Sasanow
- Mar 18, 2020
The Met's first cancellation due to coronavirus concerns was the revival of Rossini's LA CENERENTOLA, the opera retelling of the Cinderella story, set to star mezzo Tara Erraught in the title role and one of its biggest tenor stars, Javier Camarena as Don Ramiro, her prince. The opera holds a particular place in Camarena's history at the Met: It made him an overnight sensation when he was tapped to replace Juan Diego Florez and blew the roof off--a real-life Cinderella story.
The Ridgefield Playhouse Will Screen The Metropolitan Opera Production of Philip Glass's AKHNATEN
by Chloe Rabinowitz
- Nov 14, 2019
The Metropolitan Opera production of Philip Glass's Akhnaten comes to the big screen in HD at The Ridgefield Playhouse on Sunday, December 1 at 12:55pm in an extra special encore presentation featuring a live Q&A on The Playhouse stage during intermission with The Met Opera's Susan Gomez Pizzo, Solo Ladies Wardrobe Supervisor, and Louis Valantasis, Principal Men's Wardrobe Supervisor.
BWW Review: WERTHER, Royal Opera House
by Alexandra Coghlan
- Sep 18, 2019
Fashions in love (and lovers) swing as wildly as hemlines between the centuries. Massenet's Werther a?' brooding, poetic, Romantic to a fault a?' is pure 19th century, his heart beating to the fluttering pulse of lyric couplets. He translates poorly into today's more pragmatic world, but thanks to Charles Edwards' handsome designs his ill-fated passion for married Charlotte returns to the Royal Opera with plenty of nostalgic appeal.
BWW Review: LA FILLE DU REGIMENT, Royal Opera House
by Alexandra Coghlan
- Jul 12, 2019
Lighter than a macaron and every bit as deliciously Gallic, Donizetti's La fille du regiment swaps the composer's signature brand of robust, Italian comedy for something frothier, more melt-in-the-mouth. Add to that director Laurent Pelly - go-to Frenchman for whimsy and colour - and you have a classic operatic amuse-bouche.
BWW Review: A Yummy FILLE DU REGIMENT Thanks to Yende and Camarena (and Don't Forget Donizetti)
by Richard Sasanow
- Feb 13, 2019
I've already cheered tenor Javier Camarena's Herculean take on “Ah, mes amis!” in the Met's current FILLE DU REGIMENT--with 1 ½ dozen high Cs, including an encore--but there's more than the tenor in Met's current revival of the Donizetti gem to make the season suddenly seem grand. He and soprano Pretty Yende have made a potent comic once before--in Rossini's BARBIERE--but FILLE is something altogether different.
BWW Showstopper: Audience Insists 'Encore! Encore!' and Camarena Does It Again in FILLE DU REGIMENT at the Met
by Richard Sasanow
- Feb 8, 2019
Tenor Javier Camarena set a record last night with his encore of “Ah, mes amis!” as Tonio in the season's first performance of Donizetti's LA FILLE DU REGIMENT. It was the first time that anyone was called out for an encore in three different operas—in his case Rossini's LA CENERENTOLA, Donizetti's DON PASQUALE and this one. That's more than Luciano Pavarotti or Juan Diego Florez—the only others to be brought out for a bis of an aria in the last 50 years.
BWW Review: Damrau's a Top Violetta with the Met's New Maestro Nezet-Seguin in LA TRAVIATA from Mayer
by Richard Sasanow
- Dec 6, 2018
I interviewed Diana Damrau when she had just done her first Violetta, her role debut in the Met's old Willy Decker production. It was a part she lusted over from the time she saw the 1982 Zeffirelli film, but was careful about taking on--waiting for the right time in her vocal development. That was nearly six years ago and the good news is that she has developed into a first-rate Violetta, sounding better than she has in some time, and looking every inch the glamorous (yet consumptive) courtesan.
Verdi's La Traviata To Screen In Hd At The Ridgefield Playhouse December 22nd
by Stephi Wild
- Dec 6, 2018
Yannick Nezet-Seguin conducts Michael Mayer's richly textured new production of Verdi's La Traviata for The Metropolitan Opera, featuring a dazzling 18th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Florez returns to the Met for the first time in five seasons to sing the role of Alfredo, Violetta's hapless lover. Baritone Quinn Kelsey is Alfredo's father, Germont, who destroys their love. See La Traviata in HD on the big screen at The Ridgefield Playhouse Saturday, December 22 at 12:30pm, part of Atria Senior Living Classical Series with support from Whistle Stop Bakery, underwritten by Jeanne Cook, Liz and Steven Goldstone, & Sabina and Walter Slavin.
BWW Interview: Tenor Javier Camarena - High Cs and 'High Fives' at the Met
by Richard Sasanow
- Dec 5, 2018
Tenor Javier Camarena--who completes his run as Nadir, the love-struck tenor lead in Bizet's LES PECHEURS DE PERLES (THE PEARL FISHERS) this Saturday--isn't finished wow-ing Met audiences for the season. Not by a long shot. He's back in February to throw off those nine High Cs in “Ah, mes amis!” the show-stopping aria--that toast to love and camaraderie--in Donizetti's LA FILLE DU REGIMENT (DAUGHTER OF THE REGIMENT) that Luciano Pavarotti made famous for modern opera audiences.
VIDEO: Get A First Look At LA TRAVIATA at The Met
by Alan Henry
- Dec 4, 2018
Yannick Nezet-Seguin conducts Michael Mayer's richly textured new production, featuring a dazzling 19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Florez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta's hapless lover. Baritone Quinn Kelsey is Alfredo's father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruci?ski, and Placido Domingo.
Ridgefield Playhouse to Screen The Met's LA TRAVIATA
by Julie Musbach
- Nov 21, 2018
Yannick Nezet-Seguin conducts Michael Mayer's richly textured new production of Verdi's La Traviata for The Metropolitan Opera, featuring a dazzling 18th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Florez returns to the Met for the first time in five seasons to sing the role of Alfredo, Violetta's hapless lover.
BWW Review: ELISIR's Latest Duo Charms the Pants Off Met Audience
by Richard Sasanow
- Jan 28, 2018
There have been starrier casts heading up Donizetti's L'ELISIR D'AMORE at the Met--put the opera's name in the NY Times search engine and the first one that shows up is the debut of the famed tenor Tito Schipa in 1932, with bass Ezio Pinza as the quack snake-oil salesman Dulcamara. But this year's principals, soprano Pretty Yende and tenor Matthew Polenzani, gave more than enough pleasure (and then some) to send the audience out cheering.
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