Irving Mills News

For the first time in over fifty years, Harbinger Records will release 'Ballads for the Age of Science,' the most successful educational recordings of all time, as a six-CD box set. Featuring more than four dozen original songs written by Hy Zaret, co-author of the iconic popular song 'Unchained Melody,' and Lou Singer between 1959 and 1961, the albums introduced scientific concepts and terms using catchy, easy-to-learn lyrics and music to grade school students across America in the early 1960s.

The first single from Matthew Morrison's upcoming theatre-themed solo album WHERE IT ALL BEGAN has just been released - a jazzy, syncopated cover of 'It Don't Mean A Thing'.

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.

With her tribute show to the music of Harold Arlen and Duke Allington, 'When Harry Met The Duke' is Rosemary Loar's creative foray back into the caressing arms of the Great American Songbook. If you consider that the contemporary cabaret scene in New York is 30 years on (since the opening of Don't Tell Mama in 1982 and the start of MAC in 1983), there have been likely been thousands of cabaret shows with GAS themes and the interesting new ideas may be down to a precious few. And Loar, who has been performing cabaret shows during that same time frame, has managed to come up with yet another variation and her erudite and accessibly sophisticated show goes down like a delicious vodka martini topped with a skewer of blue cheese stuffed olives.

Vocalist Ryan Greer teams with bandmate John Feliciano on upright for a standard-bending collaboration between voice and bass. Ryan and John spark a solid chemistry with their imaginative interplay on classic jazz compositions. The performance will take place on Thursday, October 11th at 9:30 pm at The Metropolitan Room.

On her new album, ‘Round Midnight, Grammy-nominated vocalist and pianist Karrin Allyson weaves an elegant, understated dreamscape featuring 11 songs by some of the most storied writers in jazz, Broadway and pop music, from Duke Ellington to Stephen Sondheim to Paul Simon and more.

NEW YORK FESTIVAL OF SONG (NYFOS) Steven Blier, Artistic Director Michael Barrett, Associate Artistic Director announces two new recordings on BRIDGE Records: Bastianello / Lucrezia