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Broadway Grosses - Week Ending 3/1/2009


Updated: August 18, 2014

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Industry Insight: Weekly Grosses Analysis - 8/18

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
33 VARIATIONS
(EUGENE O'NEILL)
$255,692
$257,720
$-2,028
$852,372
30.00%
$53.94
$350.00
4,740
8,472
8
55.9%
51.8%
4.1%
AUGUST: OSAGE COUNTY
(MUSIC BOX)
$246,357
$280,378
$-34,021
$749,351
32.88%
$59.74
$250.00
4,124
7,832
8
52.7%
60.7%
-8.0%
AVENUE Q
(GOLDEN)
$249,123
$321,544
$-72,421
$568,137
43.85%
$54.85
$200.00
4,542
6,368
8
71.3%
85.2%
-13.9%
BILLY ELLIOT: THE MUSICAL
(IMPERIAL)
$986,886
$1,180,058
$-193,172
$1,189,169
82.99%
$105.98
$300.00
9,312
11,368
8
81.9%
96.6%
-14.7%
BLITHE SPIRIT
(SHUBERT)
$323,955
$0
$323,955
$673,336
48.11%
$66.70
$300.00
4,857
7,395
5
65.7%
0.0%
0.0%
CHICAGO
(AMBASSADOR)
$378,334
$526,922
$-148,588
$894,767
42.28%
$64.96
$250.00
5,824
8,640
8
67.4%
86.9%
-19.5%
GOD OF CARNAGE
(JACOBS)
$118,607
$0
$118,607
$203,815
58.19%
$72.54
$250.00
1,635
2,156
2
75.8%
0.0%
0.0%
GUYS AND DOLLS
(NEDERLANDER)
$454,660
$608,247
$-153,587
$844,967
53.81%
$49.67
$275.00
9,154
9,504
8
96.3%
100.1%
-3.8%
HEDDA GABLER 2009
(AMERICAN AIRLINES)
$213,285
$223,429
$-10,144
$540,391
39.47%
$49.22
$111.50
4,333
5,920
8
73.2%
74.7%
-1.5%
IMPRESSIONISM
(SCHOENFELD)
$59,699
$0
$59,699
$102,518
58.23%
$73.79
$300.00
809
1,071
1
75.5%
0.0%
0.0%
IN THE HEIGHTS
(RICHARD RODGERS)
$737,490
$842,141
$-104,651
$936,813
78.72%
$76.19
$300.00
9,679
10,920
8
88.6%
94.3%
-5.7%
JERSEY BOYS
(AUGUST WILSON)
$955,865
$1,051,295
$-95,430
$846,719
112.89%
$105.98
$350.00
9,019
9,776
8
92.3%
101.2%
-8.9%
MAMMA MIA!
(WINTER GARDEN)
$754,745
$895,160
$-140,415
$1,192,560
63.29%
$71.01
$200.00
10,628
11,984
8
88.7%
97.5%
-8.8%
MARY POPPINS
(NEW AMSTERDAM)
$587,828
$826,927
$-239,099
$1,195,594
49.17%
$58.20
$250.00
10,100
14,376
8
70.3%
92.5%
-22.2%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
PAL JOEY
(STUDIO 54)
$282,275
$290,366
$-8,091
$716,291
39.41%
$46.78
$126.50
6,034
8,032
8
75.1%
73.1%
2.0%
SHREK THE MUSICAL
(BROADWAY)
$611,403
$850,280
$-238,877
$1,301,080
46.99%
$67.77
$300.00
9,022
13,880
8
65.0%
86.9%
-21.9%
SOUTH PACIFIC
(VIVIAN BEAUMONT)
$817,550
$921,580
$-104,030
$987,400
82.80%
$111.43
$125.00
7,337
8,328
8
88.1%
98.0%
-9.9%
THE 39 STEPS
(HELEN HAYES)
$162,117
$246,919
$-84,802
$518,320
31.28%
$55.84
$111.50
2,903
4,712
8
61.6%
88.4%
-26.8%
THE AMERICAN PLAN
(FRIEDMAN)
$220,216
$218,117
$2,099
$491,777
44.78%
$52.27
$105.00
4,213
5,200
8
81.0%
80.1%
0.9%
THE LION KING
(MINSKOFF)
$883,545
$1,144,776
$-261,231
$1,304,934
67.71%
$77.65
$250.00
11,379
13,232
8
86.0%
97.6%
-11.6%
THE LITTLE MERMAID
(LUNT-FONTANNE)
$593,516
$783,776
$-190,260
$1,128,090
52.61%
$64.08
$250.00
9,262
12,160
8
76.2%
88.8%
-12.6%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$572,818
$772,938
$-200,120
$1,215,993
47.11%
$59.48
$200.00
9,630
12,920
8
74.5%
94.8%
-20.3%
WEST SIDE STORY
(PALACE)
$1,042,713
$0
$1,042,713
$1,057,795
98.57%
$92.92
$300.00
11,222
11,739
7
95.6%
0.0%
0.0%
WICKED
(GERSHWIN)
$1,241,055
$1,449,915
$-208,860
$1,422,643
87.24%
$90.53
$300.00
13,709
14,472
8
94.7%
100.0%
-5.3%
YOU'RE WELCOME AMERICA. A FINAL NIGHT WITH GEORGE W. BUSH
(CORT)
$880,511
$871,127
$9,384
$761,273
115.66%
$103.10
$250.00
8,540
8,536
8
100.0%
100.0%
0.0%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$13,630,245
Avg: $545,210
vs. Last Week:
-6.85%
$14,563,615

Avg: $693,505
$-933,370
$21,696,105
60.32%
$71.38
AVG.
$240.18
AVG.
182,007
228,993
183
78.14%
.AVG
88.06%
AVG.
-9.92%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..