Chay Yew News

The Colorado New Play Festival (CNPF) (formerly the Perry-Mansfield New Works Festival) is proud to announce the participating theaters for the 2018 season. The 21st Annual Festival, to be held on June 10-16, 2018 in Steamboat Springs, CO, will develop five new works in partnership with the Actors Theatre of Louisville, Alley Theatre, Curious Theatre Company, Primary Stages, and Victory Gardens Theater.

Abingdon Theatre Company (Tony Speciale, Artistic Director; Denise Dickens, Producing Director) has announced casting for the first production of its 25th Anniversary main stage season, The Gentleman Caller, a new play by Philip Dawkins (Charm, Le Switch, The Homosexuals).

Partial Comfort Productions (Samuel D. Hunter's A Bright New Boise, Robert O'Hara's Booty Candy, Thomas Bradshaw's The Bereaved) presents the New York Premiere of DUTCH MASTERS by Greg Keller (Wit with Cynthia Nixon, Michael Mayer's Uncle Vanya on Broadway). The production marks the directorial debut of Andre Holland (Academy Award-winner Moonlight, Jitney on Broadway). This limited Off-Broadway engagement runs through April 21 at The Wild Project.

Oregon Shakespeare Festival (OSF) Artistic Director Bill Rauch announced the Festival's 2019 playbill today. The season, which will be Rauch's last at the artistic helm, celebrates Shakespeare, classics and new plays, including two American Revolutions commissions and a pilot Community Visit Project that will take a bilingual Play on! translation into community venues throughout the region.

Victory Gardens Theater, in association with Natural Shocks National Project and HowlRound Theatre Commons, presents Town Hall: #NeverAgainChicago to discuss the call to action taking place across the nation by students and allies to end gun violence. #NeverAgainChicago, which also features a reading of an excerpt from Lauren Gunderson's new play Natural Shocks, will be held in the Za?ek McVay Theater at Victory Gardens Theater, 2433 N. Lincoln Avenue on Sunday, April 15 at 6pm. This event is FREE and open to the public. HowlRound Theatre Commons will livestream the event and can be viewed at www.howlround.tv.

People's Light proudly presents an inventive, intimate version of one of Shakespeare's most timeless plays. In Romeo & Juliet: A Requiem, the parents, Friar, and Nurse recreate the passion and recklessness of their star-crossed children to face their culpability and seek redemption.

Artistic Director Wm Bullion is pleased to announce the 2018 DirectorsLabChicago to be held Sunday, August 19, through Friday, August 24, 2018, at Victory Gardens Theater on Chicago's north side. The theme for this year's Lab is All Art is Political: Empathy, Identity and Intention in the Theater.

When you buy a new flex pass before tomorrow, March 25th, Victory Gardens is offering  two free drink vouchers to use at the VG bar next season.

This spring, UW Drama students will take on Tony Kushner's seminal, era-defining play about AIDS and homosexuality in 1980s America, Angels in America-at least, they'll take on half of it.

Artistic Director Robert Falls announces Goodman Theatre's new 2018/2019 Season-a 14-play line-up of timely, original and inspired works curated by Falls in collaboration with his artistic associates. The new season, which begins in September and continues through July 2019, includes 10 full productions on the Goodman's stages (856-seat Albert Theatre and 350-seat flexible Owen Theatre) plus three free New Stagesdevelopmental productions, and one TBA production TBA staged as part of the Chicago Latino Theater Alliance's 2018 International Latino Theater Festival. Goodman Theatre memberships, including new flexible packages, are now available for purchase.

The tragic events surrounding the rise of the Khmer Rouge regime in mid-70's Cambodia serves as the overarching backdrop that links the past and the (near) present in Lauren Yee's stunning new play CAMBODIAN ROCK BAND---which continues its World Premiere production at Orange County's Tony Award-winning regional theatre South Coast Repertory in Costa Mesa through March 25, 2018. Commissioned by SCR as part of its CrossRoads Initiative, this powerful and searing new drama---sprinkled with welcome bits of comedy and, yes, rock concert music interludes---had its initial staged reading at last year's Pacific Playwright's Festival and is now an absorbing, full-fledged production under the admirable direction of Chay Yew.

RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce that the Laurents/Hatcher Foundation has awarded The Arthur Laurents Centennial Grant to MIDDLE VOICE, the apprentice company at Rattlestick, to revive Arthur Laurents's THE ENCLAVE. Directed by Victor Cervantes Jr. (The Parlour), THE ENCLAVE will play an extremely limited run at Rattlestick Playwrights Theater (224 Waverly Place) from April 24, 2018 through April 28, 2018.

Victory Gardens Theater continues its 43rd season with the World Premiere of Lettie, written by Boo Killebrew and directed by Artistic Director Chay Yew. Lettie runs April 6 - May 6, 2018, with the press performance on Friday, April 13, 2018 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.

Out Front Theatre Company, the only theater in the Southeast dedicated to telling stories of the LGBTQIA+ experience and community, announced today its third season of imaginative, inspiring and inclusive productions. The expanded 2018-2019 season lineup will feature five productions and will include everything from full-scale musicals to intimate dramas to campy comedies.

City Theatre Company, Pittsburgh's home for new plays, has announced the details of the theatre's 44th season of new works. Under the leadership of Managing Director James McNeel, and with the artistic team of Artistic Producer Reginald L. Douglas and Director of New Play Development Clare Drobot, the plays represent a diversity of voices and styles, including laugh-out-loud comedies, ripped-from-the-headlines dramas, and fresh explorations of the world around us.

RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce its 2018/19 season. In Fall 2018, MacArthur Genius Grant Winner Samuel D. Hunter (The Whale, Bright New Boise, The Few) will team up with long-term collaborator Davis McCallum with the plays Lewiston and Clarkston, to be performed on a double bill for the first time. In Spring 2019, Rattlestick will present the World Premiere of Lockdown by Cori Thomas (When January Feels Like Summer), and directed by Kent Gash (Barbeque), commissioned by Rattlestick with support from The Toulmin Foundation.

Partial Comfort Productions (Samuel D. Hunter's A Bright New Boise, Robert O'Hara's Booty Candy, Thomas Bradshaw's The Bereaved) will present the New York Premiere of DUTCH MASTERS by Greg Keller (Wit with Cynthia Nixon, Michael Mayer's Uncle Vanya on Broadway). Directed by Andre Holland (Academy Award-winner Moonlight, Jitney on Broadway), previews begin April 4 at The Wild Project with opening night slated for Thursday, April 12.

Victory Gardens Theater, under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, announces the lineup for its 2018-2019 Season. Victory Gardens' 44th Season will include the Tony Award-nominated play Indecent by Pulitzer Prize-winning playwright Paula Vogel; the Chicago premieres of Pipeline by Dominique Morisseau and Cambodian Rock Band by Lauren Yee; and the world premieres of Rightlynd by Ike Holter and Miriam for President by Madhuri Shekar.

Victory Gardens Theater continues its 43rd season with BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate, written by Antoinette Nwandu and directed by Lisa Portes. BREACH runs February 9 - March 11, 2018, with the press performance on Friday, February 16, 2018 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.

The second installment of the new series, State of the Theatre: Seattle Artists in Conversation will feature some of Seattle's most accomplished interpreters of Shakespeare in conversation with longtime Seattle Times theatre critic, lecturer, and author Misha Berson.