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Broadway Grosses - Week Ending 1/29/2012


Updated: July 27, 2015
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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
ANYTHING GOES
STEPHEN SONDHEIM
$618,894
$594,934
$23,960
$1,078,560
57.38%
$88.41
$250.00
7,000
8,208
8
85.3%
81.9%
3.4%
CHICAGO
AMBASSADOR
$424,654
$422,782
$1,872
$1,015,100
41.83%
$73.14
$185.00
5,806
8,640
8
67.2%
65.8%
1.4%
CHINGLISH
LONGACRE
$366,258
$250,298
$115,960
$857,343
42.72%
$54.81
$250.00
6,682
8,616
8
77.6%
52.1%
25.5%
GODSPELL
CIRCLE IN THE SQUARE
$303,719
$307,842
$-4,123
$764,280
39.74%
$66.96
$199.00
4,536
5,880
8
77.1%
76.3%
0.8%
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING
AL HIRSCHFELD
$682,879
$1,319,824
$-636,945
$1,393,600
49.00%
$74.84
$302.00
9,125
11,392
8
80.1%
94.8%
-14.7%
JERSEY BOYS
AUGUST WILSON
$923,335
$915,982
$7,353
$1,180,668
78.20%
$98.81
$237.00
9,345
9,824
8
95.1%
92.2%
2.9%
MAMMA MIA!
WINTER GARDEN
$566,619
$574,950
$-8,331
$1,279,720
44.28%
$70.89
$200.00
7,993
11,984
8
66.7%
67.6%
-0.9%
MARY POPPINS
NEW AMSTERDAM
$645,133
$621,391
$23,742
$1,309,234
49.28%
$66.65
$177.00
9,679
14,376
8
67.3%
61.8%
5.5%
MEMPHIS
SHUBERT
$570,087
$520,530
$49,557
$1,197,060
47.62%
$64.63
$250.00
8,821
11,760
8
75.0%
66.6%
8.4%
ON A CLEAR DAY YOU CAN SEE FOREVER
ST. JAMES
$614,214
$574,605
$39,609
$1,402,632
43.79%
$73.72
$302.00
8,332
10,936
8
76.2%
69.2%
7.0%
OTHER DESERT CITIES
BOOTH
$491,987
$477,883
$14,104
$677,245
72.65%
$95.40
$125.00
5,157
6,088
8
84.7%
80.8%
3.9%
PORGY AND BESS
RICHARD RODGERS
$921,404
$878,884
$42,520
$1,336,600
68.94%
$88.93
$225.00
10,361
10,792
8
96.0%
87.1%
8.9%
PRISCILLA QUEEN OF THE DESERT
PALACE
$639,252
$625,052
$14,200
$1,458,535
43.83%
$69.57
$200.00
9,188
13,512
8
68.0%
65.3%
2.7%
RELATIVELY SPEAKING
BROOKS ATKINSON
$338,355
$332,496
$5,859
$950,840
35.58%
$59.69
$225.00
5,669
8,608
8
65.9%
66.4%
-0.5%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % of Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
ROCK OF AGES
HELEN HAYES
$383,466
$375,419
$8,047
$593,445
64.62%
$90.80
$248.00
4,223
4,712
8
89.6%
88.4%
1.2%
SEMINAR
GOLDEN
$380,321
$408,410
$-28,089
$685,490
55.48%
$76.17
$198.00
4,993
6,432
8
77.6%
77.8%
-0.2%
SISTER ACT
BROADWAY
$471,977
$462,966
$9,011
$1,526,464
30.92%
$63.01
$200.00
7,490
14,040
8
53.3%
48.9%
4.4%
SPIDER-MAN TURN OFF THE DARK
FOXWOODS
$1,417,922
$1,433,241
$-15,319
$1,807,688
78.44%
$97.14
$247.00
14,597
15,440
8
94.5%
94.4%
0.1%
STICK FLY
CORT
$292,182
$267,255
$24,927
$903,858
32.33%
$55.35
$250.00
5,279
8,632
8
61.2%
58.4%
2.8%
THE BOOK OF MORMON
EUGENE O'NEILL
$1,445,407
$1,425,488
$19,919
$1,244,432
116.15%
$165.15
$477.00
8,752
8,528
8
102.6%
102.6%
0.0%
THE LION KING
MINSKOFF
$1,382,353
$1,445,999
$-63,646
$1,690,268
81.78%
$109.37
$197.50
12,639
13,416
8
94.2%
99.9%
-5.7%
THE PHANTOM OF THE OPERA
MAJESTIC
$654,734
$684,134
$-29,400
$1,593,600
41.09%
$69.82
$200.00
9,377
12,840
8
73.0%
75.1%
-2.1%
THE ROAD TO MECCA
AMERICAN AIRLINES
$210,296
$175,792
$34,504
$640,240
32.85%
$56.36
$117.00
3,731
5,816
8
64.2%
75.9%
-11.7%
WAR HORSE
VIVIAN BEAUMONT
$959,199
$960,191
$-992
$1,032,020
92.94%
$113.19
$135.00
8,474
8,552
8
99.1%
99.6%
-0.5%
WICKED
GERSHWIN
$1,503,461
$1,534,111
$-30,650
$1,681,127
89.43%
$109.60
$300.00
13,718
14,472
8
94.8%
96.4%
-1.6%
WIT
FRIEDMAN
$205,987
$182,848
$23,139
$569,648
36.16%
$42.48
$0.00
4,849
5,200
8
93.3%
91.2%
2.1%
Show
This Week Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$17,414,095
Avg: $669,773
vs. Last Week:
-2.06%
$17,773,307

Avg: $683,589
$-359,212
$29,869,697
56.42%
$80.57
AVG.
$219.10
AVG.
205,816
258,696
208
79.98%
.AVG
78.33%
AVG.
1.66%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..