Elizabeth A. Davis Sings WILD & FREE with Cast of INDIAN JOE Musical at Feinstein's/54 Below Tonight
by BWW News Desk
- Jan 27, 2016
Feinstein's/54 Below, Broadway's Supper Club, presents Elizabeth A. Davis in WILD & FREE, Today, January 27th and Thursday, January 28th.Feinstein's/54 Below, Broadway's Supper Club, presents Elizabeth A. Davis in WILD & FREE, tonight, January 27th and tomorrow, January 28th.
Tony Yazbeck Flies to FINDING NEVERLAND as 'J.M. Barrie' Tonight
by BWW News Desk
- Jan 26, 2016
FINDING NEVERLAND has found its new leading man! Tony Award nominee Tony Yazbeck (On The Town) will take over the role of Peter Pan creator J.M. Barrie in the smash hit, record-breaking Broadway musical starting tonight, January 26, 2016.
BWW Review: APAP Presenters Embody MLK Legacy Through Dance
by Olga El
- Jan 25, 2016
The interaction between Brown and her equally hardworking partner Catherine Foster portrayed a multidimensional mix of African-American culture and urban girlhood not often accessible to those without a similar background. There was a sense of sisterhood and innocence not often seen in mainstream portrayals of African American youth. However, the piece did not limit itself to depicting the idyllic.
ON KENTUCKY AVENUE Returning to City College Center for the Arts, 2/19-21
by Tyler Peterson
- Jan 22, 2016
Back by popular demand, On Kentucky Avenue: A Celebration of Atlantic City's Historic Club Harlem returns to City College's performing arts center Aaron Davis Hall on Friday, February 19, for a three-day encore engagement. The show, which shines a red-hot spotlight on a little-known piece of Black history and a famed club that came out of the segregation era, is presented by the City College Center for the Arts (CCCA) and Byron and Sylvia Lewis. An audience favorite, last February, the production was created by Jeree Wade and directed and written by Adam Wade with Ty Stephens.
National Talent to Come Home for Empire Theatre Company's FALSETTOS
by BWW News Desk
- Jan 20, 2016
Empire Theatre Company will present William Finn's Tony Award-winning musical, FALSETTOS, opening February 4th. This laugh-out-loud production notably features regional favorites Darin Kerr and Cody Gerszewski in addition to Grand Forks native and national talent Michael Marcotte. With a career spanning from the LA Philharmonic to City Center Encores! Marcotte is 'thrilled to be back home performing.'
Strawdog Theatre Company Presents Lauren Yee's IN A WORD This Winter
by Nora Dominick
- Jan 19, 2016
Strawdog Theatre Company and Artistic Director Hank Boland are proud to announce the third main stage production in its 2015 - 2016 season, Lauren Yee's In A Word, February 5 - March 19, directed by Jess McLeod, at Strawdog Theatre Company, 3829 N. Broadway St. Previews are Friday, Feb. 5 and 12, Saturday, Feb. 6 and 13 at 8 p.m., Sunday, Feb. 7 and 14 at 4 p.m. and Thursday, Feb. 11 at 8 p.m. Opening night is Monday, Feb. 15 at 8 p.m. The regular performance schedule is Thursdays - Saturdays at 8 p.m. and Sundays at 4 p.m. An industry performance is Monday, Feb. 22 at 8 p.m. and a fully accessible performance in conjunction with the Access Project at Victory Gardens is Thursday, March 3 at 8 p.m.* Preview tickets are $15, regular run tickets are $28 and on sale now. Subscriptions, group, rush, senior and student discounts are also available. Tickets may be ordered online at strawdog.org or by calling OvationTix toll-free: 866-811-4111.
John Patrick Shanley's PRODIGAL SON Begins Previews Tonight at MTC
by BWW News Desk
- Jan 19, 2016
Manhattan Theatre Club's world premiere of PRODIGAL SON, the new play written and directed by Tony Award and Pulitzer Prize winner John Patrick Shanley (Doubt, Outside Mullingar), begins previews tonight, January 19 for a Tuesday, February 9 opening night at MTC at New York City Center - Stage I (131 West 55th Street).
BWW Review: PROTOTYPE vs. CITY OPERA - The King is Not Dead. Long Live a Different King.
by Richard Sasanow
- Jan 19, 2016
It seems ironic--to me at least--that New York's venerable City Opera would be returning to life at Jazz at Lincoln Center's Rose Theater, just as the “Prototype: Opera/Theatre/Now” festival was finishing up its run at alternative venues in Manhattan and Brooklyn. Prototype “unleashed a powerful wave of opera-theatre and music-theatre from a new generation of classical and post-classical composers and librettists”--their words, not mine, but I won't dispute it--while City is doing a warhorse.
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