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Broadway Grosses - Week Ending 1/9/2005


Updated: July 21, 2014

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Industry Insight: Weekly Grosses Analysis - 7/21

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
'NIGHT MOTHER
(ROYALE)
$165,921
$185,950
$-20,029
$644,317
25.75%
$52.24
$86.25
3,176
8,624
8
36.8%
41.3%
-4.5%
700 SUNDAYS
(BROADHURST)
$819,002
$815,787
$3,215
$742,094
110.36%
$97.58
$101.25
8,393
8,302
7
101.1%
101.2%
-0.1%
AVENUE Q
(Golden)
$514,456
$553,077
$-38,621
$516,205
99.66%
$81.95
$201.25
6,278
6,368
8
98.6%
100.0%
-1.4%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$651,563
$1,044,028
$-392,465
$845,808
77.03%
$61.63
$100.00
10,573
12,072
8
87.6%
100.0%
-12.4%
BROOKLYN
(PLYMOUTH)
$295,879
$435,176
$-139,297
$727,492
40.67%
$50.17
$100.00
5,897
8,352
8
70.6%
68.2%
2.4%
CHICAGO
(AMBASSADOR)
$556,814
$734,434
$-177,620
$716,419
77.72%
$68.67
$240.00
8,109
8,640
8
93.9%
101.5%
-7.6%
DAME EDNA: BACK WITH A VENGEANCE
(MUSIC BOX)
$313,192
$466,781
$-153,589
$532,245
58.84%
$65.56
$86.25
4,777
6,993
7
68.3%
80.3%
-12.0%
DEMOCRACY
(BROOKS ATKINSON)
$336,294
$462,857
$-126,563
$660,140
50.94%
$61.27
$95.00
5,489
8,416
8
65.2%
69.8%
-4.6%
FIDDLER ON THE ROOF
(MINSKOFF)
$601,947
$1,145,912
$-543,965
$1,071,158
56.20%
$48.33
$100.00
12,456
13,528
8
92.1%
94.0%
-1.9%
GEM OF THE OCEAN
(WALTER KERR)
$253,924
$311,520
$-57,596
$539,964
47.03%
$47.46
$85.00
5,350
7,512
8
71.2%
77.8%
-6.6%
HAIRSPRAY
(NEIL SIMON)
$736,746
$1,095,873
$-359,127
$967,679
76.14%
$70.20
$240.00
10,495
11,424
8
91.9%
101.1%
-9.2%
LA CAGE AUX FOLLES 2004-2005
(MARQUIS)
$629,357
$880,456
$-251,099
$1,041,357
60.44%
$64.05
$100.00
9,826
12,528
8
78.4%
81.5%
-3.1%
LITTLE WOMEN
(VIRGINIA)
$462,125
$643,649
$-181,524
$843,952
54.76%
$63.30
$99.00
7,301
9,776
8
74.7%
80.7%
-6.0%
MAMMA MIA!
(CADILLAC WINTER G)
$922,791
$1,130,027
$-207,236
$1,033,311
89.30%
$77.16
$201.25
11,960
11,984
8
99.8%
102.0%
-2.2%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
MOVIN' OUT
(RICHARD RODGERS)
$600,063
$1,003,096
$-403,033
$824,208
72.80%
$64.71
$240.00
9,273
10,576
8
87.7%
96.3%
-8.6%
PACIFIC OVERTURES
(STUDIO 54)
$340,866
$383,017
$-42,151
$453,440
75.17%
$53.88
$91.25
6,326
7,384
8
85.7%
91.6%
-5.9%
RENT
(NEDERLANDER)
$449,584
$683,165
$-233,581
$528,739
85.03%
$52.98
$85.00
8,486
9,448
8
89.8%
102.4%
-12.6%
THE LION KING
(NEW AMSTERDAM)
$1,153,361
$1,324,447
$-171,086
$1,264,960
91.18%
$79.86
$100.00
14,443
14,408
8
100.2%
101.2%
-1.0%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$716,682
$976,818
$-260,136
$1,002,310
71.50%
$55.73
$200.00
12,860
12,856
8
100.0%
101.7%
-1.7%
THE PRODUCERS
(ST. JAMES)
$850,764
$1,217,945
$-367,181
$1,042,163
81.63%
$69.29
$240.00
12,279
13,648
8
90.0%
100.3%
-10.3%
THE RIVALS
(VIVIAN BEAUMONT)
$258,249
$339,219
$-80,970
$692,640
37.28%
$51.67
$85.00
4,998
8,464
8
59.1%
67.8%
-8.7%
TWELVE ANGRY MEN
(AMERICAN AIRLINES)
$352,429
$408,193
$-55,764
$470,800
74.86%
$64.32
$86.25
5,479
5,920
8
92.6%
97.5%
-4.9%
WHOOPI
(LYCEUM)
$199,240
$279,222
$-79,982
$386,725
51.52%
$54.78
$76.25
3,637
6,454
7
56.4%
69.4%
-13.0%
WICKED
(GERSHWIN)
$1,258,911
$1,276,328
$-17,417
$1,155,784
108.92%
$86.99
$240.00
14,472
14,472
8
100.0%
100.0%
0.0%
WONDERFUL TOWN
(AL HIRSCHFELD)
$443,118
$772,385
$-329,267
$949,032
46.69%
$65.41
$95.00
6,774
11,496
8
58.9%
82.2%
-23.3%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$13,883,278
Avg: $555,331
vs. Last Week:
-33.75%
$18,569,362

Avg: $742,774
$-4,686,084
$19,652,942
68.86%
$64.37
AVG.
$134.96
AVG.
209,107
249,645
197
82.02%
.AVG
88.39%
AVG.
-6.37%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..