Nathan Barlow

Irish alternative band Soft Launch emerges onto the music scene as a dynamic quintet poised to redefine the traditional boyband archetype. Comprised of Josh McClorey, Benedict Quinn, Conor Price, Henry Pearce, and Limmer, the group introduces themselves with their debut single, 'Cartwheels,' released via Fueled by Ramen.

Children's Theatre Company presents the Minnesota premiere of Bob Marley's Three Little Birds running January 19 through March 1, 2020.

Children's Theatre Company (CTC) has announced the Minnesota premiere of Bob Marley's Three Little Birds running January 19 through March 1, 2020. This exuberant musical is based on a story by Cedella Marley (Bob Marley's daughter) with music and lyrics by Bob Marley, and adapted for the stage by Michael J. Bobbitt. The production is directed by Shá Cage, music direction by Sanford Moore, and choreography by Alanna Morris-Van Tassel. The cast includes Ellis M. Dossavi (Ziggy), KateMarie Andrews (Nansi), Kory LaQuess Pullam (Duppy), Lynnea Monique Doublette (Cedella), Nathan Barlow (Dr. Bird), and Timotha Lanae (Tacoomah). Cast and creative team bios are below.

Children's Theatre Company (CTC) has announced the cast for the production of Bob Marley's Three Little Birds, running January 19 through March 1, 2020, based on a story by Cedella Marley, music and lyrics by Bob Marley, adapted for the stage by Michael J Bobbitt, directed by Shá Cage, and music direction by Sanford Moore. The cast includes Ellis Dossavi (Ziggy), KateMarie Andrews (Nansi), Kory LaQuess Pullam (Duppy), Lynnea Monique Doublette (Cedella), Nathan Barlow (Dr. Bird), and Timotha Lanae (Tacoomah). 

As usual, Mixed Blood Theatre is doing something pretty remarkable right now. They're presenting three plays in rep, all written by young black men. Under the umbrella 'Prescient Harbingers' (meaning: 'having or showing knowledge of events before they take place;' 'a person or thing that announces or signals the approach of another'), these three brilliant plays explore what it means to be a black man in America, directly or indirectly (one is even subtitled BEING BLACK FOR DUMMIES), along with commenting on race relations in America and more generally on modern life in America. Young black men are dying at an alarming rate, and these are voices we need to listen to if we ever hope to understand the problem so that we can stop it from happening. If you are a young black man, I can only imagine how validating it must feel to see these voices and these stories on stage. If you're not, I encourage you to go see one, two, or preferably all three of these plays with an open mind and an open heart. Listen, hear, laugh, cry, be disturbed, get angry, join the movement for justice and equality.

Momentum Pictures will release the upcoming documentary STEVEN TYLER: OUT ON A LIMB on VOD and Digital HD on May 15, 2018.

A third new theater company is making its #TCTheater debut this month, following a charming new original musical RAGTIME WOMEN by Theatre Elision and LITTLE WARS, a powerful story of women in their prime brought to us by Prime Productions. Now we have Trademark Theater, whose mission is to 'expand the breadth of original theatrical works born in Minnesota by creating, developing, and producing dynamic stage productions.' Their first creation is a new adaptation of an old story - Robin Hood. And it most definitely is original and dynamic. I saw a reading of it as part of Illusion Theater's 'Fresh Ink' series last year and was impressed with the storytelling and original music. But now, with the added elements of movement, costumes, set, lighting, and all of the theater magic, plus a super talented and energetic young cast, it's something truly exciting.

Trademark Theater celebrates its inaugural year with The Boy and Robin Hood, a play-with-music written by Tyler Mills with score and lyrics by local composer David Darrow. The production, conceived and directed by Tyler Michaels, runs at the Ritz Theater in Minneapolis, May 24 - June 11.

? This summer, the Jungle Theater presents a witty, affectionate and timely comedy about what it means to be committed, alive and in love in the era of marriage equality. LE SWITCH, by "the richly talented Chicago writer" Philip Dawkins (Chicago Tribune), is on stage June 17-July 31 at the Lyn-Lake neighborhood theater, 2951 Lyndale Ave. S. in Minneapolis. The Playwrights' Center Artistic Director Jeremy Cohen makes his directorial debut at the Jungle with this production.

Sometimes theater is more than just theater. Sometimes theater is about giving a voice to people whose voices are not often heard. Sometimes theater is about increasing our understanding of people who seem different than us, but who really are the same. Sometimes theater is about giving everyone a chance to see their lives and experiences reflected back at them, validating their existence and importance in the world. Mixed Blood Theatre's work often checks all of the above boxes, as is the case with the new play CHARM by Phillip Dawkins. Inspired by the true story of a transgender woman who teaches a charm school to homeless and at risk transgender youth, CHARM premiered in Chicago last fall, but Mixed Blood's production is the first to include five transgender actors in the cast, which lends an air of poignant authenticity to this moving, funny, and at times difficult story.

Philip Dawkins' CHARM is the story of Mama Darleena, an African American trans woman in her 60s teaching an etiquette class to trans youth experiencing precarious housing in a LGBTQI Chicago community center. Her students range in sexuality, race, and gender identity from a Latina trans woman, to a cisgender couple, to a member of a local gang, to a gay suburban teen. They fight each other and their instructor in equal measure, struggle through their daily battles with poverty, prejudice, and personal identity, seek solace in each other, succeed and fail separately and together.

In one of those strange theater-going coincidences, the night after I saw two one-act plays at the Guthrie, I attended opening night of Penumbra's presentation of two one-act plays. Both paired plays by different playwrights linked by a common theme. But unlike the theater comedies THE CRITIC and THE REAL INSPECTOR HOUND, THE DUTCHMAN and THE OWL ANSWERS are dense and meaty dramas dealing with heavy issues. They might not make you laugh (except, occasionally, uncomfortably), but they will definitely make you think. Written in the '60s as part of the Black Arts Movement, these plays take an unforgiving look at the racism, sexism, and classism of the day, that still have implications in today's world. A stellar ensemble cast and top-notch production design tie the two very different plays together and highlight the playwrights' messages. Though they are not easy to watch and I can't say I understood everything that was going on, I certainly came away with much to chew on, and a greater understanding of our shared history. Which is pretty much a given at Penumbra Theatre.

Fresh off its world-premiere run in Minneapolis, Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). AKEELAH AND THE BEE runs now through December 27, 2015 in the Kreeger Theater, and BroadwayWorld has photos from the opening night festivites at Arena Stage below!

All in all, this is a thoroughly enjoyable production and one that I would highly recommend.

'People are complex,' muses Aimee K. Grant, who plays Akeelah's mom, Gail, in AKEELAH AND THE BEE, the new musical at Arena Stage when I sat down with her and her on-stage daughter, 17-year old Johannah Easley (Akeelah) to talk about their experiences with the show. Increasing understanding within and among people is the power of theater, we agree, and Akeelah definitely offers up a story of complex people, young and old. Based on the wildly popular 2006 film of the same name, it's the story of a determined young girl from a difficult situation, competing in the Scripps National Spelling Bee. Akeelah's life is filled with challenges, as are many people's, and that's where this story resonates. Although a tale of triumph over adversity may not seem a new one, each person's story is different, and Akeelah's has layers that will be relatable to many in the audience.

On Monday night I attended my 9th Ivey Awards. Yes, even before I started Cherry and Spoon in 2010 and started getting press tickets to the event in 2013, I was still a theater geek (read all the words I've written about the Iveys here). The Ivey Awards are my favorite theater night of the year, not so much for the awards themselves, but because it's a celebration of another year of amazing local theater that gathers all of my favorite theater artists in one room. Even though I've met many of them, I still get starstruck when I walk through the crowd and every other face I see is someone I've enjoyed watching on stage. I love to watch awards shows on TV so it's a thrill to get all glammed up and actually attend one in person. I even painted my toenails with a glittery green called 'One Short Day' - appropriate because of its musical theater geekiness and and because this event that I look forward to all year goes by in a whirlwind of people and honorees and loud music and conversations. And now it's over for another year, but more great theater is still to come which we will be celebrating next year!

Fresh off its world-premiere run in Minneapolis, where Star Tribune declared "Akeelah and the Bee triumphs," Children's Theatre Company's new production about an 11-year-old spelling prodigy comes to Arena Stage at the Mead Center for American Theater. The show is adapted for the stage by veteran playwright Cheryl L. West (Arena's Pullman Porter Blues, Jar the Floor), who partners with celebrated director Charles Randolph-Wright (director of Broadway's Motown and an inaugural resident playwright with Arena Stage, where he premiered his play Love in Afghanistan). Akeelah and the Bee runs November 13-December 27, 2015 in the Kreeger Theater.

What do you get when you combine a talented young playwright, an excellent cast that includes five up-and-coming actors and two beloved veterans of local stages, stirring a capella gospel music arranged by a local musical legend, and the Twin Cities' best director of 'theater musically?' You get CHOIR BOY, a lovely and affecting play about a young gay man coming of age in an African American boarding school. The playwright is Tarell Alvin McCraney of the excellent Brother/Sister trilogy that Pillsbury House Theatre has produced in its entirety in the last several years. While those plays have an epic, mythical quality, CHOIR BOY is more grounded in reality, but just as beautifully written. Add in musical direction and arrangement by Sanford Moore and direction by Peter Rothstein, an expert at using music in the best possibly way to enhance the theatrical storytelling, and you have something quite special going on in the Guthrie's Dowling Studio.

The Playwrights' Center kicked off its 2014-15 Ruth Easton New Play series in December with two full-to-fire-code-capacity readings of Kira Obolensky's new play "Forget Me Not When Far Away." In January, Twin Cities theater fans have another opportunity for an exclusive experience with a new play in progress, when the series continues with Core Writer Qui Nguyen's new play "Dust."

Identity and racial politics form the foundation of PASSING STRANGE, one of the seminal musicals of our time, and Mixed Blood Theatre's production honors that epic rock legacy, with the added dimension of the intimacy and immediacy of the Alan Page Auditorium. With disparate styles that range from '60's Europop to '70's punk to '80's electronica, to gospel, soul, and funk, to musical theatre, and with a nod to James Brown, this Tony Award winner is a play within a rock concert. Eschewing preconceptions, this band's lead singer is a middle class African American Buddhist rocker ex-pat story-teller, sharing the picaresque journey of his youth via 24 songs. The play's title is inspired by a passage in Shakespeare's OTHELLO.