Society for the Performing Arts Recognized for Partnership with HISD
by Tyler Peterson
- Feb 7, 2014
Society for the Performing Arts (SPA), Houston's leading performing arts presenter, announced today that the organization was the recipient of a crystal award given by the Texas Association of Partners in Education (TAPE) in January. This award was given to SPA in recognition of its partnership with Houston Independent School District (HISD).
Laura Michelle Kelly, Brian Stokes Mitchell & Ryan Silverman to Lead Kennedy Center's CAMELOT Concert on 5/4
by Nicole Rosky
- Feb 6, 2014
For its 22nd annual Spring Gala, the Kennedy Center will salute the more than 13 year tenure of Kennedy Center president Michael M. Kaiser with Camelot in Concert on Sunday, May 4, 2014 at 8 p.m. in the Concert Hall. The famed 1960 musical features book and lyrics by Alan Jay Lerner with music by Frederick Loewe and this semi-staged concert version will be adapted, directed and choreographed by Tony Award® nominee Marcia Milgrom Dodge. The concert staging will be accompanied by the National Symphony Orchestra conducted by Music Director James Moore. With this concert, Camelot makes its Kennedy Center debut. One of the co-chairs of the 2014 Spring Gala will be Laysha Ward, President, Target Community Relations.
Andrew Keenan-Bolger, Robin De Jesus & More Set for RADIANT BABY Concert at Joe's Pub, 2/24
by Tyler Peterson
- Feb 4, 2014
The performers for the concert include Andrew Keenan-Bolger (Newsies, HBO's Looking), Tony Award Nominee Robin De Jesus, Kelvin Moon Loh (Here Lies Love), Nikka Graff Lanzerone (Women on the Verge of a Nervous Breakdown), Sean Allan Krill, Sawyer Nunes (Matilda), Brian Charles Rooney (Pop!), Ashanti J'Aria (Disaster), Chris Hall, and more.
World Premiere of Diane Paulus-Helmed WITNESS UGANDA Begins at A.R.T.
by BWW News Desk
- Feb 4, 2014
The American Repertory Theater (A.R.T.) at Harvard University presents the world premiere production of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie and Music Director, Remy Kurs. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge tonight, February 4, and will run through March 16.
Alvin Ailey Launches 23-City North American Tour Today
by BWW News Desk
- Feb 4, 2014
Alvin Ailey American Dance Theater, beloved as one of the world's most popular dance companies, will travel coast to coast beginning in February on a 23-city North American tour hitting major markets such as Atlanta, Miami, Boston, Washington, D.C., and Chicago (full schedule below). The 25th season since the passing of legendary founder Alvin Ailey is led by Artistic Director Robert Battle who continues to expand the Company's diverse repertory with a wide range of important choreographic voices. Exciting premieres and new productions give Ailey's 30 extraordinary dancers even more ways to inspire audiences. Highlights of the season, launching in New York in December, include: (tour programming will be announced by January):
The Joffrey Academy of Dance Presents WINNING WORKS: CHOREOGRAPHERS OF COLOR AWARDS 2014, 3/1
by BWW News Desk
- Jan 29, 2014
The Joffrey Academy of Dance, Official School of The Joffrey Ballet, presents the fourth annual Winning Works: Choreographers of Color Award, featuring three World Premieres by rising-star choreographers Justin Allen, Stephanie Batten Bland and Norbert De La Cruz III. The three World Premieres, along with Academy Co-Artistic Director Alexei Kremnev's restaging of Le Roi S'Amuse, are performed by the international members of the Joffrey Academy Trainee Program at the Harris Theater for Music and Dance, 205 East Randolph Drive, one night only, Saturday, March 1 at 7:00 pm.
Alvin Ailey American Dance Theater to Perform at Moran Theater, 2/25
by Tyler Peterson
- Jan 23, 2014
Alvin Ailey American Dance Theater, beloved as one of the world's most popular dance companies, will travel to Jacksonville's Times-Union Center's Moran Theater on Tuesday, February 25, 2014 at 7:30PM for one performance only! The 25th season since the passing of legendary founder Alvin Ailey is led by Artistic Director Robert Battle who continues to expand the Company's diverse repertory with a wide range of important choreographic voices. Exciting premieres and new productions give Ailey's 30 extraordinary dancers even more ways to inspire audiences.
Playthings Theatre Hosts Second Annual Gala Tonight
by BWW News Desk
- Jan 23, 2014
Directed by Jason Brubaker with performances by Billy Bell's Lunge Dance Collective showcasing Billy Bell (So You Think You Can Dance); Brandon Cournay (Musical Chairs); Shelby Colona (Peter Chu's award-winning piece This Thought); Kate Harpootlian (Dancing with the Stars); and McKenna Birmingham (Radio City Rockettes) with Natalie Douglas (Scrapbook 2.0' Birdland Cafe Carlyle); Mark Hartman (Broadway's 'Avenue Q).
MTWorks Gives Voice to Wildlife Victims of Gulf Oil Spill in DARK WATER
by Hilary Kelly
- Jan 22, 2014
MANHATTAN THEATRE WORKS (MTWorks), in association with the Theater Series at the 14th Street Y, are pleased to announce the world premiere of MTWorks Co-Artistic Director David Stallings' DARK WATER, directed by Heather Cohn (FringeNYC Excellence Award for Outstanding Direction for Other Bodies). In DARK WATER, the swampland of Louisiana is hit with the most massive oil spill known to history. Barnacle, an old sea turtle, fights against man's destruction, nature's wrath, and her enemies of the wild to save her children trapped in the spill. Poetry, allegory, music, puppetry and movement create this magical world as the animals of Louisiana face the ultimate threat to their lives.
BWW Reviews: David Parsons at the Joyce
by Barnett Serchuk
- Jan 22, 2014
The choreography of David Parsons has always been a mystery to me. He has ideas and a vision, yet they never gel. This was apparent to my colleague and me when we attended the David Parsons gala on January 14. While not exclusively dedicated to Mr. Parsons-there were tributes to Paul Taylor in whose company Parsons danced, and Robert Battle, who performed in the Parsons company--we came away feeling that if this is what we have to show for modern dance today, it needs some rejuvenation-and thought. Why are these works being done when there is little that they say?
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