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Broadway Grosses - Week Ending 3/14/2004


Updated: September 22, 2014

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
42ND STREET
(FORD CENTER)
$591,859
$460,451
$131,408
$1,069,078
55.36%
$52.18
$101.20
11,343
14,504
8
78.2%
61.3%
16.9%
AIDA
(PALACE)
$577,495
$468,697
$108,798
$920,819
62.72%
$52.69
$100.00
10,961
13,560
8
80.8%
64.1%
16.7%
AVENUE Q
(Golden)
$421,330
$376,613
$44,717
$451,718
93.27%
$67.06
$91.25
6,283
6,368
8
98.7%
88.7%
10.0%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$621,052
$491,338
$129,714
$837,408
74.16%
$56.69
$95.00
10,955
12,072
8
90.7%
74.4%
16.3%
CHICAGO
(AMBASSADOR)
$559,094
$481,786
$77,308
$716,419
78.04%
$65.71
$240.00
8,508
8,640
8
98.5%
87.6%
10.9%
DROWNING CROW
(BILTMORE)
$151,823
$188,921
$-37,098
$361,684
41.98%
$51.00
$80.00
2,977
5,200
8
57.3%
73.6%
-16.3%
FIDDLER ON THE ROOF
(MINSKOFF)
$782,761
$664,509
$118,252
$1,071,158
73.08%
$61.68
$100.00
12,690
13,528
8
93.8%
90.8%
3.0%
GOLDA'S BALCONY
(HELEN HAYES)
$128,303
$116,683
$11,620
$449,403
28.55%
$45.61
$81.25
2,813
4,712
8
59.7%
51.0%
8.7%
GYPSY 2003-2004
(SHUBERT)
$492,451
$378,547
$113,904
$941,395
52.31%
$53.19
$101.25
9,258
11,576
8
80.0%
65.1%
14.9%
HAIRSPRAY
(NEIL SIMON)
$909,339
$838,218
$71,121
$967,679
93.97%
$82.77
$240.00
10,987
11,424
8
96.2%
89.2%
7.0%
I AM MY OWN WIFE
(LYCEUM)
$144,977
$149,473
$-4,496
$364,703
39.75%
$46.47
$85.00
3,120
4,928
7
63.3%
55.5%
7.8%
KING LEAR
(VIVIAN BEAUMONT)
$295,494
$233,623
$61,871
$454,400
65.03%
$58.55
$90.00
5,047
5,235
5
96.4%
87.4%
9.0%
LITTLE SHOP OF HORRORS
(VIRGINIA)
$405,380
$315,920
$89,460
$832,878
48.67%
$55.93
$240.00
7,248
9,680
8
74.9%
57.8%
17.1%
MAMMA MIA!
(CADILLAC WINTER G)
$891,523
$893,477
$-1,954
$1,033,311
86.28%
$75.32
$100.00
11,837
11,984
8
98.8%
97.0%
1.8%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
MATCH
(PLYMOUTH)
$73,635
$0
$73,635
$150,857
48.81%
$50.16
$81.25
1,468
2,158
2
68.0%
0.0%
0.0%
MOVIN' OUT
(RICHARD RODGERS)
$662,121
$588,857
$73,264
$824,208
80.33%
$66.22
$240.00
9,999
10,576
8
94.5%
83.4%
11.1%
RENT
(NEDERLANDER)
$376,692
$251,348
$125,344
$528,739
71.24%
$46.16
$85.00
8,161
9,448
8
86.4%
57.2%
29.2%
SLY FOX
(BARRYMORE)
$181,434
$0
$181,434
$243,173
74.61%
$68.47
$91.25
2,650
3,174
3
83.5%
0.0%
0.0%
THE BOY FROM OZ
(IMPERIAL)
$787,206
$721,546
$65,660
$955,655
82.37%
$70.79
$101.25
11,121
11,480
8
96.9%
88.7%
8.2%
THE LION KING
(NEW AMSTERDAM)
$1,092,062
$1,144,441
$-52,379
$1,182,800
92.33%
$75.85
$100.00
14,397
14,344
8
100.4%
95.4%
5.0%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$598,194
$504,414
$93,780
$1,002,310
59.68%
$52.16
$100.00
11,469
12,856
8
89.2%
74.6%
14.6%
THE PRODUCERS
(ST. JAMES)
$1,330,320
$1,343,031
$-12,711
$1,042,163
127.65%
$96.51
$480.00
13,784
13,648
8
101.0%
101.0%
0.0%
THOROUGHLY MODERN MILLIE
(MARQUIS)
$504,024
$432,395
$71,629
$994,201
50.70%
$54.02
$240.00
9,331
12,624
8
73.9%
63.7%
10.2%
TWENTIETH CENTURY
(AMERICAN AIRLINES)
$286,466
$261,145
$25,321
$349,905
81.87%
$50.60
$86.25
5,661
5,920
8
95.6%
0.0%
95.6%
WICKED
(GERSHWIN)
$1,064,717
$956,417
$108,300
$1,130,121
94.21%
$75.06
$240.00
14,184
14,184
8
100.0%
92.9%
7.1%
WONDERFUL TOWN
(AL HIRSCHFELD)
$548,668
$479,652
$69,016
$949,032
57.81%
$62.64
$95.00
8,759
11,496
8
76.2%
64.0%
12.2%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$14,478,420
Avg: $556,862
vs. Last Week:
12.00%
$12,741,502

Avg: $553,978
$1,736,918
$19,825,217
69.80%
$61.29
AVG.
$141.73
AVG.
225,011
255,319
193
85.88%
.AVG
76.71%
AVG.
9.17%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..