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Betsy Johnson

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Betsy Johnson Productions

 
[Off-Broadway, 1968]
Costume Designer

Betsy Johnson News


The Gladstone Announces Reopening Lineup


After 2 years of multiple lockdowns and closures, The Gladstone has announced a lineup of concerts and plays running through to the end of the 2021-22 season.

BWW Review: THE CHRONICLES OF BEEBO BRINKER at Desert Ensemble Theater


Pulp fiction got its name from the low-quality, pulpy paper the stories were printed on, not the content. However, 'pulp' became synonymous with trashy, back alley reading punctuated with cheap sensationalist thrills, fast-paced plot lines and bad writing. Tell that last bit to John Lange (aka Michael Crichton), Isaac Asimov, Ray Bradbury, and Dashiell Hammett (The Thin Man, and Sam Spade) who have all had off-shoot careers in pulp.

The Gladstone Opens on October 29 After 20 Months of Closure


After 20 months of lockdowns and closures, The Gladstone is reopening on October 29, 2021 with the Three Sisters Theatre production of No-Show:  Songs from Lost Gigs, which runs until November 13.

Woodland Opera House and More Win Big at the 38th Annual Virtual Elly Awards Ceremony


For the first time in 38 years, there was no possible way to hold a live Elly Award Ceremony for Youth or Adults due to the Covid19 pandemic. So, SARTA decided to host a Virtual Elly Award Ceremony.

Skyline Theatre Company's 2020 Horizon Award goes to Fair Lawn Borough's Ms. Robin Schamach


Skyline Theatre Company, Bergen Countya??s most established professional theatre company, announces its 2020 Horizon Award recipient is Fair Lawn Borougha??s Robin Schamach. Skyline bestows this annual award to a true supporter of the arts.

Swedish Model, Mom, Author, Brigitta Karlen's Book Lends TEN TIPS FOR THE FRAZZLED PARENT


'Ten Tips for the Frazzled Parent' by Birgitta Karlen. Birgitta Karl n, Author is a mother of three and understands the challenge of balancing family, career and sanity!

BWW Reviews: The Engeman 'Produces' a Sensational PRODUCERS


I want to express the deepest gratitude to the director, Igor Goldin, for not directing his actors into a corner with this show. Each and every person onstage had a story to tell, and not just some façade to put on: a worry I typically have when viewing a comedic musical. Even each member of the ensemble had fantastic individuality and characterization that it makes one wonder whether an ensemble needs to necessarily “blend together” – which, in fact, is quite difficult not to do when the show decks out its actors in outrageous costumes that make Betsy Johnson and Alexander McQueen look (I won't be forgetting you, anytime soon, Sausage Dress…). Though, it's the joint effort between the lead players and supporting players that create magic on that stage, and this cast did just that.

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