Juan Diego Florez News

It didn't strike me until the lights were going down for the start of CARMEN last Thursday that this was the second night in a row that Met audiences were being transported to the same town in sunny Spain. Truth be told, “sunny” is hardly an adjective I'd hardly use to describe Bizet's tragedy in the shadow of the bullring, while it's just about right for dizzy events of Rossini's charmer, IL BARBIERE DI SIVIGLIA, which I'd heard the night before.

KS Juan Diego Florez gestaltet am Mittwoch, 28. September 2016 das erste Solistenkonzert in dieser Spielzeit an der Wiener Staatsoper: Anlasslich seines 20jahrigen Buhnenjubilaums prasentiert er, am Klavier begleitet von Vincenzo Scalera, Werke von Gioachino Rossini, Ruggero Leoncavallo, Christoph Willibald Gluck, Gaetano Donizetti und Jules Massenet.

KS Juan Diego Florez gestaltet am Mittwoch, 28. September 2016 das erste Solistenkonzert in dieser Spielzeit an der Wiener Staatsoper: Anlasslich seines 20jahrigen Buhnenjubilaums prasentiert er, am Klavier begleitet von Vincenzo Scalera, Werke von Gioachino Rossini, Ruggero Leoncavallo, Christoph Willibald Gluck, Gaetano Donizetti und Jules Massenet.

Children of All Ages! In the center ring was a death-defying feat of legerdemain guaranteed to bring a smile to your face, a tap to your toe and an audience to its feet. And for all those new-opera fanatics who think that the 19th century doesn't have anything to say to a Millennials--LoftOpera brought a whopper of a production of Rossini's last comedy to Brooklyn's Muse venue in Bushwick, which was filled with Millennials as well as perennials. Live, in person, LE COMTE ORY.

Point/counterpoint: As if to set off its trio of Elizabethan tragedies by Donizetti, the Met is presenting two of the master's comedies. First up: DON PASQUALE, and it was a pip. (The other is L'ELISIR D'AMORE.) Too bad the Met underestimated its appeal, because it had a truncated run of only five performances. Judging by the audience reception, they could have done more--certainly if tenor Javier Camarena was at bat.

The Carlyle, A Rosewood Hotel is pleased to announce the Cafe Carlyle's spring 2016 season, which features the venue debuts of Broadway legend Chita Rivera, Grammy nominated singer-songwriter Steven Page, actress/singerRumer Willis and Welsh superstar Katherine Jenkins; as well as the return of audience favorites Megan Hilty, Alexa Ray Joel, Herb Alpert & Lani Hall and Lena Hall.

Welsh superstar Katherine Jenkins OBE makes her Cafe Carlyle debut with Viva La Diva, April 12-16. Katherine Jenkins is one of the world's most prolific classical crossover singers, having released ten chart-topping studio albums since being signed to Universal Classics. Over the course of her esteemed career, she has toured and recorded with the likes of Placido Domingo, Andrea Bocelli, Jose Carreras, David Foster, Dame Kiri te Kanawa, Bryn Terfyl, Rolando Villazon, Juan Diego Florez & Il Divo. At Cafe Carlyle, she will be joined by music director Gerard Steichen. Two-time Drama Desk nominee Ryan Silverman (Chicago, Phantom, Side Show) will make a special guest appearance.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe present Beethoven's iconic Ninth Symphony and Jennifer Higdon's blue cathedral, November 5-8 in Newark and New Brunswick.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe welcome legendary saxophonist Branford Marsalis for the Orchestra's 2015-16 opening-weekend concerts, this weekend, September 25-27 in Newark and New Brunswick.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe welcome legendary saxophonist Branford Marsalis for the Orchestra's 2015-16 opening-weekend concerts, September 25-27 in Newark and New Brunswick.

At a time when we're often inundated with yet another TOSCA, BOHEME or CARMEN at major opera houses, the Caramoor Festival in Katonah, NY--a couple of hours north of New York City in summer traffic--manages to bring some relief, thanks to the efforts of its Music Director Will Crutchfield. On July 11, Gaetano Donizetti's LA FAVORITE showed us that the composer of LUCIA DI LAMMERMOOR, L'ELISIR D'AMORE and the Tudor Queens Trilogy, among so many others, had more than a few tricks up his sleeve.

Gary Naylor is left awed by the performances, the spectacle and the sensory overload of the penultimate show in the New York Met's season of operas broadcast to cinemas around the world.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Maria Callas got the world used to hearing singing that was not always pitch-perfect yet still essential listening. I kept thinking about this at the Met the other night during the new production of Rossini's LA DONNA DEL LAGO with a cast headed by a couple of stars, mezzo Joyce DiDonato and tenor Juan Diego Florez, who are well known for their bel canto style.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

New Year's Eve will be celebrated in high style on ?medici.tv with a free webcast of superstar soprano Anna Netrebko and tenor Juan Diego Flórez in Emmerich Kálmán's operetta Die Csárdásfürstin (“The Gypsy Princess”), with the Staatskapelle Dresden under Christian Thielemann. Filmed live on December 28 and then webcast by medici.tv the next day, the performance will be available for free viewing up to 90 days afterward.

Bartlett Sher's production of Rossini's IL BARBIERE DI SIVIGLIA is one of the best of the Gelb years at the Met, with its sliding-doors set by Michael Yeargan and luscious costumes by Catherine Zuber. It was great when it opened with an all-star cast--headed Diana Damrau, Juan Diego Florez and Peter Mattei--and remains sturdy even when some of the casting is a little wobbly.

Pretty Yende--a name that in itself brings certain expectations as well as smiles--burst on the New York opera scene at the start of 2013, in a baptism by fire. At just 27, the South African soprano from Piet Retief, Mpumalanga memorably stepped into one of the lead roles in the revival of Rossini's LE COMTE ORY (opposite, no less, star tenor Juan Diego Florez) on short notice.

Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Florez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidoro, on GREAT PERFORMANCES AT THE MET tonight, September 7 at 12 p.m. on PBS. (In New York, THIRTEEN will air the opera at 12:30 p.m.)