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Broadway Grosses - Week Ending 1/23/2005


Updated: July 21, 2014

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Industry Insight: Weekly Grosses Analysis - 7/21

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
700 SUNDAYS
(BROADHURST)
$810,281
$851,290
$-41,009
$742,094
109.19%
$97.59
$101.25
8,303
8,302
7
100.0%
101.3%
-1.3%
AVENUE Q
(Golden)
$482,326
$512,469
$-30,143
$516,205
93.44%
$78.88
$201.25
6,115
6,368
8
96.0%
98.7%
-2.7%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$423,937
$595,698
$-171,761
$845,808
50.12%
$59.61
$100.00
7,112
12,072
8
58.9%
76.0%
-17.1%
BROOKLYN
(PLYMOUTH)
$213,326
$289,453
$-76,127
$727,492
29.32%
$48.78
$100.00
4,373
8,352
8
52.4%
66.8%
-14.4%
BROOKLYN BOY
(BILTMORE)
$159,921
$119,248
$40,673
$374,254
42.73%
$45.57
$78.00
3,509
5,200
8
67.5%
0.0%
67.5%
CHICAGO
(AMBASSADOR)
$345,148
$505,489
$-160,341
$716,419
48.18%
$61.20
$240.00
5,640
8,640
8
65.3%
87.4%
-22.1%
DAME EDNA: BACK WITH A VENGEANCE
(MUSIC BOX)
$250,846
$335,307
$-84,461
$532,245
47.13%
$67.94
$86.25
3,692
6,993
7
52.8%
72.2%
-19.4%
DEMOCRACY
(BROOKS ATKINSON)
$275,617
$361,069
$-85,452
$660,140
41.75%
$60.24
$95.00
4,575
8,416
8
54.4%
71.0%
-16.6%
FIDDLER ON THE ROOF
(MINSKOFF)
$483,528
$638,666
$-155,138
$1,071,158
45.14%
$46.40
$100.00
10,420
13,528
8
77.0%
85.5%
-8.5%
GEM OF THE OCEAN
(WALTER KERR)
$185,270
$232,617
$-47,347
$539,964
34.31%
$45.54
$85.00
4,068
7,512
8
54.2%
64.4%
-10.2%
HAIRSPRAY
(NEIL SIMON)
$551,527
$705,019
$-153,492
$967,679
56.99%
$67.43
$240.00
8,179
11,424
8
71.6%
83.5%
-11.9%
LA CAGE AUX FOLLES 2004-2005
(MARQUIS)
$557,990
$645,938
$-87,948
$1,041,357
53.58%
$61.90
$100.00
9,014
12,528
8
72.0%
78.7%
-6.7%
LITTLE WOMEN
(VIRGINIA)
$342,638
$506,502
$-163,864
$843,952
40.60%
$60.84
$99.00
5,632
9,776
8
57.6%
80.2%
-22.6%
MAMMA MIA!
(CADILLAC WINTER G)
$830,708
$899,393
$-68,685
$1,033,311
80.39%
$74.89
$201.25
11,093
11,984
8
92.6%
98.2%
-5.6%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
MOVIN' OUT
(RICHARD RODGERS)
$479,206
$579,949
$-100,743
$824,208
58.14%
$62.64
$240.00
7,650
10,576
8
72.3%
79.1%
-6.8%
PACIFIC OVERTURES
(STUDIO 54)
$303,135
$349,271
$-46,136
$453,440
66.85%
$52.73
$91.25
5,749
7,384
8
77.9%
87.7%
-9.8%
RENT
(NEDERLANDER)
$273,734
$438,827
$-165,093
$528,739
51.77%
$47.39
$85.00
5,776
9,448
8
61.1%
89.5%
-28.4%
THE LION KING
(NEW AMSTERDAM)
$963,803
$1,073,410
$-109,607
$1,264,960
76.19%
$77.85
$100.00
12,380
14,408
8
85.9%
93.8%
-7.9%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$632,041
$659,015
$-26,974
$1,002,310
63.06%
$54.14
$200.00
11,675
12,856
8
90.8%
95.0%
-4.2%
THE PRODUCERS
(ST. JAMES)
$696,645
$822,288
$-125,643
$1,042,163
66.85%
$72.53
$240.00
9,605
13,648
8
70.4%
81.1%
-10.7%
THE RIVALS
(VIVIAN BEAUMONT)
$257,862
$323,933
$-66,071
$692,640
37.23%
$50.51
$85.00
5,105
8,464
8
60.3%
75.3%
-15.0%
TWELVE ANGRY MEN
(AMERICAN AIRLINES)
$291,097
$345,446
$-54,349
$470,800
61.83%
$57.94
$86.25
5,024
5,920
8
84.9%
93.4%
-8.5%
WHOOPI
(LYCEUM)
$189,230
$231,438
$-42,208
$386,725
48.93%
$53.56
$76.25
3,533
6,454
7
54.7%
70.8%
-16.1%
WICKED
(GERSHWIN)
$1,232,405
$1,246,349
$-13,944
$1,155,784
106.63%
$85.16
$240.00
14,472
14,472
8
100.0%
100.0%
0.0%
WONDERFUL TOWN
(AL HIRSCHFELD)
$373,957
$506,530
$-132,573
$949,032
39.40%
$65.17
$95.00
5,738
11,496
8
49.9%
63.3%
-13.4%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$11,606,178
Avg: $464,247
vs. Last Week:
-18.68%
$13,774,614

Avg: $573,942
$-2,168,436
$19,382,879
57.99%
$62.26
AVG.
$134.63
AVG.
178,432
246,221
197
71.22%
.AVG
83.04%
AVG.
-11.82%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..