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Broadway Grosses - Week Ending 7/16/2006


Updated: December 22, 2014

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Industry Insight: Weekly Grosses Analysis - 12/22

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
AVENUE Q
(Golden)
$418,091
$397,738
$20,353
$494,177
84.60%
$69.76
$201.25
5,993
6,368
8
94.1%
93.5%
0.6%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$730,501
$682,530
$47,971
$845,808
86.37%
$64.19
$175.00
11,380
12,072
8
94.3%
86.4%
7.9%
BRIDGE AND TUNNEL
(HELEN HAYES)
$178,540
$166,776
$11,764
$348,670
51.21%
$55.21
$201.25
3,234
4,102
7
78.8%
74.4%
4.4%
CHICAGO
(AMBASSADOR)
$484,605
$478,893
$5,712
$803,297
60.33%
$67.19
$240.00
7,212
8,640
8
83.5%
85.2%
-1.7%
DIRTY ROTTEN SCOUNDRELS
(IMPERIAL)
$682,455
$575,272
$107,183
$946,981
72.07%
$65.84
$251.25
10,365
11,480
8
90.3%
83.8%
6.5%
FAITH HEALER
(BOOTH)
$427,436
$368,919
$58,517
$526,953
81.11%
$78.99
$251.25
5,411
6,240
8
86.7%
77.9%
8.8%
HAIRSPRAY
(NEIL SIMON)
$661,181
$635,982
$25,199
$967,679
68.33%
$65.80
$240.00
10,049
11,424
8
88.0%
86.1%
1.9%
HOT FEET
(HILTON THEATRE)
$273,533
$249,820
$23,713
$1,282,880
21.32%
$50.26
$101.25
5,442
14,504
8
37.5%
34.3%
3.2%
JERSEY BOYS
(AUGUST WILSON)
$1,050,974
$1,072,995
$-22,021
$936,207
112.26%
$106.89
$251.25
9,832
9,776
8
100.6%
100.6%
0.0%
MAMMA MIA!
(CADILLAC WINTER G)
$955,672
$933,076
$22,596
$1,095,684
87.22%
$79.18
$201.25
12,069
11,984
8
100.7%
98.1%
2.6%
RENT
(NEDERLANDER)
$489,391
$434,294
$55,097
$528,739
92.56%
$60.79
$200.00
8,050
9,448
8
85.2%
76.4%
8.8%
SHINING CITY
(BILTMORE)
$301,046
$250,918
$50,128
$412,794
72.93%
$60.15
$80.00
5,005
5,200
8
96.3%
88.5%
7.8%
SPAMALOT
(SHUBERT)
$1,029,511
$1,001,892
$27,619
$910,451
113.08%
$88.37
$301.25
11,650
11,528
8
101.1%
101.1%
0.0%
SWEENEY TODD
(EUGENE O'NEILL)
$340,982
$321,909
$19,073
$725,760
46.98%
$69.89
$289.25
4,879
8,832
8
55.2%
53.5%
1.7%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
TARZAN
(RICHARD RODGERS)
$837,723
$786,183
$51,540
$843,920
99.27%
$81.03
$201.25
10,338
10,552
8
98.0%
90.3%
7.7%
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
(CIRCLE)
$331,037
$297,805
$33,232
$456,768
72.47%
$64.67
$175.00
5,119
5,472
8
93.5%
90.5%
3.0%
THE COLOR PURPLE
(BROADWAY)
$1,143,888
$1,107,373
$36,515
$1,174,953
97.36%
$83.88
$251.25
13,638
13,744
8
99.2%
98.4%
0.8%
THE DROWSY CHAPERONE
(MARQUIS)
$952,371
$913,491
$38,880
$997,362
95.49%
$88.29
$248.75
10,787
12,888
8
83.7%
83.8%
-0.1%
THE HISTORY BOYS
(BROADHURST)
$748,812
$703,239
$45,573
$751,179
99.68%
$81.72
$176.25
9,163
9,152
8
100.1%
98.9%
1.2%
THE LIEUTENANT OF INISHMORE
(LYCEUM)
$211,753
$183,132
$28,621
$469,873
45.07%
$50.08
$176.25
4,228
6,488
8
65.2%
59.1%
6.1%
THE LION KING
(MINSKOFF)
$1,243,011
$1,207,411
$35,600
$1,155,334
107.59%
$97.22
$250.00
12,785
12,784
8
100.0%
98.1%
1.9%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$839,960
$777,866
$62,094
$1,002,310
83.80%
$67.59
$200.00
12,427
12,856
8
96.7%
89.0%
7.7%
THE PRODUCERS
(ST. JAMES)
$645,977
$624,462
$21,515
$1,042,163
61.98%
$67.95
$241.25
9,506
13,648
8
69.7%
69.6%
0.1%
THE WEDDING SINGER
(AL HIRSCHFELD)
$598,616
$551,335
$47,281
$1,102,860
54.28%
$69.80
$251.25
8,576
11,376
8
75.4%
73.3%
2.1%
WICKED
(GERSHWIN)
$1,438,835
$1,438,551
$284
$1,155,784
124.49%
$99.42
$300.00
14,472
14,472
8
100.0%
100.0%
0.0%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$17,015,901
Avg: $680,636
vs. Last Week:
5.02%
$16,161,862

Avg: $646,474
$854,039
$20,978,586
79.67%
$73.37
AVG.
$218.22
AVG.
221,610
255,030
199
86.95%
.AVG
83.63%
AVG.
3.32%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..