Joyce DiDonato News

On Sunday, April 14 at 2:00 p.m., Harry Bicket conducts Handel's Semele at Carnegie Hall with acclaimed baroque orchestra The English Concert. In this concert presentation, soprano Brenda Rae performs the title role, joined by mezzo-soprano Elizabeth DeShong (Juno/Ino), bass Soloman Howard, (Cadmus/Somnus), tenor Benjamin Hulett (Jupiter), countertenor Christopher Lowrey (Athamas), soprano Ailish Tynan (Iris), tenor Brian Giebler (Apollo), and bass-baritone Joseph Beutel (Priest), along with The Clarion Choir (Steven Fox, Artistic Director).

Twenty-eight performers selected to compete for a chance to win top prizes of $20,000, $15,000, and $10,000; total prizes to exceed $75,000; an all-star team of musical theater, opera, and Kurt Weill experts to adjudicate semifinals and finals.

Mezzo-soprano Tara Erraught to sing    Marguerite in Pittsburgh Symphony Orchestra'S Damnation of Faust March 8-10 New York - International Irish mezzo-soprano Tara Erraught will step in this week with the acclaimed Pittsburgh Symphony Orchestra at Heinz Hall, where she will perform Marguerite in the symphony's March 8 and 10 concerts of Berlioz's Damnation of Faust.

The famous mezzo soprano Fredericka von Stade is in San Diego this week rehearsing Three Decembers, one of several works written with her in mind by her close friend Jake Heggie. The chamber opera for three singers and 11 musicians will be performed three times next weekend at the 500-seat Patrick Henry PHAME Theatre. Von Stade recognized Heggie's talent long before he wrote his first opera and has been an influential champion ever since. Their friendship and collaboration have benefitted both. In my interview with her in a San Diego Opera rehearsal room she said, 'He's given me a second career with parts in Dead Man Walking and Great Scott, and a lot of song cycles. He's my guy.'

San Francisco's acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the world, launches its 62nd season offering audiences a look at the opera stars of tomorrow. The 2019 Merola Summer Festival announces this year's 29 Merola artists, selected from more than 800 international applicants from as far away as Brazil, South Korea, New Zealand, and Colombia, as well as across the U.S. Along with the announced world premiere of If I Were You (August 1-6) by Jake Heggie and Gene Scheer, the singers will perform in the Schwabacher Summer Concert (July 11 & 13) and Merola Grand Finale (August 17). The 2019 Merola Summer Festival includes performances in San Francisco at various locations. Individual event tickets and information available at www.merola.org or 415-864-3330.

The winners of the 48th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place before an enthusiastic audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.

The 48th annual George London Awards Competition for opera singers final round And Awards Announcement is open to the public - Today, February 22, 2019, At 4:00 Pm, At The Morgan Library & Museum's Gilder Lehrman Hall

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met's production of Puccini's Turandot, starring Christine Goerke in the title role, led by the Met's Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.

The Metropolitan Opera today announced its 2019 20 season, which opens on September 23 with a new production of the Gershwins' classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson.

Twenty-eight performers selected to compete for a chance to win top prizes of $20,000, $15,000, and $10,000; total prizes to exceed $75,000; an all-star team of musical theater, opera, and Kurt Weill experts to adjudicate semifinals and finals.

Houston Grand Opera (HGO) announced today the winners of the 31st annual Eleanor McCollum Competition for Young Singers Concert of Arias, which took place in the Cullen Theater of the Wortham Theater Center. This is the third year the Concert of Arias was streamed live on Facebook, and the second for livestreaming on YouTube. The livestream was hosted by HGO Studio alumna Andrea Carroll. She is currently performing in The Pearl Fishers as Le la and placed first in the 2012 Concert of Arias. The winners were announced during the second portion of the program.

Creating music together can be a tremendously joyful act, binding people together in both times of celebration and moments of hardship. When Beethoven incorporated Friedrich Schiller's Ode to Joy poem into his Ninth Symphony, it was a radical call for equality, freedom, and brotherhood.

Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2019–2020 season featuring more than 170 concerts by many of the world's most celebrated artists and ensembles in classical, pop, jazz, and world music. The season also includes a wide range of groundbreaking education and social impact programs created by Carnegie Hall's Weill Music Institute, engaging audiences in New York City, across the country, and around the world.

Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2019–2020 season featuring more than 170 concerts by many of the world's most celebrated artists and ensembles in classical, pop, jazz, and world music. The season also includes a wide range of groundbreaking education and social impact programs created by Carnegie Hall's Weill Music Institute, engaging audiences in New York City, across the country, and around the world.

Houston Grand Opera (HGO) has selected the finalists for the 31st annual Eleanor McCollum Competition for Young Singers Concert of Arias, to be presented in the Wortham Theater Center on February 1, 2019, at 7 p.m. A limited number of general admission tickets for the performance are available for purchase here. The program will also be streamed live on Facebook and YouTube for all to enjoy, inviting viewers to cast their votes for the Online Viewers' Choice Award.

Houston Grand Opera (HGO) will present its 2019-20 season with a broad repertoire of operas in productions that have never been seen by Houston audiences. The 65th season will open October 18, 2019, with Verdi's classic Rigoletto. Tomer Zvulun returns to direct the season opener after successfully opening the 2018-19 season with his production of The Flying Dutchman. American baritone Brian Mulligan sings his first Rigoletto leading an outstanding cast filled with renowned HGO Studio alumni, including Mexican tenor Arturo Chacon-Cruz as the Duke of Mantua and Armenian soprano Mane Galoyan as Gilda. Paired with Rigoletto is the North American  premiere of the dramatic oratorio Saul in a much-lauded and imaginative production by Barrie Kosky. Christopher Purves returns to the title role after his celebrated performance at the Glyndebourne Festival and is joined by countertenor Aryeh Nussbaum Cohen and Korean soprano Pureum Jo, both HGO Studio alumni.

The 48th annual George London Awards Competition for opera singers final round And Awards Announcement is open to the public - Friday, February 22, 2019, At 4:00 Pm, At The Morgan Library & Museum's Gilder Lehrman Hall

Internationally-acclaimed pianist Yuja Wang continues her season-long Perspectives series this February, launching into performances that offer creative collaborations, reunions with recital partners and artists who have influenced her career, and a night of classical music comedy-all displaying the pianist's eclectic interests and musical versatility.

Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.