Collecting premieres around the world since 1971, when it reached Broadway, the classical musical comedy by Stephen Schwartz and John-Michael Tebelak, based on the parables of the Gospel of St. Matthew, is back to Sao Paulo with a new look, directed by Dagoberto Feliz (more...)
What are the hidden forces that shape what we eat? How will biotechnology and trade change our food systems in the future? Are genetically modified foods the problem, the solution, or beside the point? Can we 'patent' nature? Bust through common myths and discover the real science and issues beyond the headlines in this groundbreaking conversation with experts from diverse fields. Join plant geneticist Paul Gepts, economic journalist Fred Kaufman, ethicist Paul Root Wolpe, and intellectual property lawyer Rochelle Dreyfuss for an intellectual feast about the future of food. (more...)
This week we are shining our brightest of spotlights on one of the most successful composers of the twentieth and twenty-first centuries - thanks in no small part to his classic scores for GODSPELL, PIPPIN and WICKED - who is also known for his extensive, multi-Oscar-winning movie work - lyrics for POCAHANTAS and THE HUNCHBACK OF NOTRE DAME; music and lyrics for THE PRINCE OF EGYPT - yet, to many Broadway babies, Stephen Schwartz is beloved most of all for his lesser-known scores that perhaps contain his richest material of all - THE BAKER'S WIFE and CHILDREN OF EDEN topping the list. While GODSPELL, PIPPIN and THE MAGIC SHOW all ran concurrently on Broadway in the mid-1970s when Schwartz was still only in his twenties, the 1980s proved to be far less frugal with a string of unsuccessful ventures that nevertheless possessed many compositional charms that have since become hallmarks of his work - look no further than WORKING's intellectual and moving ballad "Fathers & Sons"; or, better yet, the near-indescribable power of the subtly pop-influenced "Meadowlark" in the otherwise Gallic score of THE BAKER'S WIFE. While his considerable commercial success was partially due in no small part to his partnership with master animated musical tunesmith Alan Menken working on the songs for POCAHANTAS and THE HUNCHBACK OF NOTRE DAME, Schwartz provided one of the most memorable and epic animated film scores of all-time with his solo Oscar-winning work on THE PRINCE OF EGYPT for DreamWorks - nabbing a Best Song Oscar for the hit Whitney Houston/Mariah Carey duet "When You Believe" (sung by Michele Pfeiffer in the context of the film itself). Nevertheless, onstage, the 1990s proved to be less fruitful for Schwartz, especially with his stunning work on the immensely impressive score for CHILDREN OF EDEN going virtually unnoticed as the show stumbled to a quick closure in the West End (although the Papermill Playhouse staged it more successfully later in the decade). THE HUNCHBACK OF NOTRE DAME found new life in Germany thanks to a visually arresting production directed by James Lapine, as well as a more rounded-out score with a number of new compositions added to the mix of the gothic music by Menken with lyrics by Schwartz. Of course, the biggest success of Schwartz's career was still yet to come: WICKED may have come to New York with a whimper originally, but it has roared louder than the MGM lion himself for the last eight years on Broadway - and shows no signs of stopping anytime soon. WICKED is the hit of the century so far, no question, and, considering Stephen Schwartz already has three bonafide hits on his resume thanks to Bob Fosse's multi-Tony Award-winning original mounting of PIPPIN, along with the original productions of GODSPELL and THE MAGIC SHOW, celebrating his career with a fresh new production of his first musical, GODSPELL - now at the Circle In The Square - seems to be the perfect way to honor one of Broadway's brightest talents. So, that makes two on Broadway... but, what will be the third to mark the forty year anniversary of his record? Perhaps that is an answer we will find inside! Prepare ye the way of Stephen Schwartz! (more...)
An audition notice has went out for the upcoming Broadway production of GODSPELL, noting that performances will begin in the Spring/Summer of 2011. Specific dates and a theatre are as of yet unnamed.
Producer Ken Davenport tells Variety today that he's secured the rights and is aiming to bring Godspell back to Broadway during the 2010-2011 season. The last attempt to bring back to the show, in fall of 2008 with different producers failed to secure needed funding and fell through. (more...)
BroadwayWorld.com is proud announce that we will be launching the first Godspell teaser ads. If you go to http://www.broadwayworld.com/gs/gs.cfm and register your name, e-mail and tell us your favorite Godspell songs, you will receive up to date information about casting and special offers, including a chance to attend the demo recording session!
Producer Adam Epstein (Cry-Baby, Hairspray) announced today that the landmark rock musical Godspell is scheduled to begin performances on Broadway in the summer of 2008 at a Shubert Theatre to be announced. (more...)