Deborah Hay News

Theatre Exile presents the Philadelphia premiere of That Pretty Pretty; or, The Rape Play by Sheila Callaghan. Directed by Joe Canuso, Exile's producing artistic director, That Pretty Pretty runs November 11th through December 5th at the newly renovated Christ Church Neighborhood House, with the press opening Wednesday, November 17th at 8pm.

Theatre Exile presents the Philadelphia premiere of That Pretty Pretty; or, The Rape Play by Sheila Callaghan. Directed by Joe Canuso, Exile's producing artistic director, That Pretty Pretty runs November 11th through December 5th at the newly renovated Christ Church Neighborhood House, with the press opening Wednesday, November 17th at 8pm.

In the Spirit of George Bernard Shaw, the Shaw Festival provokes the mind and stirs the soul through a theatre experience so compelling that, year after year, ever broadening groups of artists, audiences and supporters are drawn to our work in Niagara-on-the-Lake and beyond.

The Shaw Festival's box office is now open for its 2010 season set to begin April 1.

The Judson Memorial Church presents the 2009 revival of its wildly popular holiday show, Christmas Rappings, marking the 40th anniversary revival of Al Carmine's musical extravaganza.

The Judson Memorial Church presents the 2009 revival of its wildly popular holiday show, Christmas Rappings, marking the 40th anniversary revival of Al Carmine's musical extravaganza.

The Judson Memorial Church presents the 2009 revival of its wildly popular holiday show, Christmas Rappings, marking the 40th anniversary revival of Al Carmine's musical extravaganza.

The Judson Memorial Church presents the 2009 revival of its wildly popular holiday show, Christmas Rappings, marking the 40th anniversary revival of Al Carmine's musical extravaganza.

For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward?s famous Tonight at 8:30 collection. The Shaw?s 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London?s Phoenix Theatre in 1935-36. The plays will be performed in sets of three, one on each of the Festival?s Niagara-on-the-Lake stages, with the tenth, the rarely produced Star Chamber, being the lunchtime production in the Royal George. And to celebrate this idea for the event that it is, on two separate occasions, we will present all ten in one day ? an event we are appropriately naming ?Mad Dogs and Englishmen?.

For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward?s famous Tonight at 8:30 collection. The Shaw?s 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London?s Phoenix Theatre in 1935-36. The plays will be performed in sets of three, one on each of the Festival?s Niagara-on-the-Lake stages, with the tenth, the rarely produced Star Chamber, being the lunchtime production in the Royal George. And to celebrate this idea for the event that it is, on two separate occasions, we will present all ten in one day ? an event we are appropriately naming ?Mad Dogs and Englishmen?.

For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward's famous Tonight at 8:30 collection. The Shaw's 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London's Phoenix Theatre in 1935-36.

Columbia Stages presents THE THREEPENNY OPERA, a play with music after John Gay?s The Beggar?s Opera, in Three Acts, music by Kurt Weill, German translation by Elisabeth Hauptmann, adaptation and lyrics by Bertolt Brecht, English translation by Michael Feingold, and directed by Henning A. Hegland, running April 1st - 4th, 2009, at The Riverside Theatre, located in the historic Riverside Church at 91 Claremont Avenue between 120th and 122nd Streets.

Columbia Stages presents THE THREEPENNY OPERA, a play with music after John Gay?s The Beggar?s Opera, in Three Acts, music by Kurt Weill, German translation by Elisabeth Hauptmann, adaptation and lyrics by Bertolt Brecht, English translation by Michael Feingold, and directed by Henning A. Hegland, running April 1st - 4th, 2009, at The Riverside Theatre, located in the historic Riverside Church at 91 Claremont Avenue between 120th and 122nd Streets.

Seana McKenna and Scott Wentworth star in Euripides' immortal drama of obsession and revenge.

Seana McKenna and Scott Wentworth star in Euripides' immortal drama of obsession and revenge.

The Manitoba Theatre Centre, in co-production with David Mirvish (Toronto), is pleased to present Medea at the John Hirsch Theatre at the MTC Mainstage from November 20 to December 13.

The Manitoba Theatre Centre, in co-production with David Mirvish (Toronto), is pleased to present Medea at the John Hirsch Theatre at the MTC Mainstage from November 20 to December 13.

Performance Space 122 presents the world premiere of Death, a dance-theater piece by solo performance artist Sara Juli that addresses the taboo topic of death. After losing her father tragically to cancer, Juli experienced first-hand our culture's inability to deal with death. She was amazed that something inevitable was so uncomfortable for people who, in particular, seemed to struggle to find the right thing to say and do. In this 50-minute solo performance, Juli uses movement, text, song, gesture, sounds, humor and audience interaction to present a reflection on the awkwardness of death. Juli will be six months pregnant during the performance adding a layer of a piece about death while pregnant with life.

Performance Space 122 presents the world premiere of Death, a dance-theater piece by solo performance artist Sara Juli that addresses the taboo topic of death. After losing her father tragically to cancer, Juli experienced first-hand our culture's inability to deal with death. She was amazed that something inevitable was so uncomfortable for people who, in particular, seemed to struggle to find the right thing to say and do. In this 50-minute solo performance, Juli uses movement, text, song, gesture, sounds, humor and audience interaction to present a reflection on the awkwardness of death. Juli will be six months pregnant during the performance adding a layer of a piece about death while pregnant with life.