George Tsypin News

Producers Michael Cohl and Jeremiah J. Harris announced today that Katrina Lenk will be joining the cast of Broadway's SPIDER-MAN Turn Off The Dark, in the role of "Arachne". Christina Sajous, who currently plays the role of "Arachne", will play her final performance on Sunday, May 27thwith Lenk assuming the role on Tuesday, May 29th. Reeve Carney, Patrick Page, and Rebecca Faulkenberry will continue on in their roles as "Peter Parker/Spider-Man", "Norman Osborn/Green Goblin", and "Mary Jane Watson" respectively.

BroadwayWorld's Richard Ridge was thrilled to sit down and speak with nearly all of this year's Tony Award nominees at the official Tony Brunch on May 2, 2012, and we will be bringing you special coverage on all of them throughout the awards season. Today we bring you George Tsypin, nominee for Best Scenic Design for Spider-Man: Turn Off the Dark.

Today, we're excited to present our special annual Tony Nominees Photo Booth Portraits shot by Walter McBride. How many future Tony winners can you spot below?

Nominations in 26 competitive categories for THE 66th ANNUAL TONY AWARDS® were announced today by Emmy and Golden Globe Award-winning actor Jim Parsons and Tony and Emmy Award-winning actress Kristin Chenoweth at the Tony Award Nominations Announcement.

Esta mañana se han presentado las Nominaciones a los Tony Awards 2012 por Kristin Chenoweth y el televisivo Jim Parsons. La ceremonia de los Premios más importantes del teatro en Broadway se celebrará en el Beacon Theatre, y seretransmitirán a través de la CBS el próximo domingo 10 de junio de 2012.

The 2012 Tony Awards Nominations Announcement was co-hosted this morning by Tony winning actress Kristin Chenoweth and Emmy and Golden Globe-winning actor Jim Parsons. The Tony Awards will be broadcast in a live three-hour ceremony from the Beacon Theatre, on the CBS television network on Sunday, June 10, 2012.

Nominations Talley for 3 or more: 9 - Nice Work If You Can Get It; 7 - Newsies, Once; 5 - Follies, Death of a Salesman, Evita, Spider-Man: Turn Off the Dark; 4 - One Man, Two Guvnors, Porgy and Bess, Tribes; 3 - The Best Man, Bonnie & Clyde, Death Takes a Holiday, The Lyons, Queen of the Mist, Sons of the Prophet;

Developed in the psychedelic performance venue of Kenny Scharf's Cosmic Cavern, Matt Wilson's The Ventriloquist Circle dives into the madcap world of legendary adult-film star, Hugh Cox.

Developed in the psychedelic performance venue of Kenny Scharf's Cosmic Cavern, Matt Wilson's The Ventriloquist Circle dives into the madcap world of legendary adult-film star, Hugh Cox.

Developed in the psychedelic performance venue of Kenny Scharf's Cosmic Cavern, Matt Wilson's The Ventriloquist Circle dives into the madcap world of legendary adult-film star, Hugh Cox.

Young, bold and enterprising Atlantis Productions wraps up its 2011 season with the Asian premiere of Disney's stage adaptation of The Little Mermaid from November 18 to December 11 at the Meralco Theatre -- This comes right on the heels of Atlantis Productions' own productions of Broadway's smash musicals Next to Normal, Disney's Aida and In The Heights.

Broadway?s biggest show SPIDER-MAN Turn Off The Dark officially opens Tuesday, June 14th at the Foxwoods Theatre (213 West 42nd Street). The show features creative consultation by Philip William McKinley (The Boy From Oz), original direction by Tony Award-winner Julie Taymor (The Lion King, Across The Universe, Frida), music and lyrics by 22- time Grammy Award-winners Bono and The Edge, and book co-written by Taymor, Glen Berger (Underneath The Lintel) and Roberto Aguirre-Sacasa (Fantastic Four and Spider-Man comics, 'Big Love').

The funny thing about 70 million dollar musicals is that the paper used to write them costs no more than the paper used to write church basement showcases budgeted on the limit of someone's maxed-out credit card.  And twenty thousand years from now, when intergalactic societies consider our generation's artistic ambitions based on which words and music written on that paper we chose to support with extravagantly-financed productions viewed by over ten thousand purchasers of high-priced tickets every week, let's hope we don't have to sheepishly shield our faces in our afterlife abodes as they flabbergastedly wonder, 'What the hell were they thinking?'

While the Broadway world is still abuzz from Sunday's Tony Awards, all eyes turned last night to another star-studded red carpet event: the much-delayed opening of SPIDER-MAN: TURN OFF THE DARK. BroadwayWorld.com was there to capture all of the excitement of the night, including the arrivals for the cast and creative team for the show's opening night party.

Catch a sneak peek of 'SpiderMonster, the Musical,' Sesame Street's new spoof of the Broadway show as part of the program's 42nd season. New episodes begin September 2011. Also the butt of a few punches at the Tony Awards last night, SPIDER-MAN Turn Off The Dark officially celebrates it's opening night on tomorrow, June 14 th at the Foxwoods Theatre.

It's the most highly anticipated opening in recent Broadway memory, SPIDER-MAN Turn Off The Dark officially celebrates their opening night on Tuesday, June 14 th at the Foxwoods Theatre. The show features creative consultation by Philip William McKinley (The Boy From Oz), original direction by Tony® Award-winner Julie Taymor (The Lion King, Across The Universe, Frida), music and lyrics by 22- time Grammy® Award-winners Bono and The Edge, and book co-written by Taymor, Glen Berger (Underneath The Lintel) and Roberto Aguirre-Sacasa (Fantastic Four and Spider-Man comics, "Big Love"). The first full video preview footage has been released and we've got a first look at the production that has EVERYONE talking!

In one of the most highly anticipated openings in recent Broadway memory, SPIDER-MAN Turn Off The Dark officially celebrates their opening night on Tuesday, June 14 th at the Foxwoods Theatre. The show features creative consultation by Philip William McKinley (The Boy From Oz), original direction by Tony® Award-winner Julie Taymor (The Lion King, Across The Universe, Frida), music and lyrics by 22- time Grammy® Award-winners Bono and The Edge, and book co-written by Taymor, Glen Berger (Underneath The Lintel) and Roberto Aguirre-Sacasa (Fantastic Four and Spider-Man comics, "Big Love"). The newest production photos have been released and BroadwayWorld brings you a first look below!

Young, bold and enterprising Atlantis Productions wraps up its 2011 season with the Asian premiere of Disney's stage adaptation of The Little Mermaid from November 18 to December 11 at the Meralco Theatre -- This comes right on the heels of Atlantis Productions' own productions of Broadway's smash musicals Next to Normal, Disney's Aida and In The Heights.

Lahr writes 'Taymor has a dynamic, painterly sense of space; she can marshal all the sensual elements of movement, light, and perspective into amazing stage pictures. (Two minutes after the show had ended, I couldn't recall a line of dialogue, a song lyric, or a melody, but I do remember any number of the show's images.) Before our eyes, for instance, the New York sky line is tipped ninety degrees, so that what begins at street level ends up a bird's-eye view, with buglike yellow cabs skittering below; in another scene, the spider chorines dance before us, with their eight syncopated limbs. In these moments-and there are plenty of them-the audience finds itself exactly where Taymor wants it to be: in a waking dream. The technicians of wonder are the real stars of 'Spider-Man': George Tsypin and his ravishing angular cityscape, with its monumental Cubist and Constructivist touches; Kyle Cooper and his ingenious projection design; Eiko Ishioka and her witty, beautifully made costumes (I loved Swarm, a one-man killer-bee hive, and the Green Goblin's scaly carapace). The stagecraft is about as good as it gets: all 'Spider-Man' needs now is a new book and new songs. Call me, Mister Mercury, this show will never be frozen.'

In the New York Times, Ben Brantley writes that 'You are of course entitled to disagree with our decision. But from what I saw on Saturday night, 'Spider-Man' is so grievously broken in every respect that it is beyond repair. Fans of Ms. Taymor's work on the long-running musical 'The Lion King,' adapted from the animated Walt Disney feature, will have to squint charitably to see evidence of her talent. True, signature Taymor touches like airborne puppets, elaborate masks and perspective-skewing sets (George Tsypin is the scenic designer) are all on hand. But they never connect into a comprehensible story with any momentum. Often you feel as if you were watching the installation of Christmas windows at a fancy department store. At other times the impression is of being on a soundstage where a music video is being filmed in the early 1980s. (Daniel Ezralow's choreography is pure vintage MTV.)