Cynthia Cook

New Ohio Theatre's annual New York Indie Theatre Film Festival (NYITFF) a?" a unique presentation of film works by New York theatre makers a?" returns in 2020 with a stellar lineup, including a special screening of a feature directed by downtown legend Charles Busch, with a talkback with the artist, and a reading of a new screenplay written and directed by playwright, filmmaker, and author Brooke Berman (Hunting and Gathering). The festival events, including screenings, panel discussions, and social gatherings, will be held at New Ohio Theatre (154 Christopher Street) in NYC's West Village from February 6 to 9, 2020. Tickets (reading, $5; any single screening, $10; Friday pass, $15; Saturday pass, $20; all-event pass, $30) can be purchased online at https://web.ovationtix.com/trs/pr/1004347 or by calling 866-811-4111.

A one-of-a-kind musical/horror/comedy Halloween event, RuddiGORE, adapted and updated from the classic Gilbert and Sullivan supernatural operetta, to feature modern horror characters and situations, tells the twisted tale of Ruthven Murgatroyd, who masquerades as a zombie, to avoid a heinous family curse. Ruthven's deep, dark secret that he is, in fact, ALIVE, is threatened by the arrival of his brother, sailor/werewolf Dick Dauntless, and the would-be-zombie's crush on prom queen Rose Maybud, the fairest maiden in all of RuddiGORE. A bevy of blood-spattered bridesmaids add to the horrors and hilarity, as do various graverobbers, vampires and traumatized babysitters. Proof Doubt Closer Theatre Company revives one of its signature shows, especially for Halloween, and performed at a historic and iconic Highland Park speakeasy.

A one-of-a-kind musical/horror/comedy Halloween event, RuddiGORE, adapted and updated from the classic Gilbert and Sullivan supernatural operetta, to feature modern horror characters and situations, tells the twisted tale of Ruthven Murgatroyd, who masquerades as a zombie, to avoid a heinous family curse. Ruthven's deep, dark secret that he is, in fact, ALIVE, is threatened by the arrival of his brother, sailor/werewolf Dick Dauntless, and the would-be-zombie's crush on prom queen Rose Maybud, the fairest maiden in all of RuddiGORE. A bevy of blood-spattered bridesmaids add to the horrors and hilarity, as do various graverobbers, vampires and traumatized babysitters. Proof Doubt Closer Theatre Company revives one of its signature shows, especially for Halloween, and performed at a historic and iconic Highland Park speakeasy.

A one-of-a-kind musical/horror/comedy Halloween event, RuddiGORE, adapted and updated from the classic Gilbert and Sullivan supernatural operetta, to feature modern horror characters and situations, tells the twisted tale of Ruthven Murgatroyd, who masquerades as a zombie, to avoid a heinous family curse. Ruthven's deep, dark secret that he is, in fact, ALIVE, is threatened by the arrival of his brother, sailor/werewolf Dick Dauntless, and the would-be-zombie's crush on prom queen Rose Maybud, the fairest maiden in all of RuddiGORE. A bevy of blood-spattered bridesmaids add to the horrors and hilarity, as do various graverobbers, vampires and traumatized babysitters. Proof Doubt Closer Theatre Company revives one of its signature shows, especially for Halloween, and performed at a historic and iconic Highland Park speakeasy.

On August 27th at 7PM noted American conductor Jason Tramm leads the award-winning Adelphi Orchestra, the 150-member Ocean Grove Choir, virtuoso organist Gordon Turk, with featured soloists soprano Monica Ziglar, soprano Claire Leyden, mezzo Soprano Cynthia Cook, Metropolitan Opera tenor Ronald Naldi and bass Justin Beck in a program of French masterworks entitled “In the Footsteps of Our Savior.”

The glamorous passenger train Twentieth Century Limited, which ran between New York and Chicago between 1902 and 1967, is the main setting for the musical screwball comedy ON THE TWENTIETH CENTURY now playing through August 27 at the Pan-Andreas Theatre, 5119 Melrose Ave., Los Angeles, CA 90038. Based partly on the 1930s film and play of the same name, the musical, with book and lyrics by Betty Comden and Adolph Green and music by Cy Coleman, is part operetta, part farce, and part screwball comedy telling the story of the behind-the-scenes relationship between Lily, a temperamental actress and Oscar, a bankrupt theatre producer. The duo, played with great skill and comedic timing by Alena Bernardi and Wade Kelley, recount the tale of their adventure traveling from Chicago to New York in the 1930s as Oscar tries to cajole the glamorous Hollywood star into playing the lead in his new, but not-yet-written drama, and perhaps to rekindle their romance.

A musical revue of great songs, many of them classics from the Great American Songbook. These songs came not from hit musicals, or from Tin-Pan-Alley songwriters. Each song was a bright spot in a Broadway musical that flopped.

Glimmerglass Festival presents An American Tragedy, July 20 - August 24, 2014. Check out a first look below!

Russian Opera Workshop has announced its Fourth summer season, spanning two months and two major Tchaikovsky in-concert productions. The Maid of Orleans, a Philadelphia premiere, is presented tonight, June 24-26, and timeless Eugene Onegin takes stage July 29-31. Both operas are preceded by Monday concerts of Russian Romances (June 23 and July 28), introducing the operatic singers and offering a foreword on the upcoming opera series. Performances are sung in Russian with English supertitles, with Founder & Music Director Ghenady Meirson at the piano. All shows start at 7:30 pm at the Helen Corning Warden Theater, the Academy of Vocal Arts (1920 Spruce Street, Philadelphia, PA 19103), and are free to public.

Russian Opera Workshop has announced its Fourth summer season, spanning two months and two major Tchaikovsky in-concert productions. The Maid of Orleans, a Philadelphia premiere, is presented June 24-26, and timeless Eugene Onegin takes stage July 29-31. Both operas are preceded by Monday concerts of Russian Romances (June 23 and July 28), introducing the operatic singers and offering a foreword on the upcoming opera series. Performances are sung in Russian with English supertitles, with Founder & Music Director Ghenady Meirson at the piano. All shows start at 7:30 pm at the Helen Corning Warden Theater, the Academy of Vocal Arts (1920 Spruce Street, Philadelphia, PA 19103), and are free to public.

Ghenady Meirson brings a condensed but not lacking production of Tchaikowsky's moody, Pushkin-inspired thriller to the AVA stage.

Young Patronesses of the Opera (YPO), in conjunction with Florida Grand Opera (FGO), has announced the 27th annual YPO Voice Competition. This year, the Finals Concert will be held for the first time at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County. Offering a program of popular and significant arias as sung by today's brightest young talents, the concert takes place on April 27, 2013, at 1:00 p.m. with tickets available to the public for as low as $10.

Florida Grand Opera (FGO) has announced a new three-year program entitled 'Unexpected Operas in Unexpected Places,' designed to bring less-known works to unique venues throughout South Florida in an effort to expose new audiences to opera, with the support of a grant from the John S. and James L. Knight Foundation as part of its Knights Arts Challenge. The first installment of this new initiative will bring operatic productions to the Midtown neighborhood for the first time with a tango double-bill featuring Robert Xavier Rodriguez's Tango and Ástor Piazzolla's Maria de Buenos Aires, held at the popular Midtown music venue The Stage tonight, March 21-24, 2013.

Florida Grand Opera (FGO) continues its season of operatic must-sees in 2013 with two displays of extreme coloratura artistry, showcasing Jeanette Vecchione in Mozart's Die Zauberflöte (The Magic Flute), opening tonight, January 26, and Rachele Gilmore in Bellini's La sonnambula, opening February 9. Each production boasts a remarkable cast of returning fan-favorites and rising stars debuting with the company this season.

Florida Grand Opera (FGO) has announced a new three-year program entitled 'Unexpected Operas in Unexpected Places,' designed to bring less-known works to unique venues throughout South Florida in an effort to expose new audiences to opera, with the support of a grant from the John S. and James L. Knight Foundation as part of its Knights Arts Challenge. The first installment of this new initiative will bring operatic productions to the Midtown neighborhood for the first time with a tango double-bill featuring Robert Xavier Rodriguez's Tango and Ástor Piazzolla's María de Buenos Aires, held at the popular Midtown music venue The Stage on March 21-24, 2013.

Florida Grand Opera (FGO) continues its season of operatic must-sees in 2013 with two displays of extreme coloratura artistry, showcasing Jeanette Vecchione in Mozart's Die Zauberflöte (The Magic Flute), opening January 26, and Rachele Gilmore in Bellini's La sonnambula, opening February 9. Each production boasts a remarkable cast of returning fan-favorites and rising stars debuting with the company this season.