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Broadway Grosses - Week Ending 10/23/2005


Updated: October 27, 2014

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Industry Insight: Weekly Grosses Analysis - 10/27

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
A NAKED GIRL ON THE APPIAN WAY
(AMERICAN AIRLINES)
$267,179
$252,554
$14,625
$356,124
75.02%
$53.40
$81.25
5,003
5,920
8
84.5%
79.3%
5.2%
ABSURD PERSON SINGULAR
(BILTMORE)
$176,355
$179,394
$-3,039
$370,432
47.61%
$50.72
$79.00
3,477
5,152
8
67.5%
75.1%
-7.6%
AVENUE Q
(Golden)
$442,830
$420,380
$22,450
$516,205
85.79%
$77.55
$201.25
5,710
6,368
8
89.7%
85.9%
3.8%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$643,427
$635,266
$8,161
$845,808
76.07%
$58.19
$100.00
11,058
12,072
8
91.6%
92.2%
-0.6%
CHICAGO
(AMBASSADOR)
$602,544
$610,126
$-7,582
$716,419
84.10%
$71.56
$240.00
8,420
8,640
8
97.5%
100.1%
-2.6%
CHITTY CHITTY BANG BANG
(HILTON THEATRE)
$563,406
$526,842
$36,564
$1,224,682
46.00%
$53.50
$101.25
10,531
14,456
8
72.8%
66.3%
6.5%
DIRTY ROTTEN SCOUNDRELS
(IMPERIAL)
$840,434
$766,124
$74,310
$946,981
88.75%
$77.12
$101.25
10,898
11,480
8
94.9%
88.0%
6.9%
DOUBT
(WALTER KERR)
$543,607
$503,681
$39,926
$552,398
98.41%
$74.33
$89.00
7,313
7,392
8
98.9%
94.3%
4.6%
FIDDLER ON THE ROOF
(MINSKOFF)
$582,273
$481,294
$100,979
$1,071,158
54.36%
$55.44
$100.00
10,503
13,528
8
77.6%
64.4%
13.2%
HAIRSPRAY
(NEIL SIMON)
$650,087
$637,759
$12,328
$967,679
67.18%
$64.24
$240.00
10,120
11,424
8
88.6%
86.2%
2.4%
IN MY LIFE
(MUSIC BOX)
$145,854
$127,308
$18,546
$684,442
21.31%
$47.90
$101.25
3,045
8,072
8
37.7%
38.4%
-0.7%
JERSEY BOYS
(AUGUST WILSON)
$389,964
$329,258
$60,706
$748,722
52.08%
$62.49
$90.00
6,240
9,776
8
63.8%
55.9%
7.9%
LATINOLOGUES
(HELEN HAYES)
$69,643
$66,762
$2,881
$252,180
27.62%
$46.74
$61.00
1,490
4,712
8
31.6%
32.0%
-0.4%
MAMMA MIA!
(CADILLAC WINTER G)
$999,021
$981,568
$17,453
$1,095,684
91.18%
$82.94
$201.25
12,045
11,984
8
100.5%
99.8%
0.7%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
MOVIN' OUT
(RICHARD RODGERS)
$517,997
$467,983
$50,014
$824,208
62.85%
$55.02
$240.00
9,414
10,576
8
89.0%
78.3%
10.7%
RENT
(NEDERLANDER)
$424,154
$427,867
$-3,713
$528,739
80.22%
$55.71
$85.00
7,614
9,448
8
80.6%
78.8%
1.8%
SPAMALOT
(SHUBERT)
$1,066,499
$1,054,345
$12,154
$910,451
117.14%
$90.97
$301.25
11,724
11,528
8
101.7%
101.8%
-0.1%
SWEET CHARITY
(AL HIRSCHFELD)
$550,713
$535,483
$15,230
$1,004,724
54.81%
$62.72
$100.00
8,781
11,376
8
77.2%
84.0%
-6.8%
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
(CIRCLE)
$418,426
$382,804
$35,622
$456,768
91.61%
$81.61
$95.00
5,127
5,472
8
93.7%
82.2%
11.5%
THE LIGHT IN THE PIAZZA
(VIVIAN BEAUMONT)
$596,633
$521,000
$75,633
$781,675
76.33%
$78.35
$100.00
7,615
8,328
8
91.4%
80.0%
11.4%
THE LION KING
(NEW AMSTERDAM)
$1,138,475
$1,140,662
$-2,187
$1,264,960
90.00%
$80.97
$100.00
14,060
14,408
8
97.6%
97.9%
-0.3%
THE ODD COUPLE
(BROOKS ATKINSON)
$877,971
$880,750
$-2,779
$849,250
103.38%
$100.93
$100.00
8,699
8,616
8
101.0%
101.1%
-0.1%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$704,811
$736,234
$-31,423
$1,002,310
70.32%
$62.19
$200.00
11,333
12,856
8
88.2%
89.9%
-1.7%
THE PRODUCERS
(ST. JAMES)
$866,819
$820,600
$46,219
$1,042,163
83.17%
$70.99
$240.00
12,210
13,648
8
89.5%
82.5%
7.0%
WICKED
(GERSHWIN)
$1,301,198
$1,281,947
$19,251
$1,155,784
112.58%
$89.91
$240.00
14,472
14,472
8
100.0%
100.0%
0.0%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$15,380,320
Avg: $615,213
vs. Last Week:
3.98%
$14,767,991

Avg: $590,720
$612,329
$20,169,946
74.32%
$68.22
AVG.
$143.51
AVG.
216,902
251,704
200
84.28%
.AVG
81.38%
AVG.
2.91%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..