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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A DELICATE BALANCE (GOLDEN) |
$745,933 | $745,933 | $117 $323 |
6,356 | 6,416 | 8 | 99.10% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$775,336 | $775,336 | $112 $327 |
6,939 | 7,256 | 8 | 95.60% |
|
ALADDIN (NEW AMSTERDAM) |
$1,372,657 | $1,372,657 | $100 $253 |
13,737 | 13,784 | 8 | 99.70% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,279,198 | $1,279,198 | $160 $299 |
7,974 | 8,208 | 8 | 97.10% |
|
CABARET (STUDIO 54) |
$816,760 | $816,760 | $122 $350 |
6,701 | 7,144 | 8 | 93.80% |
|
CHICAGO (AMBASSADOR) |
$419,363 | $419,363 | $79 $186 |
5,339 | 8,640 | 8 | 61.80% |
|
CINDERELLA (BROADWAY) |
$680,334 | $680,334 | $76 $297 |
8,934 | 14,008 | 8 | 63.80% |
|
DISGRACED (LYCEUM) |
$433,598 | $433,598 | $83 $198 |
5,212 | 7,344 | 8 | 71.00% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$548,527 | $548,527 | $98 $248 |
5,590 | 7,049 | 7 | 79.30% |
|
HONEYMOON IN VEGAS (NEDERLANDER) |
$366,136 | $366,136 | $69 $223 |
5,288 | 8,099 | 7 | 65.30% |
|
IF/THEN (RICHARD RODGERS) |
$502,191 | $502,191 | $70 $223 |
7,168 | 10,488 | 8 | 68.30% |
|
IT'S ONLY A PLAY (SCHOENFELD) |
$1,342,409 | $1,342,409 | $159 $347 |
8,417 | 8,552 | 8 | 98.40% |
|
JERSEY BOYS (AUGUST WILSON) |
$727,159 | $727,159 | $102 $237 |
7,132 | 9,824 | 8 | 72.60% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,100,608 | $1,100,608 | $109 $349 |
10,077 | 11,392 | 8 | 88.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LES MISÉRABLES (IMPERIAL) |
$617,818 | $617,818 | $78 $273 |
7,960 | 11,272 | 8 | 70.60% |
|
LOVE LETTERS (BROOKS ATKINSON) |
$411,765 | $411,765 | $86 $250 |
4,764 | 7,476 | 7 | 63.70% |
|
MAMMA MIA! (BROADHURST) |
$491,950 | $491,950 | $79 $225 |
6,236 | 9,328 | 8 | 66.90% |
|
MATILDA (SHUBERT) |
$764,003 | $764,003 | $91 $250 |
8,418 | 11,456 | 8 | 73.50% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$981,245 | $981,245 | $95 $250 |
10,303 | 12,056 | 8 | 85.50% |
|
ON THE TOWN (LYRIC) |
$795,604 | $795,604 | $80 $247 |
9,912 | 14,992 | 8 | 66.10% |
|
ONCE (JACOBS) |
$425,226 | $425,226 | $79 $198 |
5,383 | 8,472 | 8 | 63.50% |
|
PIPPIN (MUSIC BOX) |
$367,437 | $367,437 | $74 $225 |
4,997 | 7,920 | 8 | 63.10% |
|
ROCK OF AGES (HELEN HAYES) |
$296,522 | $296,522 | $84 $197 |
3,533 | 4,664 | 8 | 75.80% |
|
SIDE SHOW (ST. JAMES) |
$419,203 | $419,203 | $57 $197 |
7,397 | 10,424 | 8 | 71.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,579,606 | $1,579,606 | $181 $477 |
8,742 | 8,528 | 8 | 102.50% |
|
THE COUNTRY HOUSE (FRIEDMAN) |
$146,741 | $146,741 | $43 $0 |
3,439 | 5,200 | 8 | 66.10% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$903,389 | $903,389 | $113 $195 |
7,980 | 8,144 | 8 | 98.00% |
|
THE ELEPHANT MAN (BOOTH) |
$938,509 | $938,509 | $151 $298 |
6,211 | 6,192 | 8 | 100.30% |
|
THE LAST SHIP (NEIL SIMON) |
$497,208 | $497,208 | $69 $225 |
7,222 | 10,792 | 8 | 66.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$1,711,467 | $1,711,467 | $127 $198 |
13,503 | 13,600 | 8 | 99.30% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$676,699 | $676,699 | $82 $200 |
8,266 | 12,840 | 8 | 64.40% |
|
THE REAL THING (AMERICAN AIRLINES) |
$475,879 | $475,879 | $87 $0 |
5,441 | 5,920 | 8 | 91.90% |
|
THE RIVER (CIRCLE IN THE SQUARE) |
$882,153 | $882,153 | $157 $275 |
5,621 | 5,568 | 8 | 101.00% |
|
THIS IS OUR YOUTH (CORT) |
$287,243 | $287,243 | $63 $223 |
4,533 | 8,488 | 8 | 53.40% |
|
WICKED (GERSHWIN) |
$1,452,509 | $1,452,509 | $115 $300 |
12,670 | 14,472 | 8 | 87.50% |
|
YOU CAN'T TAKE IT WITH YOU (LONGACRE) |
$467,067 | $467,067 | $92 $250 |
5,057 | 8,584 | 8 | 58.90% |
| TOTAL | $26,699,452 | $741,651 | $101.73 $244.75 |
262,452 | 334,592 | 285 | 78.44% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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