Deborah Hay News

Actor/performer April Matthis is the recipient of the 2016 Ruth Maleczech Award, created last year to honor the memory of the legendary and beloved downtown actress and director who passed away in 2013. The award ceremony takes place tonight, July 26, at 7pm at the Howl! Happening: An Arturo Vega Project gallery in the East Village.

Actor/performer April Matthis is the recipient of the 2016 Ruth Maleczech Award, created last year to honor the memory of the legendary and beloved downtown actress and director who passed away in 2013. The award ceremony takes place on July 26 at 7pm at the Howl! Happening: An Arturo Vega Project gallery in the East Village.

NOW. is a multimedia / performance / installation event directed and choreographed by Pat Catterson in collaboration with dance media artist Paul Galando and presented by NYU Tisch Dance and New Media Department on Saturday and Sunday, January 30 & 31, 2016 at 12 Noon. This immersive performance captures dancers in single moments in time and place performing simultaneously both in real and virtual time.

Rude Mechs served up stirring, evocative theater this past Thursday in the New York Live Arts installation of their esteemed show, Match-Play. Adapted from Deborah Hay's Bessie award-winning dance, “The Match,” the piece infuses Hay's original choreography and score with original text from Rude Mechs' co-founder Kirk Lynn to spark a theatrical study of perception: How does a human being relate to consciousness? 

Velocity is thrilled to bring the encore performance of Peggy Piacenza's Touch Me Here, a multi-disciplinary movement memoir created and performed by Piacenza, with an original live score by cellist Scott Bell.

Super-charged Strictly Seattle performances feature seven new works by some of Seattle's most celebrated choreographers: 2015 Guggenheim Fellow Zoe Scofield, Pat Graney, Kate Wallich, Anna Conner, Shannon Stewart, Kaitlin McCarthy and Bryon Carr, plus new shorts from KT Niehoff's Dance Film Track at Broadway Performance Hall this weekend, July 24 + 25.

New York Live Arts today announced the recipients of a number of new works residency programs for the 2015-16 season and beyond as part of its newly envisioned new work development program, reflecting a renewed, industry-leading commitment to the support of the creative process. The celebrated New York-based writer, performer and choreographer Okwui Okpokwasili will be the organization's third recipient of the Resident Commissioned Artist (RCA) award, the largest of its kind in the nation. Andrea Kleine, Sonya Tayeh, Adrienne Truscott, Preeti Vasudevan, Larissa Velez-Jackson and Gillian Walsh have been curated to develop new work to premiere in future seasons on the New York Live Arts stage through the Live Feed Program (formerly Studio Series).

Shakespeare fans will be flocking to an exciting production of THE TAMING OF THE SHREW that is featured on the Festival Theatre stage at the Stratford Festival this season. Director Chris Abraham's recent contributions to the festival (particularly last season's A MIDSUMMER NIGHT'S DREAM) left patrons wondering what surprises he had up his sleeve for this production. Although SHREW was not altered nearly as much as MIDSUMMER was, Mr. Abraham certainly had fun with the first few scenes and also skillfully managed to find the right tone for what is one of Shakespeare's more unsettling comedies.

Super-charged Strictly Seattle performances feature seven new works by some of Seattle's most celebrated choreographers: 2015 Guggenheim Fellow Zoe Scofield, Pat Graney, Kate Wallich, Anna Conner, Shannon Stewart, Kaitlin McCarthy and Bryon Carr, plus new shorts from KT Niehoff's Dance Film Track at Broadway Performance Hall July 24 + 25.

Ate9 Dance Company has become one of the country's “hottest cultural commodities” (Dance Magazine). Join us as they return to Seattle to celebrate their 3rd anniversary at the venue where it all started: Velocity. mouth to mouth is a critically acclaimed contemporary dance piece created by Agami, former Batsheva dancer and Artistic Director of Ate9, with original music by Jodie Landau, merging “breathtaking physicality, sly humor, and a hip theatricality” (Dance Magazine).

THE ADVENTURES OF PERICLES by William Shakespeare, and directed by Scott Wentworth, opened at Stratford Festival's Tom Patterson Theatre on Saturday night. Starring Evan Buliung as the title character, this production was moving and fun from beginning to end.

Ate9 Dance Company has become one of the country's “hottest cultural commodities” (Dance Magazine). Join us as they return to Seattle to celebrate their 3rd anniversary at the venue where it all started: Velocity. mouth to mouth is a critically acclaimed contemporary dance piece created by Agami, former Batsheva dancer and Artistic Director of Ate9, with original music by Jodie Landau, merging “breathtaking physicality, sly humor, and a hip theatricality” (Dance Magazine).

Velocity is proud to present the world premiere of How to become a partisan tonight, April 25, 2015 at Saint Mark's Cathedral. This five-hour immersive hybrid performance by Italian-American choreographer Alice Gosti, and in collaboration with Seattle composer Hanna Benn, is commissioned, developed and produced through Velocity's Made in Seattle new dance development program.

For one night only -- the hilarious and affecting Monica Bill Barnes and Anna Bass (NYC) trade their signature sequins and feather headdresses for a pair of everyday men's suits in Happy Hour, the world's first-ever cocktail party dance show tonight, April 16 at 7:30PM at Velocity Founders Theater 1621 12th Ave on Capitol Hill.

New York Live Arts recently announced the schedule of its third annual Live Ideas festival, S K Y - Force and Wisdom in America Today, taking place today, April 15 - 19, 2015.

New York Live Arts presents the world premiere of Rashaun Mitchell's Light Years, this week, April 1 - 4 at 7:30pm in the New York Live Arts Theater. Mitchell's newest work explores the myriad ways in which the body absorbs and translates information.

For one night only -- the hilarious and affecting Monica Bill Barnes and Anna Bass (NYC) trade their signature sequins and feather headdresses for a pair of everyday men's suits in Happy Hour, the world's first-ever cocktail party dance show.